Fort Smith


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Fort Smith, Little Gibraltar on the Arkansas


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No history of the West is complete without the story of Fort Smith, the fort that “refused to die.” Established in 1817, Fort Smith was repeatedly abandoned and reoccupied during the following fifty years, eventually becoming the mother post of the Southwest. The original fort was installed on the Arkansas River by Major William Bradford and a company of the Rifles Regiment. Bradford's mission was to stop a bloody war between the Osages and the Cherokees, a conflict discouraging the emigration of eastern Indians to the lands west of the Mississippi and thereby interfering with the government's removal policy. During the Civil War, Confederate armies at Wilson's Creek, Pea Ridge, and Prairie Grove were supplied from Fort Smith, and the Rebel force that crushed Opothleyoholo's band marched from Fort Smith. The fort was taken by Federal troops in September 1863 and served as a Union base for the remainder of the Civil War. In 1871 the army again abandoned the fort, but the Federal Court for the Western District of Arkansas soon moved in. Under Judge Isaac Parker, the renowned “Hanging Judge of Fort Smith,” the court became a force for law and order in much of Indian Territory.




Fort Smith


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Hidden History of Fort Smith, Arkansas


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During the days of American westward expansion Fort Smith was the gritty frontier town whose lawless reputation became known both east and west of the Mississippi. Dubbed "Hell on the Border," the last developed township just before unsettled native territory, Fort Smith laid low more than its fair share of settlers, pioneers, and outlaws alike. Yet after years of disorder, reformers and lawmen helped tame the city's wild ways, beginning Fort Smith's transformation into the prosperous city it is today. Yet buried beneath Fort Smith's infamous past are forgotten stories, untold tales, and little known facts concealed just below the city's historical surface. After years spent researching the city's history for his historical column in the Times Record, journalist Ben Boulden uncovers Fort Smith's hidden history.




True Grit


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#1 New York Times bestseller “An epic and a legend” —Washington Post “Quite simply, an American masterpiece.” —Boston Globe “The dialogue in True Grit is exquisite.” —David Mamet “Charles Portis had a wonderful talent—original, quirky, exciting.” —Larry McMurtry Charles Portis has long been acclaimed as one of America’s most enduring and incomparable literary voices, and his novels have left an indelible mark on the American canon. True Grit, his most famous novel, was first published in 1968, and has garnered critical acclaim as well as enthusiastic praise from countless passionate fans for more than fifty years. This story of danger and adventure in the old west became the basis for two award-winning films, the first starring John Wayne, in his only Oscar-winning role, as Marshall Rooster Cogburn, and the widely praised remake by the Coen brothers, starring Jeff Bridges. True Grit tells the story of Mattie Ross, who is just fourteen when the coward Tom Chaney shoots her father in Fort Smith, Arkansas, and robs him of his life, his horse, and $150 cash. Filled with an unwavering urge to avenge her father’s blood, Mattie finds and, after some tenacious finagling, enlists one-eyed Rooster Cogburn, the meanest available US Marshal, as her partner in pursuit, and they head off into Indian Territory after the killer. True Grit is essential reading. Not just a classic Western, but an undeniable classic of American literature as eccentric, cool, funny, and unflinching as Mattie Ross herself. For fans of either the John Wayne classic or the more recent Coen brothers’ movie, it’s a chance to relive the story of Mattie and Rooster and experience their story as it was originally told. For fans of taut, funny storytelling, it will be a joy to experience in its original form. This edition includes an afterword by bestselling author Donna Tartt (The Secret History and The Goldfinch) and a reading group guide.







Escape Velocity


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Collected here in Escape Velocity, edited by Jay Jennings, is his "miscellany" †“†“ journalism, short fiction, memoir, and even the play Delray's New Moon, published for the first time in this volume.  Portis covers topics as varied as the civil rights movement, road tripping in Baja, and Elvis' s visits to his aging mother for publications such as the New York Herald Tribune and Saturday Evening Post.  Fans of Portis’s droll Southern humor and quirky characters will be thrilled at this new addition to his library, and those not yet familiar with his work will find a great introduction to him here.  Also included are tributes by accomplished authors including Donna Tartt and Ron Rosenbaum.




Mythic Frontiers


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“Maher explores the development of the Frontier Complex as he deconstructs the frontier myth in the context of manifest destiny, American exceptionalism, and white male privilege. A very significant contribution to our understanding of how and why heritage sites reinforce privilege.”— Frederick H. Smith, author of The Archaeology of Alcohol and Drinking “Peels back the layer of dime westerns and True Grit films to show how their mythologies are made material. You’ll never experience a ‘heritage site’ the same way again.”—Christine Bold, author of The Frontier Club: Popular Westerns and Cultural Power, 1880–1924 The history of the Wild West has long been fictionalized in novels, films, and television shows. Catering to these popular representations, towns across America have created tourist sites connecting such tales with historical monuments. Yet these attractions stray from known histories in favor of the embellished past visitors expect to see and serve to craft a cultural memory that reinforces contemporary ideologies. In Mythic Frontiers, Daniel Maher illustrates how aggrandized versions of the past, especially those of the “American frontier,” have been used to turn a profit. These imagined historical sites have effectively silenced the violent, oppressive, colonizing forces of manifest destiny and elevated principal architects of it to mythic heights. Examining the frontier complex in Fort Smith, Arkansas—where visitors are greeted at a restored brothel and the reconstructed courtroom and gallows of “Hanging Judge” Isaac Parker feature prominently—Maher warns that creating a popular tourist narrative and disconnecting cultural heritage tourism from history minimizes the devastating consequences of imperialism, racism, and sexism and relegitimizes the privilege bestowed upon white men.




Evil Dead


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Based on Sam Raimi¿s 80s cult classic films, EVIL DEAD tells the tale of 5 college kids who travel to a cabin in the woods and accidentally unleash an evil force. And although it may sound like a horror, it's not! The songs are hilariously campy and the show is bursting with more farce than a Monty Python skit. EVIL DEAD: THE MUSICAL unearths the old familiar story: boy and friends take a weekend getaway at abandoned cabin, boy expects to get lucky, boy unleashes ancient evil spirit, friends turn into Candarian Demons, boy fights until dawn to survive. As musical mayhem descends upon this sleepover in the woods, ¿camp¿ takes on a whole new meaning with uproarious numbers like ¿All the Men in my Life Keep Getting Killed by Candarian Demons,¿ ¿Look Who¿s Evil Now¿ and ¿Do the Necronomicon.¿