Follyfoot


Book Description

Follyfoot Farm is a retirement home for old or unwanted horses, invariably horses rescued from a cruel fate or cruel owners. It's run by the Colonel who is helped by his stepdaughter, Callie, and two stable-hands, Dora and Steve. These three youngsters have plenty to do at the stables, but can always find time to get involved in the mysteries and adventures that abound at Follyfoot.







Follyfoot Remembered


Book Description

Follyfoot was based on the novel Cobbler's Dream, written by Monica Dickens, great-granddaughter of novelist Charles Dickens, and was a rescue centre for tired, unwanted and ill-treated horses. This book, written by Jane Royston -- Horse Manager, takes a fascinating look behind the scenes of the Yorkshire Television drama series, and includes over 130 stunning colour photographs, some of them rare and previously unseen. The book will take the reader on a journey of discovery, and they will learn how the name Follyfoot was chosen, and why Jane Royston had to divulge her secret dream location in order for the series to be made. This book contains many unknown facts, identify locations used and will provide an ideal unique companion for the recently released Follyfoot DVD's. All thirty-nine episodes will be listed in order of transmission, along with relevant behind the scenes stories and input from the cast and crew. The book contains rare and up-to-date interviews with the cast, and the reader will discover how they got the part and their personal memories of working on the series.




The Horses of Follyfoot


Book Description

Dora is invited out to America to help set up a home of rest for horses. When she leaves and is given a horse to take back to Follyfoot, she can't believe her luck. But once they're home things start to go badly wrong. One of the horses falls ill. And it looks like the same epidemic that is sweeping America . . . Has Dora's horse brought the disease to England?




If Wishes Were Horses


Book Description

Susanna Forrest grew up in the 1980s near Norwich, and like many a girl, she yearned for a pony. She was never to get one, but this didn't stop her becoming obsessed with all things equine. If Wishes Were Horses is the story of that all-consuming interest, and of the author's nerve-wracked attempts later in life to ride once again. However, as Susanna Forrest's journey unfolds, it leads her to horse-obsessed princesses, recovering crack addicts, courtesans, warriors, pink-obsessed schoolgirls, national heroines, and runaways across the ages. From girl-riders of the Bronze Age, to lavishly adorned equestrian Victorians and 21st-century children on horseback in Brixton, she explores the development of this Pony Cult from its earliest times to the present day. In doing so, she takes to the saddle once more and rediscovers her own riding legs in this frank, eclectic, and captivating memoir of an ever-changing equine world.




Horse Crazy


Book Description

Carole Hanson and Stevie Lake have been best friends ever since they met at Pine Hollow Stables. So when Lisa Atwood joins their ridinggroup, the girls aren't sure she's got what it takes. Lisa may be the smartest student in the classroom, but she's got a lot to learn when it comes to horses. . . .




The Hill and Beyond


Book Description

The variety that is children's television drama is recalled in this book; shows such as: "Grange Hill"; "Stig of The Dump"; "The Railway Children"; "The Magician's House"; "The Chronicles of Narnia"; and "The Box of Delights". It lists entries on every British-made children's drama to have been shown on UK screens since 1950. Critical appraisals assess the kind of stories told for children, along with all the technical data and trivia. Programmes from the BBC and ITV are assessed, whether they were adaptations of literary classics or new, contemporary dramas, adventure, fantasy or science fiction.




Equine Fictions


Book Description

This innovative volume approaches the intriguing relationship between humans and horses in 21st-century Anglophone fiction and autobiography from the perspectives of affect and politics. It addresses the strong emotional power attached to the human-horse bond, and contextualizes horse narratives within debates concerning identity and its politics. The in-depth analysis deals with topics such as the intertwinement of humans and animals, healing, mourning, and nostalgia in horse narratives, and the formation of gendered and national identities. The volume pays particular attention to life writing by Susan Richards, Rupert Isaacson, and Buck Brannaman, fiction by Gillian Mears and Jane Smiley, and Follyfoot fanfiction. Because of its focus on narratives telling of today’s human-horse encounters and its explicit attention to diverse textual forms, this book represents a unique contribution to the study of human-horse encounters in contemporary writing, and will be of particular use to scholars working in human-animal studies, Anglophone literature, and American studies.




Horse


Book Description

From Pegasus to Black Beauty, horses have held a unique place in human society and imagination. Elaine Walker tackles the long and multifaceted history of a creature valued for both beauty and usefulness. Spanning the world from the wild steppes of Mongolia to the American plains, Horse chronicles the rich and complex natural history of the animal, from wild feral horses to the domesticated species that once played a central role in daily life as a means of transportation, an instrument of war, and a source of labour. Elaine Walker charts how the long-standing connection between people and horses is reflected in cultures around the world and the implications for both human and animal of such close interaction. She also traces the centrality of the horse in art, entertainment and literature, from the rich global traditions of horse-racing and equestrianism to literary classics such as Follyfoot. Ultimately, Walker contends, the continuing role of the horse in the modern world reveals telling changes in human society.




Colleen Stan: The Simple Gifts of Life


Book Description

Throughout my captivity, I was never told what was going to happen next or why. This lack of knowledge was used by Master to maintain a continuous element of fear and control over me. Anytime I was taken out of the box, I never knew what to expect. Fear of the unknown was always with me as I was kept in the dark both physically and mentally. This lack of knowledge may have been a good thing in one sense. If I had known the length of my entombment after returning from Riverside, I'm not sure I would have survived. Of course, I'm not sure even Master knew how long he was going to keep me in the box. A few days passed then a few more. Then weeks passed followed by months. Months slowly turned into years. I would spend the next three years of my life (1981-1984) in the box sleeping, dreaming, and praying. I have to assume my lengthy confinement in the box came about because Master was concerned he had given me too much freedom. Maybe he felt he was losing control of his slave. Too many neighbors had seen me, and questions about my status in the Hooker household were surely to arise. A fast thinking family member in Riverside may have copied down his vehicle tag number. What if the police knocked on his door one day looking for Colleen Stan? What if they searched the mobile home? Would anyone think to look under a waterbed for the girl in the box? Master wanted to keep me out of sight until the heat had passed. The other reason for putting me into storage was Ma'am. I'm sure she wanted me out of her life, out of her children's lives, and out of her husband's life. Master was not ready to let his slave go. Cloistering was the only answer. My daily routine soon became predictive as I was allowed out late in the evening after the girls had gone to bed. I emptied my bedpan, drank a large glass of water, and ate cold leftovers in the front bathroom. Sometimes the leftovers were true leftovers that had been out all day and the family didn't want.