Author : Metropolitan Museum of Art (New York, N.Y.)
Publisher : Metropolitan Museum of Art
Page : 361 pages
File Size : 44,13 MB
Release : 1984
Category : Painters
ISBN : 0870993569
Two volumes, including works by the three foremost seventeenth-century Flemish artists{u2014}Rubens, Van Dyck, and Jordaens{u2014}as well as works by their contemporaries. -- Metropolitan Museum of Art website.
Author : Walter A. Liedtke
Publisher :
Page : 0 pages
File Size : 42,86 MB
Release : 1984
Category :
ISBN :
Author : Walter A. Liedtke
Publisher : Metropolitan Museum of Art
Page : 1109 pages
File Size : 23,44 MB
Release : 2007
Category : Painters
ISBN : 1588392732
Presents a catalog that surveys the Dutch paintings found in the Metropolitan Museum of Art.
Author : Esmée Quodbach
Publisher : Penn State University Press
Page : 224 pages
File Size : 45,2 MB
Release : 2020-11
Category :
ISBN : 9780271086088
A collection of essays by twelve scholars and museum curators examining the allure of Flemish painting to Americans over the past centuries, chronicling the roles played by determined individuals in forming private and public collections.
Author : Maryan W. Ainsworth
Publisher : Metropolitan Museum of Art
Page : 246 pages
File Size : 21,85 MB
Release : 1994
Category : Painting, Renaissance
ISBN : 0810964821
This study is an important new account of the life and work of the flemish master Petrus Christus. It is the first volume to focus specifically on the physical characteristics of his works as criteria for judging attribution, dating, and the extent to which he was indebted to Jan Van Eyck and other artists for the development of his technique and style.
Author : Metropolitan Museum of Art (New York, N.Y.)
Publisher : Metropolitan Museum of Art
Page : 174 pages
File Size : 10,28 MB
Release : 1987
Category : Art
ISBN : 0870994344
"In this volume, the work of the German, Dutch, Flemish, French, and English masters of the fifteenth and sixteenth centuries is explored in more than one hundred reproductions. In addition to such well-known masterpieces as Van Eyck's Crucifixion and Last Judgment, Memling's Tommaso Portinari and Maria Baroncelli, Bruegel's Harvesters, Durer's woodcut The Four Horsemen of the Apocalypse, Cranach's Judgment of Paris, and Holbein's Erasmus of Rotterdam, this volume includes many lesser-known works in oil and on paper, as well as sculpture, decorative arts, and armor from the collections of The Metropolitan Museum of Art."--Page [2] of cover.
Author : Metropolitan Museum of Art (New York, N.Y.)
Publisher :
Page : 350 pages
File Size : 41,24 MB
Release : 1980
Category : Art
ISBN :
Author : Anne-Sophie V. Radermecker
Publisher : BRILL
Page : 340 pages
File Size : 18,12 MB
Release : 2021-05-25
Category : Art
ISBN : 9004460209
In Anonymous Art at Auction, Anne-Sophie V. Radermecker takes the opposing view of the superstar economy by examining contemporary sales of Early Flemish paintings with unknown authorship and the effects of various substitutes for real names on price formation.
Author : Metropolitan Museum of Art (New York, N.Y.)
Publisher : Metropolitan Museum of Art
Page : 174 pages
File Size : 34,25 MB
Release : 1987
Category : Art
ISBN : 0870994328
"This volume presents a full range of artistic endeavor from the first awakenings of the Renaissance spirit in the works of Berlinghiero, Giotto, and Pisano, to the climactic creations of Raphael, Michelangelo, Leonardo, Titian, and Veronese- the masters of the High Renaissance. The artists of Italy and Spain worked in every medium, all of which are represented in this volume: paintings, drawings, and prints; sculpture in stone, wood, and terra-cotta; glass, metal, and porcelain; furniture and musical instrument; costumes and armor."--Page 2 of cover.
Author : Gary Tinterow
Publisher : Metropolitan Museum of Art
Page : 610 pages
File Size : 29,2 MB
Release : 2003
Category : Painting, French
ISBN : 1588390403
Here approximately two hundred works by French and Spanish artists chart the development of this cultural influence and map a fascinating shift in the paradigm of painting, from Idealism to Realism, from Italy to Spain, from Renaissance to Baroque. Above all, these images demonstrate how direct contact with Spanish painting fired the imagination of nineteenth-century French artists and brought about the triumph of Realism in the 1860s, and with it a foundation for modern art."--BOOK JACKET.
