Fitcher's Bird


Book Description

In this Bluebeard type tale, a sorcerer who has been stealing and killing pretty young girls meets his match when one of his victims outwits him.




The Wizard, the Egg and Fitcher’s Bird


Book Description

The animus remains a baffling, misunderstood force in women’s psychology, but the fairytale “Fitcher’s Bird” brings his ambivalent, wizardly power and his psychic aims as the spirit of individuation into view, reaching into rich alchemical symbolism to do so. The tale and its alchemical background are illuminated with dreams and psychic images from several women’s lives, whose stories help us understand the profound personal and archetypal value of engaging creatively with the animus. Like the alchemical nature God, Mercurius, the animus is a life force, an archetype with two sides. His negative side is symbolized in “Fitcher’s Bird” by a wizard’s longtime ability to abduct maidens from their parental homes with barely a touch by dressing as a beggar and appealing to their charity. He displays a perverse dominance over the feminine that has built up in our traditional attitudes over the millennia and takes hold of women through their own participation in those attitudes. Taking them to his great house in the forest, the wizard promises young women riches for their obedience. But the maidens, like the wives of Bluebeard, predictably enter the one forbidden room and end up slaughtered—in “Fitcher’s Bird” they are hewn limb from limb. Only one maiden is clever enough to pay attention to the gift the wizard’s positive side offers—a simple egg, symbolizing the process of individuation when an ego nurtures a relationship with the unconscious. Switching her focus to the egg, the heroine redeems her sisters and at the end of the tale makes an appearance as the wondrous Fitcher’s bird—an image for the archetypal feminine redeemed from dismemberment and disappearance.




Fitcher's Bird


Book Description

There lived once an evil sorcerer who went from door to door pretending to be a poor man in need of help. When a pretty girl opened her home for him, he would compel her to jump into his basket. This happened with three poor sisters, three consecutive times. The sorcerer would come, compel the eldest first, then take her to his home where she was to preserve an egg and not look around. Well, she did not want to obey. And he killed her. The same happened with the next sister. He killed her as well. The third sister was however the cleverest of them all. Will she manage to outwit the sorcerer and can she bring her sisters back to life? Read "Fitcher’s Bird" to find out. Children and adults alike, immerse yourselves into Grimm’s world of folktales and legends! Come, discover the little-known tales and treasured classics in this collection of 210 fairy tales. Brothers Grimm are probably the best-known storytellers in the world. Some of their most popular fairy tales are "Cinderella", "Beauty and the Beast" and "Little Red Riding Hood" and there is hardly anybody who has not grown up with the adventures of Hansel and Gretel, Rapunzel and Snow White. Jacob and Wilhelm Grimm’s exceptional literature legacy consists of recorded German and European folktales and legends. Their collections have been translated into all European languages in their lifetime and into every living language today.




Fitcher's Bird


Book Description

This English translation of the brothers Grimm fairy tale Fitcher's Bird has original illustrations by known (or more often unknown) artist, writer, philosopher, and madman Satan Alexander. It all begins when a beautiful young woman gets kidnapped by a Fitcher. Unfortunately by the end of the story you still wont have any idea what a Fitcher is. WARNING: This book is NOT appropriate for children ... or anyone else for that matter.




Fitcher's Brides


Book Description

"1843 is 'the last year of the world'--according to Elias Fitcher, a charismatic preacher in upstate New York. There he's established a utopian community on an estate outside the town of Jeckyll's Glen, where the faithful wait, work, and pray for the world to end. Vernelia, Amy, and Catherine Charter are three young townswomen whose father falls under the Reverend's hypnotic sway. In their old house, where ghostly voices whisper from the walls, the girls are ruled by their stepmother, who is ruled by the fiery preacher in turn. Determined to spend Eternity as a married man, Fitcher casts his eye on Vernelia, and before much longer the two are wed. But living on the man's estate, separated from her family, it's not long before Vern learns the extent of her husband's dark side ... Inspired by the classic fairy tales "Bluebeard" and "The Fitcher Bird", this dark fantasy is a story of faith gone wrong, and evil countered by one brave, true soul."--Back cover.




Italian Popular Tales


Book Description




The Inner World of Trauma


Book Description

Donald Kalsched explores the interior world of dream and fantasy images encountered in therapy with people who have suffered unbearable life experiences. He shows how, in an ironical twist of psychical life, the very images which are generated to defend the self can become malevolent and destructive, resulting in further trauma for the person. Why and how this happens are the questions the book sets out to answer. Drawing on detailed clinical material, the author gives special attention to the problems of addiction and psychosomatic disorder, as well as the broad topic of dissociation and its treatment. By focusing on the archaic and primitive defenses of the self he connects Jungian theory and practice with contemporary object relations theory and dissociation theory. At the same time, he shows how a Jungian understanding of the universal images of myth and folklore can illuminate treatment of the traumatised patient. Trauma is about the rupture of those developmental transitions that make life worth living. Donald Kalsched sees this as a spiritual problem as well as a psychological one and in The Inner World of Trauma he provides a compelling insight into how an inner self-care system tries to save the personal spirit.




Fitcher's Bird


Book Description

In this German version of Bluebeard, the wicked wizard Fitcher kills two sisters for disobeying him and opening a forbidden room in his house, but he is outwitted by their younger sister.




Bluebeard


Book Description

Bluebeard is the main character in one of the grisliest and most enduring fairy tales. A serial wife murderer, he keeps a horror chamber in which remains of all his previous matrimonial victims are secreted from his latest bride. She is given all the keys but forbidden to open one door of the castle. This is a major study of the tale and its many variants in English: from the 18th and 19th century chapbooks, children's toybooks, pantomimes, melodramas, and circus spectaculars, to the 20th century in music, literature, art, film, and theatre.




Transgressive Tales


Book Description

The stories in the Grimm brothers' Kinder- und Hausmärchen (Children's and Household Tales), first published in 1812 and 1815, have come to define academic and popular understandings of the fairy tale genre. Yet over a period of forty years, the brothers, especially Wilhelm, revised, edited, sanitized, and bowdlerized the tales, publishing the seventh and final edition in 1857 with many of the sexual implications removed. However, the contributors in Transgressive Tales: Queering the Grimms demonstrate that the Grimms and other collectors paid less attention to ridding the tales of non-heterosexual implications and that, in fact, the Grimms' tales are rich with queer possibilities. Editors Kay Turner and Pauline Greenhill introduce the volume with an overview of the tales' literary and interpretive history, surveying their queerness in terms of not just sex, gender and sexuality, but also issues of marginalization, oddity, and not fitting into society. In three thematic sections, contributors then consider a range of tales and their queer themes. In Faux Femininities, essays explore female characters, and their relationships and feminine representation in the tales. Contributors to Revising Rewritings consider queer elements in rewritings of the Grimms' tales, including Angela Carter's The Bloody Chamber, Jeanette Winterson's Twelve Dancing Princesses, and contemporary reinterpretations of both "Snow White" and "Snow White and Rose Red." Contributors in the final section, Queering the Tales, consider queer elements in some of the Grimms' original tales and explore intriguing issues of gender, biology, patriarchy, and transgression. With the variety of unique perspectives in Transgressive Tales, readers will find new appreciation for the lasting power of the fairy-tale genre. Scholars of fairy-tale studies and gender and sexuality studies will enjoy this thought-provoking volume.