Feminism and Contemporary Indian Women's Writing


Book Description

This book is a comparative and developmental study of the expression of feminist concerns in the novels of Kamala Markandaya, Nayantara Sahgal, Anita Desai, and Shashi Deshpande, among the best known and most prolific Indian novelists writing in English, who have been self-consciously engaged with women's issues during the postcolonial era.




Feminism and Contemporary Indian Women's Writing


Book Description

Elizabeth Jackson conducts a developmental and comparative study of feminist concerns expressed through the novels of the four best-known and most prolific Indian female authors writing in English during the latter half of the twentieth century: Kamala Markandaya, Nayantara Sahgal, Anita Desai, and Shashi Deshpande. The introduction situates their work within its Indian historical and political context, and each of the five chapters explores an area of particular relevance to their fictional writing: Women, Cultural Identity and Social Class; Marriage and Sexuality; Motherhood and Other Work; Women's Role in Maintaining and/or Resisting Patriarchy; and Form and Narrative Strategy. Each chapter is contextualised with a brief survey of Indian and western feminist approaches to the particular area under consideration. Feminism and Contemporary Indian Women's Writing explores areas of commonality and divergence between Indian and 'western' feminisms, highlighting the limits of both approaches to suggest future directions for feminism itself.




Women Writing in India: 600 B.C. to the early twentieth century


Book Description

Includes songs by Buddhist nuns, testimonies of medieval rebel poets and court historians, and the voices of more than 60 other writers of the 18th and 19th centuries. Among the diverse selections are a rare early essay by an untouchable woman; an account by the first feminist historian; and a selection from the first novel written in English by an Indian woman.




Contemporary Women’s Writing in India


Book Description

The word doyenne signifies the various expressions of female, feminine, and feminist aspects of contemporary literature in India, through multiple theoretical frameworks. Contemporary Women’s Writing in India is an edited collection dealing with a range of these issues set in the society of Indian culture. Indian women’s literature is still a fertile ground for critical enquiry. There are three sections in the collection: Section I deals with specific instances in history, historical constructions, and representations of gender. Section II offers a varied spectrum of feminist critical discourse on contemporary Indian women’s writing, intersecting with the frameworks of post-colonial theory, deconstruction, perspectives on race and ethnicity, and eco-feminism. Section III touches upon the notion of the woman’s body and psyche through the varied perspectives of psychoanalysis, feminism, and post-feminism. By thoroughly exploring a range of issues, Contemporary Women’s Writing promises to take the reader by the hand, and journey through the unfamiliar but refreshing landscape of women’s literature in India.







Feminism and Postfeminism


Book Description




The Danger of Gender


Book Description

With reference to 20th century Indian English literature with special reference to gender identity.




Feminism and the Post-modern Indian Women Novelists in English


Book Description

Papers presented at the National Conference on 'Dalit Literature : Contents, Trends and Concerns', held at Dehradun during 22-23 March 2009.




Indian Women Writing in English


Book Description

Contributed articles presented at a seminar hosted by Andhra University on 20th century women authors from India.




Feminism and Contemporary Women Writers


Book Description

This book attempts to deal with the problem of literary subjectivity in theory and practice. The works of six contemporary women writers — Doris Lessing, Anita Desai, Mahasweta Devi, Buchi Emecheta, Margaret Atwood and Toni Morrison — are discussed as potential ways of testing and expanding the theoretical debate. A brief history of subjectivity and subject formation is reviewed in the light of the works of thinkers such as Hobbes, Hume, Kant, Hegel, Marx, Nietzsche, Raymond Williams and Stephen Greenblatt, and the work of leading feminists is also seen contributing to the debate substantially.