Forms and Degrees of Repetition in Texts


Book Description

The present volume presents objective methods to detect and analyse various forms of repetitions. Repetition of textual elements is more than a superficial phenomenon. It may even be considered as constitutive for units and relations in a text: on a primary level when no other way exists to establish a unit – as in a musical composition (a motif can be recognised as such only after at least one repetition) – and on a secondary, artistic level, where repetition is a consequence of the transfer of the equivalence principle from the paradigmatic axis to the syntagmatic one as showed by R. Jakobson. The analysis of repetitive elements and structures in texts with objective mathematical means can serve several practical and theoretical purposes, among them: Characterisation of texts by means of parameters (measures, indicators) as taken from established mathematical statistics or specifically constructed ones in individual cases. Comparison of texts on the basis of their quantitative characteristics and classification of the texts by the results. Research for the laws of text, which control the mechanisms connected to text creation. As a remote aim, the construction of a theory of text consisting of a system of text laws. The final attempt of every possible quantitative text analysis is the construction of a text theory. The book illustrates this on examples of such laws and corresponding empirical tests.




Repetitions of Word Forms in Texts


Book Description

This book explores how experienced authors repeat word forms in three different genres: research articles, short stories and political speeches. Methods from corpus linguistics are used to elicit all the repeated word forms in each text and then the material is analysed to establish the nature of the repetitions. The analysis seeks answers to the questions: in what naming complexes are the words repeated; is the same concept evoked; is the referential type repeated; are there metaphoric, pragmatic or other shifts in the meaning of the word? Taxonomy of repetition types is evolved which leads to conclusions about the role of repetition in creating coherent texts. The book provides evidence that repetitions amount to about 60% of the words in a text and they form groups of chains typical for each genre. Thus the way words are repeated serves to create the skeleton of a genre. Comparisons show that in texts written by inexperienced authors the repetitions are considerably fewer than in the work of the experienced ones. The study also reveals which types of repetition decrease the quality of the text. Specific applications of the theory are suggested for assessing the quality of a text, creating short summaries and building good texts in the respective genres. The study is placed within the framework of discourse studies of lexical repetitions and presents a brief non-technical description of the linguistic field. Inasmuch as the issue of how words relate to objects in reality is one of the criteria for assessing the repetitions, an overview is given and the analysis elicits specific reference types.




Repeating Words, Retelling Stories


Book Description

Often in literary texts, repetition does not only serve the purpose of re-enforcing a concept, but rather, the creation of a new meaning. This may be engendered by contrast, gradation, and ‘correction.’ This book explores examples from Homer, where repetition is intertwined with the very fabric of Early Greek Poetry, Virgil, and Ovid. An appendix dedicated to irony shows how even this rhetorical figure can be considered a special case of negative repetition. The book also provides a review of recent literature on neuro-cognitive science, attesting to how repetition is unavoidably a staple feature of any text.




Television and Repetition


Book Description

Resisting some of the negative connotations that repetition can attract, this book illustrates how it has been used as a catalyst for creative expression across a range of television genres. Divided into two parts, the first three chapters contextualise repetition within related media and critical debates, before locating it as an important facet of television that is worth exploring in detail. The final three chapters discuss specific television shows that incorporate repetition creatively within their narrative structure and aesthetic composition, ranging from The Royle Family and Doctor Who to I May Destroy You and This is Going to Hurt. In each case, James Walters argues that repetition emerges as crucial to the expression of key themes and ideas, thus becoming a structural and compositional element itself. Exploring the ways in which repetition has featured in the work of figures such as Umberto Eco, Raymond Bellour and Bruce Kawin, and has influenced the approaches of television scholars like Raymond Williams, Roger Silverstone and John Ellis, this book is essential reading for scholars and students of film, television and media studies.




Text and Tradition in Performance and Writing


Book Description

Embedded in modern print culture, biblical scholars have been projecting the assumptions and concepts of print culture onto the texts they interpret. In the ancient world from which those texts originate, however, literacy was confined to only a small number of educated scribes. And, as recent research has shown, even the literate scribes learned texts by repeated recitation, while the nonliterate ordinary people had little if any direct contact with written scrolls. The texts that had taken distinctive form, moreover, were embedded in a broader and deeper cultural repertoire cultivated orally in village communities as well as in scribal circles. Only recently have some scholars struggled to appreciate texts that later became "biblical" in their own historical context of oral communication. Exploration of texts in oral performance--whether as scribal teachers' instruction to their proteges or as prophetic speeches of Jesus of Nazareth or as the performance of a whole Gospel story in a community of Jesus-loyalists--requires interpreters to relinquish their print-cultural assumptions. Widening exploration of texts in oral performance in other fields offers exciting new possibilities for allowing those texts to come alive again in their community contexts as they resonated with the cultural tradition in which they were embedded.




The Difficulty of Difference


Book Description

This book argues that serious misreadings of Freud and Lacan on sexual difference have characterized prevailing models of psychoanalytic film criticism. In critiquing theories of identification and female spectatorship, the author maintains that early film theorists and feminist critics are equally guilty of imposing a binary conception of sexual difference on Freud’s thought. By embracing such a rigid definition of male/female difference, they fail to understand the fundamentally complex and fluid process of sexual identification as it is articulated in Freud’s writing, constructed in film texts, and negotiated by spectators. The book turns to Freud’s work on fantasy to develop an alternative model for interpreting sexuality in the visual and narrative arts, one that emphasizes a ‘politics of critical reading’ over accepted theories of ideological identification. Originally published in 1991, its strategic focus on psychoanalysis itself as an object of historical and critical inquiry, and not simply as a reading method is the unique quality of this book.




Language and Literary Form in French Caribbean Writing


Book Description

This book links postcolonial theory with structuralism and poststructuralism to show how analysis of the textual illuminates the political and ideological positions of French Caribbean writers.




Form and Clarity in Euclid’s ›Elements‹


Book Description

As of yet, the remarkable and highly influential textual form of Euclidean mathematics has not been considered from a literary-aesthetic perspective. By its extreme standardization and seeming non-literariness it appears to defy such an approach. This book nonetheless attempts precisely a literary-aesthetic study of the language and style of Euclid’s Elements, focusing on book I. It aims to find out what is literary about the form and what motivates this form as form. In doing so, it employs the concept of clarity, asking: How is the textual form related to logical and communicative clarity? That is, how far is the omnipresent standardization necessary for the accomplishment and successful communication of the proofs? Based on a close analysis of the standardization at all levels of the text (lexicon, grammar, structure, and especially diagram), it argues that the textual form of the Elements is standardized beyond logical-communicative purposes, and that it is in this sense ‘aesthetic’. The book exposes the unexpected literary dimension of Euclid’s Elements, provides a new interpretation of the peculiar form of the work, and offers a model for determining the role of clarity (not only) in Greek theoretical mathematics.




Beyond Écriture Féminine


Book Description

"Beyond 'Ecriture feminine' is the first book to be published exploring the work of the contemporary French author Jeanne Hyvrard (1945-) from her early novels of the 1970s up to some of her most recent texts. Moving critical accounts of Hyvrard beyond a focus upon ecriture feminine, it identifies the patterns though which her writing repeats and transforms creation mythology, her own oeuvre, and her own life, examining how intertextual repetitions bind her work together into a complex and ever expanding web of allusions and resonnances which engages the reader in a process of constant re-interpretation, challenging notions of linearity and reflecting the 'chaotic' reality of life in the Hyvrardian world."--BOOK JACKET.







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