First Concertino for B♭ Clarinet and Piano
Author : Georges Guilhaud
Publisher :
Page : 18 pages
File Size : 13,20 MB
Release : 1942
Category : Clarinet and piano music, Arranged
ISBN :
Author : Georges Guilhaud
Publisher :
Page : 18 pages
File Size : 13,20 MB
Release : 1942
Category : Clarinet and piano music, Arranged
ISBN :
Author : Frederic Barclay Emery
Publisher :
Page : 704 pages
File Size : 11,6 MB
Release : 1928
Category : Composers
ISBN :
Author : Carl Philipp Emanuel Bach
Publisher :
Page : 54 pages
File Size : 49,25 MB
Release : 2021-06-10
Category :
ISBN :
This volume contains C.P.E. Bach's keyboard concerto Wq 36, written in Berlin in 1762.
Author : Claudia Macdonald
Publisher : Taylor & Francis
Page : 382 pages
File Size : 18,39 MB
Release : 2023-05-09
Category : Music
ISBN : 1000938824
Robert Schumann was a unique personality in 19th century music: a celebrated music critic and champion of new composers as well as a talented performer and composer himself, he did much to modernize the literature and performance style for the piano. This book covers the key period of c. 1815-55, exploring how the generation that came after Beethoven was central in reshaping and refining the conception of the concerto style, and particularly the piano concerto. It relates Schumann's own compositional development to his musical environment, recreating the exciting milieu in which Schumann and his contemporaries lived and worked. Written in scholarly, but non-technical language, Robert Schumann and the Development of the Piano Concerto will appeal to college and conservatory teachers and students, as well as music connoisseurs. Also includes 60 musical examples.
Author : Scheurmann, G., firm, music publishers, London
Publisher :
Page : 904 pages
File Size : 35,93 MB
Release : 1855
Category : Music
ISBN :
Author : Augener & Co
Publisher :
Page : 1404 pages
File Size : 48,56 MB
Release : 1861
Category : Music
ISBN :
Author : Albert R. Rice
Publisher : Oxford University Press
Page : 272 pages
File Size : 15,15 MB
Release : 2020-06-05
Category : Music
ISBN : 0190916729
The first edition of Albert R. Rice's The Baroque Clarinet is widely considered the authoritative text on the European clarinet during the first half of the eighteenth century. Since its publication in 1992, its conclusions have influenced the approaches of musicologists, instrument historians, and clarinet performers. Twenty-eight years later, Rice has updated his renowned study in a second edition, with new chapters on chalumeau and clarinet music, insights on newly found instruments and additional material on the Baroque clarinet in society. Expanding the volume to include the chalumeau, close cousin and predecessor to the clarinet, Rice draws on nearly three decades of new research on the instrument's origins and music. Discoveries include two recently found chalumeaux in a private collection, one by Johann Heinrich Eichentopf of Leipzig, and attributions based on historical evidence for three more chalumeaux. Rice furthers the discussion to recently uncovered early instruments and historical scores, which shed light on the clarinet's evolution. Most essentially, Rice highlights the chalumeau's substantial late-seventeenth and early-eighteenth century repertory, comprising over 330 works by 66 composers, and includes a more expansive list of surviving Baroque clarinet works, organized by date, composer, and tonality/range. The Baroque Clarinet and Chalumeau provides a long-awaited follow-up to Rice's groundbreaking volume, drawing from a variety of sources-including German, Italian, Dutch, Swedish, Norwegian, Danish, Finnish, Flemish, Czech, and Catalan research-to bring this new information to an English-speaking audience. With his dedication to scholarly accuracy, Rice brings the Baroque clarinet into sharper focus than ever before.
Author : Jane Ellsworth
Publisher : Boydell & Brewer
Page : 309 pages
File Size : 43,6 MB
Release : 2021
Category : History
ISBN : 1648250173
Offers unique perspectives on the clarinet's historical role in various styles, genres, and ensembles, from jazz and ethnic traditions to classical chamber music, concertos, opera, and symphony orchestras.
Author : Gavin Dixon
Publisher : Taylor & Francis
Page : 302 pages
File Size : 14,88 MB
Release : 2016-11-18
Category : Music
ISBN : 1317059239
Alfred Schnittke (1934-1998) was arguably the most important Russian composer since Shostakovich, and his music has generated a great deal of academic interest in the years since his death. Schnittke Studies provides a variety of perspectives on the composer and his music. The field is currently diverse and vibrant, and this book demonstrates the range of academic approaches being applied to Schnittke’s work and the insights they provide, covering: polystylism, for which Schnittke is best known, the significance of the composer’s Christian faith, and detailed formal analyses of key works, with connections drawn between the apparently divergent periods of the composer’s career. This book has been prepared as a memorial to Professor Alexander Ivashkin, a leading scholar in the field, who died in 2014, and will be of interest not only to those studying Schnittke's music, but also those with an interest in late Soviet-era music in general. Chapter 5 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.
Author : William Phemister
Publisher : Rowman & Littlefield
Page : 321 pages
File Size : 39,48 MB
Release : 2018-06-20
Category : Music
ISBN : 1538112345
The second edition of William Phemister’s The American Piano Concerto Compendium reveals to professional and amateurs pianists alike a vast collection of available compositions by American composers. Analysis expands outside mainstream concerto styles to include those considered experimental or popular derivatives. The range of music flows from Pulitzer Prize winners like Samuel Barber, Gail Kubik, and John LaMontaine, to lesser-known multi-ethnic composers such as Tania León and Samuel Zyman, to old standards like Edward MacDowell and the first piano concerto written by an American-born composer, Otis B. Boise (1875), to the cutting-edge avant-garde of Milton Babbitt and Elliott Carter, just to name a few. These all contribute to the varied narrative that animates American piano music. With forty percent more works described, documented, and reviewed than were listed in the 1985 first edition from the College Music Society, this second edition is a valuable resource not only for pianists and conductors, but also for orchestras, teachers, students, music historians and critics, collectors, and concert attendees.