A Steady Hand


Book Description

Some biographers are critical of John Hunter's leadership style as the Governor of Port Jackson. Others say he was a failure at sea. Linda Groom disagrees and claims that Hunter was an outstanding seaman whose mere survival as governor was an achievement for his time. Linda Groom is Curator of the National Library of Australia's Pictures Collection.




First Fleet Artist


Book Description

"The life of George Raper and the discovery of his artwork of birds and plants dating from the time of the First Fleet."--Provided by publisher.




Australian Women Artists


Book Description

First generation 1788-1900 - Second generation 1880-1920 - Education and marriage - Separation and aesthetics - Crafts - Third generation 1918-1930 - Fourth generation 1928-1948 - Art and Politics.




Natural Curiosity


Book Description

Parrots and lorikeets swoop down, vivid, bright and colourful. Black swans glide through the air. Owls stare out from pages, wide-eyed. A sense of awe swept through natural history circles in eighteenth-century London when the first ships returned from Sydney with their cargo of exotic animals, birds and plants – and striking watercolour illustrations. The sudden emergence, in 2011, of a large number of these watercolour illustrations has revealed much about the early years of the colony. In Natural Curiosity, Louise Anemaat uncovers never-before-published works from the artists of the First Fleet, including convicts-turned-watercolourists Thomas Watling and John Doody, and the anonymous 'Port Jackson Painter'. She unravels the complex network of natural history collectors who spanned the globe – eagerly acquiring, copying and exchanging these artworks – from New South Wales Surgeon-General John White to passionate British collector Aylmer Bourke Lambert.




The Art of the First Fleet & Other Early Australian Drawings


Book Description

In 1788, the First Fleet landed in New South Wales, and European settlement in Australia began. Among those on board the eleven ships of the fleet were artists who recorded their impressions of the land, its indigenous people, its flora and fauna, and incidents or events which they considered significant.




A Companion to Australian Art


Book Description

A Companion to Australian Art is a thorough introduction to the art produced in Australia from the arrival of the First Fleet in 1788 to the early 21st century. Beginning with the colonial art made by Australia’s first European settlers, this volume presents a collection of clear and accessible essays by established art historians and emerging scholars alike. Engaging, clearly-written chapters provide fresh insights into the principal Australian art movements, considered from a variety of chronological, regional and thematic perspectives. The text seeks to provide a balanced account of historical events to help readers discover the art of Australia on their own terms and draw their own conclusions. The book begins by surveying the historiography of Australian art and exploring the history of art museums in Australia. The following chapters discuss art forms such as photography, sculpture, portraiture and landscape painting, examining the practice of art in the separate colonies before Federation, and in the Commonwealth from the early 20th century to the present day. This authoritative volume covers the last 250 years of art in Australia, including the Early Colonial, High Colonial and Federation periods as well as the successive Modernist styles of the 20th century, and considers how traditional Aboriginal art has adapted and changed over the last fifty years. The Companion to Australian Art is a valuable resource for both undergraduate and graduate students of the history of Australian artforms from colonization to postmodernism, and for general readers with an interest in the nation’s colonial art history.




The First Fleet


Book Description







Great Convict Stories


Book Description

Graham Seal has the knack of the storyteller' Warren Fahey AM Graham Seal takes us back to Australia's ignominious beginnings, when a hungry child could be transported to the other side of the globe for the theft of a handkerchief. It was a time when men were flogged till they bled for a minor misdemeanour, or forced to walk the treadmill for hours. Teams in iron chains carved roads through sandstone cliffs with hand picks, and men could select wives from a line up at the Female Factory. From the notorious prison regimes at Norfolk Island, Port Arthur and Macquarie Harbour came chilling accounts of cruelty, murder and even cannibalism. Despite the often harsh conditions, many convicts served their prison terms and built successful lives for themselves and their families. With a cast of colourful characters from around the country--the real Artful Dodger, intrepid bushrangers like Martin Cash and Moondyne Joe, and the legendary nurse Margaret Catchpole--Great Convict Stories offers a fascinating insight into life in Australia's first decades.




The First Fleet Piano: Volume One


Book Description

During the late eighteenth century, a musical–cultural phenomenon swept the globe. The English square piano—invented in the early 1760s by an entrepreneurial German guitar maker in London—not only became an indispensable part of social life, but also inspired the creation of an expressive and scintillating repertoire. Square pianos reinforced music as life’s counterpoint, and were played by royalty, by musicians of the highest calibre and by aspiring amateurs alike. On Sunday, 13 May 1787, a square piano departed from Portsmouth on board the Sirius, the flagship of the First Fleet, bound for Botany Bay. Who made the First Fleet piano, and when was it made? Who owned it? Who played it, and who listened? What music did the instrument sound out, and within what contexts was its voice heard? What became of the First Fleet piano after its arrival on antipodean soil, and who played a part in the instrument’s subsequent history? Two extant instruments contend for the title ‘First Fleet piano’; which of these made the epic journey to Botany Bay in 1787–88? The First Fleet Piano: A Musician’s View answers these questions, and provides tantalising glimpses of social and cultural life both in Georgian England and in the early colony at Sydney Cove. The First Fleet piano is placed within the musical and social contexts for which it was created, and narratives of the individuals whose lives have been touched by the instrument are woven together into an account of the First Fleet piano’s conjunction with the forces of history. View ‘The First Fleet Piano: Volume Two Appendices’. Note: Volume 1 and 2 are sold as a set ($180 for both) and cannot be purchased separately.