Fables of the Deconstruction


Book Description




Refiguring La Fontaine


Book Description

Reprint of an internationally praised collection of essays by a team of cutting-edge La Fontaine scholars.




Fables of the Deconstruction


Book Description

Not unlike his literary forebearers Donald Barthelme and Robert Coover, Damian Dressick brings us a crackling series of dispatches fresh from the postmodernist front. This daring gathering of brief, innovative stories tantalizes the intellect nearly as much as it illuminates the human heart. Drawing from his quiver of flash fictions, prose poems, lists, pie charts and micros, Dressick's narratives are fully engaged with the wild disorder that everyday feels more and more like the sine qua non of our fractured now. Meet meth-addicted grizzly bears, a coal mining Jesus, grieving alcoholic parents, and murderous villagers whose only speech is culinary in this fleeting edge tour de force....Fables of the Deconstruction. PRAISE FOR FABLES OF THE DECONSTRUCTION "This collection of sixty-three stories is as rich and varied as a patisserie, as nasty and brutish as a Japanese architect in the mid-sixties, as delicate as the swift-moving scents in the coastal air at midnight. To call these stories short-shorts or "flash fiction" is to do them a disservice. While some are indeed short, and many are pleasantly flashy, every one hits home with the weight of boxer's punch, every one is more beautiful, and more fun, than the last. This is a first rate performance by an artist to be reckoned with." -Frederick Barthelme, author of There Must Be Some Mistake "Like Donald Barthelme, Damian Dressick finds himself on the leading edge of the junk phenomena. The thingness of things falls apart delightfully right before our dilated eyes. Fun for the whole goddamn nuclear family." -Michael Martone, author of Michael Martone "Fables of the Deconstruction is funny, sad, dreamy, and brutal. The stories here veer off in strange directions, happily disobedient to the conventions that plague so much of our current grindingly cautious literature. This is a credit to Damian Dressick, an excitable and exciting new writer who will probably be a big deal someday and, in fact, if you check your heart, already is." -Steve Almond, author of Rock and Roll Will Save Your Life "Damian Dressick writes with gusto and sly humor, and Fables of the Deconstruction introduces a bold and robust new voice of impressive range. A heady debut." -Gary Lutz, author of The Complete Gary Lutz "Damian Dressick's Fables of the Deconstruction expertly explores the question: why not? Wandering through Dressick's terrain, you can leave your own (real) life behind for a while. Sit back and enjoy. This little book will make you both happy and sad-with footnotes." -Sherrie Flick author of I Call This Flirting and Reconsidering Happiness




Fables of Responsibility


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This book offers an analysis of the ways a linked set of ethico-political concepts—responsibility, rights, freedom, equality, and justice—might be re-thought, not simply jettisoned or reactively defended, in view of the linguistic deconstruction of their underlying principle, the individual human subject. In a series of readings of contemporary thinkers (notably Foucault and Derrida) and their philosophical antecedents (Marx, Nietzsche, Sade), the author argues that an encounter with the difficulties of reading (literary) language, precisely what resists the immediate comprehension or mastery of a subject, enables in turn a new thought of rights and responsibility. What literature teaches us about politics is that the absence of foundations, whether in the world or in the subject, far from being its downfall, is its very condition of possibility: because a foundation or a final resolution is lacking, we have politics and ethics and their predicaments. Like the reading of a text, which is never quite done, any responsibility worthy of the name cannot rest in the good conscience of its certain accomplishment; likewise, the assertion of rights can never be circumscribed or guaranteed—hence the ongoing necessity of the ethical and the political. The book is driven by a sense that literary and theoretical questions, and the ideas or concepts they appeal to or provoke, play a critical role in the way we think about and experience politics, but that literary critics and theorists do far too little to understand those links or make them matter outside a very restricted sphere. The author seeks to harness this specialized discourse in order to consider what ethical and political thinking might learn from literature and its theorists.




SPIN


Book Description

From the concert stage to the dressing room, from the recording studio to the digital realm, SPIN surveys the modern musical landscape and the culture around it with authoritative reporting, provocative interviews, and a discerning critical ear. With dynamic photography, bold graphic design, and informed irreverence, the pages of SPIN pulsate with the energy of today's most innovative sounds. Whether covering what's new or what's next, SPIN is your monthly VIP pass to all that rocks.




Our Oldest Enemy


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Liberté? Egalité? Fraternité? Or just plain gall? In this provocative and brilliantly researched history of how the French have dealt with the United States, John J. Miller and Mark Molesky demonstrate that the cherished idea of French friendship has little basis in reality. Despite the myth of the “sister republics,” the French have always been our rivals, and have harmed and obstructed our interests more often than not. This history of French hostility goes back to 1704, when a group of French and Indians massacred American settlers in Deerfield, Massachusetts. The authors also debunk the myth of French aid during the Revolution: contrary to popular notions, the French did not enter the war until very late and were mainly interested in hurting their rivals, the British. After the war, the French continued to see themselves as major players in the Western hemisphere and shaped their policies to limit the growth and power of the new nation. The notorious XYZ affair, involving French efforts to undermine the government of George Washington, led to an undeclared naval war with France in 1798. During the Civil War, the French supported the Confederacy and installed a puppet emperor in Mexico. In the twentieth century, Americans clashed with the French repreatedly. The French victory over President Wilson at Versailles imposed a short-sighted and punitive settlement on Germany that paved the way for the rise of fascism in the 1930s. During World War II, Vichy French troops killed hundreds of American soldiers in North Africa, and diehard French fascist units fought against the Allies in the rubble of Berlin. During the Cold War, Charles DeGaulle yanked France out of NATO and obstructed our efforts to roll back Soviet expansion. The legacy of French imperial power has been no less disastrous. The French left Haiti in a shambles, got us into Vietnam, and educated many of the world’s worst tyrants at their elite universities, including Pol Pot, the genocidal Cambodian dictator. The fascist Baath regimes in Iraq and Syria are another legacy of failed French colonialism. Americans have been particularly irritated by French cultural arrogance—their crusades against American movies, McDonalds, Disney, and the exclusion of American words from their language have always rubbed us the wrong way. This irritation has now blossomed into outrage. Our Oldest Enemy shows why that outrage is justified.




My White Planet


Book Description

Mark Anthony Jarman is one of Canada’s most original and compelling writers of short fiction. My White Planet is his latest collection of fourteen new stories, many of which have previously won or been short-listed for literary magazine awards. Jarman’s use of language and metaphor is unique in the Canadian literary pantheon. With extraordinary linguistic energy, he pushes the boundaries of fiction and story-telling. Every sentence reverberates with subtle meaning and every reading of a Jarman story brings out ever deeper layers of complexity and nuance. Here is a protean writer who bends form and enters into worlds and people with panache and a verve that is breath-taking. The range of his fiction is stunning: troops undertake a nightmarish march following Custer’s last stand; a father’s dogs tear apart his son and he is accused of cowardice and neglect; seven marooned men at a remote polar station save the life of a naked young woman; domestic squabbles and infidelity abound amidst west coast chainsaws and floatplanes; a dropout skateboarder falls off a railway bridge and drowns in the river; a city bus ride ends up crossing the entire country; a time traveler witnesses Louis Riel’s botched execution of Thomas Scott; a young woman removes her bra from under her shirt and her male friend is paralysed by possible meanings; an outsider plays old timer hockey in the wilds of New Brunswick; Victorian fashion is mixed up with the violent deaths of Custer, Louis Riel and Sitting Bull; a flight attendant is able to read passengers’ minds. A master of literary conceit and a hewer of breakneck language, Mark Anthony Jarman defies categorization and offers us instead a narrative freshness that surprises and offers up a world of wonders.




The Silicon Jungle


Book Description

A suspenseful story about the dangers of unknowingly revealing our most intimate thoughts and actions online What happens when a naive intern is granted unfettered access to people's most private thoughts and actions? Stephen Thorpe lands a coveted internship at Ubatoo, an Internet empire that provides its users with popular online services, from a search engine and e-mail, to social networking. When Stephen’s boss asks him to work on a project with the American Coalition for Civil Liberties, Stephen innocently obliges, believing he is mining Ubatoo’s vast databases to protect people unfairly targeted in the name of national security. But nothing is as it seems. Suspicious individuals surface, doing all they can to access Ubatoo’s wealth of confidential information. This need not require technical wizardry—simply knowing how to manipulate a well-intentioned intern may be enough. The Silicon Jungle is a cautionary fictional tale of data mining’s promise and peril. Baluja raises ethical questions about contemporary technological innovations, and how minute details can be routinely pieced together into rich profiles that reveal our habits, goals, and secret desires—all ready to be exploited.




The English Fable


Book Description

Between 1651 and 1740 hundreds of fables, fable collections, and biographies of the ancient Greek slave Aesop were published in England. In The English Fable, Jayne Elizabeth Lewis describes the national obsession with Aesop's fables during this period as both a figural response to sociopolitical crises, and an antidote to emerging anxieties about authorship. Lewis traces the role that fable collections, Augustan fable theory, and debates about the figure of Aesop played in the formation of a modern, literate, and self-consciously English culture, and shows how three Augustan writers - John Dryden, Anne Finch, and John Gay - experimented with the seemingly marginal symbolic form of fable to gain access to new centres of English culture. Often interpreted as a discourse of the dispossessed, the fable in fact offered Augustan writers access to a unique form of cultural authority.




Fable, Method, and Imagination in Descartes


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What role do fables play in Cartesian method and psychology? By looking at Descartes’ use of fables, James Griffith suggests there is a fabular logic that runs to the heart of Descartes’ philosophy. First focusing on The World and the Discourse on Method, this volume shows that by writing in fable form, Descartes allowed his readers to break from Scholastic methods of philosophizing. With this fable-structure or -logic in mind, the book reexamines the relationship between analysis, synthesis, and inexact sciences; between metaphysics and ethico-political life; and between the imagination, the will, and the passions.