Five American Painters
Author : Sharon Corwin
Publisher :
Page : pages
File Size : 20,30 MB
Release : 2020-10
Category :
ISBN : 9780982292235
Author : Sharon Corwin
Publisher :
Page : pages
File Size : 20,30 MB
Release : 2020-10
Category :
ISBN : 9780982292235
Author : Lance Mayer
Publisher : Getty Publications
Page : 316 pages
File Size : 45,37 MB
Release : 2013
Category : Art
ISBN : 1606061356
"How paintings were made--in the most literal sense--is an important but largely unknown aspect of the story of American art. This book, like the authors' previous volume on American painting techniques from the colonial period to 1860, is based on descriptions of the materials and methods that painters used, as found in artists' notebooks, painting manuals, magazines, suppliers' catalogues, letters, diaries, books, and interviews. In interpreting this evidence, the authors have made use of their experience as conservators who have treated many important American paintings."--Book jacket.
Author : Judith Vale Newton
Publisher : Arthur Schwartz
Page : 168 pages
File Size : 38,14 MB
Release : 1985
Category : Impressionism (Art)
ISBN : 9780961499204
The lives and works of Otto Stark, Theodore C. Steele, J. Ottis Adams, William Forsyth, and Richard B. Gruelle.
Author : Donald Braider
Publisher : Meredith Corporation
Page : 196 pages
File Size : 17,18 MB
Release : 1969
Category : Biography & Autobiography
ISBN :
Brief biographies of five early American painters including Benjamin West, John Singleton Copley, Charles Willson Peale, Gilbert Stuart, and John Trumbull.
Author : Karen Wilkin
Publisher : Yale University Press
Page : 142 pages
File Size : 47,71 MB
Release : 2007-01-01
Category : Art
ISBN : 9780300120233
Color field painting, which emerged in the United States in the 1950s, is based on radiant, uninflected hues. Exemplified by the work of Helen Frankenthaler, Morris Louis, Kenneth Noland, Jules Olitski, Larry Poons, and Frank Stella, among others, these stunningly beautiful and impressively scaled paintings constitute one of the crowning achievements of postwar American abstract art. Color as Field offers a long-overdue reevaluation of this important aspect of American abstract painting. The authors examine how color field painting rejects the gestural, layered, and hyper-emotional approach typical of Willem de Kooning and his followers, yet at the same time develops and expands ideas about all-overness and the primacy of color posited by the work of other members of the abstract expressionist generation, such as Adolph Gottlieb, Hans Hofmann, Robert Motherwell, Jackson Pollock, and Mark Rothko. From the fresh historical standpoint of the 21st century, this fascinating reassessment ranges across the artists’ individual approaches and their commonalities, concluding with insights into the ongoing legacy of post-1970s color field painting among present-day artists.
Author : Paul Staiti
Publisher : Bloomsbury Publishing USA
Page : 546 pages
File Size : 46,85 MB
Release : 2016-10-18
Category : History
ISBN : 1632864673
A vibrant and original perspective on the American Revolution through the stories of the five great artists whose paintings animated the new American republic. The images accompanying the founding of the United States--of honored Founders, dramatic battle scenes, and seminal moments--gave visual shape to Revolutionary events and symbolized an entirely new concept of leadership and government. Since then they have endured as indispensable icons, serving as historical documents and timeless reminders of the nation's unprecedented beginnings. As Paul Staiti reveals in Of Arms and Artists, the lives of the five great American artists of the Revolutionary period--Charles Willson Peale, John Singleton Copley, John Trumbull, Benjamin West, and Gilbert Stuart--were every bit as eventful as those of the Founders with whom they continually interacted, and their works contributed mightily to America's founding spirit. Living in a time of breathtaking change, each in his own way came to grips with the history they were living through by turning to brushes and canvases, the results often eliciting awe and praise, and sometimes scorn. Their imagery has connected Americans to 1776, allowing us to interpret and reinterpret the nation's beginning generation after generation. The collective stories of these five artists open a fresh window on the Revolutionary era, making more human the figures we have long honored as our Founders, and deepening our understanding of the whirlwind out of which the United States emerged.
Author : Annie Cohen-Solal
Publisher : Knopf Publishing Group
Page : 456 pages
File Size : 47,28 MB
Release : 2001
Category : Art
ISBN :
Describes the transformation in American art as a vast group of American artists settled in Paris to study with the great French painters, and continued through the twentieth century as French artists began to leave Paris for New York.
Author : Museum of Modern Art (New York, N.Y.). International Program
Publisher :
Page : 108 pages
File Size : 12,70 MB
Release : 1959
Category : Abstract expressionism
ISBN :
Author : University of California, Santa Barbara. Art Gallery
Publisher :
Page : 48 pages
File Size : 33,28 MB
Release : 1974
Category : Painters
ISBN :
Author : Carolyn J. Weekley
Publisher : Yale University Press
Page : 0 pages
File Size : 50,99 MB
Release : 2013
Category : Art and history
ISBN : 9780300190762
This beautifully illustrated volume presents the complex ways in which the lives of artists, clients, and sitters were interconnected in the early American South. During this period, paintings included not only portraits, but also seascapes, landscapes, and pictures made by explorers and naturalists. The first comprehensive study of this subject, Painters and Paintings in the Early American South draws upon materials including diaries, correspondence, and newspapers in order to explore the stylistic trends of the period and the lives of the sitters, as gentility spread from the wealthiest southerners to the middle class. Featuring works by John Singleton Copley, Charles Willson Peale, and Benjamin West, among many others, this important book examines the training and status of painters, the distinction between fine art and the mechanical arts, the popularity of portraiture, and the nature of clientele between 1540 and 1790, providing a new, critical understanding of the history of art in the American South. Published in association with the Colonial Williamsburg Foundation Exhibition Schedule: Colonial Williamsburg Foundation(03/23/13-09/07/14)