Fractured Memories


Book Description

With hatred fueling her success, Jaime Tyler, software entrepreneur, lives clouded and alone. Receiving a grave diagnosis after a near fatal accident, Jaime finds herself begrudgingly returning to her island home. She doesnt have as much time as she hoped. Her memory is deteriorating rapidly, and she might have only a month before all she once knew is gone. For two decades, Jaime has been blinded by aversion, incited by a violent past. Shes always had feelings for her best friend Meg, although shes been careful to keep those feelings under wraps. After all, Jaime is not one to lean on anyone. With her arrival on her home island, however, things change as Meg comes to Jaimes aid and admits to years of veiled feelings. Is it too late for these women to find love? As Jaimes condition worsens, Meg must fight to break down her beloveds boundaries. Wading through Jaimes past, Meg discovers more than she expected as Jaime comes to realize the one person shes always needed has been Meg all along. Together, they could find a moment of happiness, but will the past and Jaimes declining health leave them forever fractured?




FRACTURED MEMORIES


Book Description

In 2009, Emily Page's father was diagnosed with frontotemporal dementia, a form a dementia that strikes earlier and progresses more quickly than Alzheimer's, and for which there is no treatment to slow the progression of the disease. She began documenting in writing and art her family's heartbreaking and hilarious experiences. As a professional artist, she had often turned to art as a self-prescribed therapy to help deal with life's trials. This battle was no different. She utilized the elephant as a symbol for dementia, and incorporated sheet music into the paintings because her dad had been a jazz musician. Eventually, she created 40 paintings that are included in this book. At the insistence of a friend, she also began blogging about the range of issues that arose daily as the disease progressed, documenting everything from her own fear of getting dementia, to her dad's transition to diapers (and the various places he opted to drop his drawers and just "go" regardless of the diapers), to combatting his compulsions, to the best ways to make him giggle, to an exploration of how he might have gotten the disease. Page doesn't shy away from the ugly, raw emotion of life with dementia, but she also looks for the laughter where it can be found. Rest assured, you will love her father as much as she does when the book is done, and maybe gain some insight about how to cope with your own loved one's dementia or to support a caregiver.




The Memory of Things


Book Description

"[A] gripping, emotional story set in the part of history we’ll never forget." - New York Daily News On the morning of September 11, 2001, sixteen-year-old Kyle Donohue watches the first twin tower come down from the window of Stuyvesant High School. Moments later, terrified and fleeing home to safety across the Brooklyn Bridge, he stumbles across a girl perched in the shadows, covered in ash, and wearing a pair of costume wings. With his mother and sister in California and unable to reach his father, a NYC detective likely on his way to the disaster, Kyle makes the split-second decision to bring the girl home. What follows is their story, told in alternating points of view, as Kyle tries to unravel the mystery of the girl so he can return her to her family. But what if the girl has forgotten everything, even her own name? And what if the more Kyle gets to know her, the less he wants her to go home? The Memory of Things tells a stunning story of friendship and first love and of carrying on with our day-to-day living in the midst of world-changing tragedy and unforgettable pain—it tells a story of hope.




Great House: A Novel


Book Description

New York Times Bestseller • Finalist for the National Book Award • Winner of the Anisfield-Wolf Book Award • A Best Book of the Year as chosen by the New York Times (Notable), Seattle Times, San Francisco Chronicle, The Atlantic, St. Louis Post Dispatch, The Oregonian, and Book Page. "Masterful…Evocative and moving." —NPR For twenty-five years, a reclusive American novelist has been writing at the desk she inherited from a young Chilean poet who disappeared at the hands of Pinochet’s secret police; one day a girl claiming to be the poet’s daughter arrives to take it away, sending the writer’s life reeling. Across the ocean, in the leafy suburbs of London, a man caring for his dying wife discovers, among her papers, a lock of hair that unravels a terrible secret. In Jerusalem, an antiques dealer slowly reassembles his father’s study, plundered by the Nazis in Budapest in 1944. Connecting these stories is a desk of many drawers that exerts a power over those who possess it or have given it away. As the narrators of Great House make their confessions, the desk takes on more and more meaning, and comes finally to stand for all that has been taken from them, and all that binds them to what has disappeared. Great House is a story haunted by questions: What do we pass on to our children and how do they absorb our dreams and losses? How do we respond to disappearance, destruction, and change? Nicole Krauss has written a soaring, powerful novel about memory struggling to create a meaningful permanence in the face of inevitable loss. "This is a novel about the long journey of a magnificent desk as it travels through the twentieth century from one owner to the next. It is also a novel about love, exile, the defilements of war, and the restorative power of language." —National Book Award citation




Quit


Book Description

Introduction: The weight of life can be overwhelming, and sometimes we reach a breaking point. We feel like we can no longer bear the weight of our struggles and the darkness that seems to follow us wherever we go. In these moments, we may contemplate quitting, giving up on our dreams, on ourselves, on life itself. But what happens when quitting is not an option? When the only way out is through? In this suspenseful novel, we follow the journey of a young woman who finds herself at the brink of despair. Haunted by her past, trapped in a present that offers no solace, she is forced to confront the shadows that threaten to consume her. As she delves deeper into the mysteries that surround her, she discovers that the truth is not always what it seems, and that the people she thought she could trust may be hiding dark secrets of their own. With each turn of the page, we are drawn deeper into the web of intrigue and danger that surrounds our protagonist. Will she find the strength to persevere, or will she succumb to the darkness that threatens to engulf her? The answers lie within the pages of this gripping novel.




Fractured Souls and Splintered Memories


Book Description

One of the sacred offerings of therapy that's protected by a code of ethics is the gift of confidentiality. The purpose of this book is to guide readers through the healing steps of therapy. In this book, you'll discover the resiliency of the human soul as it's protected and shepherded by a gifted mental health professional. The ultimate aim of this book is not to highlight darkness but to emphasize the truth that healing is possible-if those who seek it are dedicated to the work required to obtain this gift.




Memory, History, Forgetting


Book Description

Why do major historical events such as the Holocaust occupy the forefront of the collective consciousness, while profound moments such as the Armenian genocide, the McCarthy era, and France's role in North Africa stand distantly behind? Is it possible that history "overly remembers" some events at the expense of others? A landmark work in philosophy, Paul Ricoeur's Memory, History, Forgetting examines this reciprocal relationship between remembering and forgetting, showing how it affects both the perception of historical experience and the production of historical narrative. Memory, History, Forgetting, like its title, is divided into three major sections. Ricoeur first takes a phenomenological approach to memory and mnemonical devices. The underlying question here is how a memory of present can be of something absent, the past. The second section addresses recent work by historians by reopening the question of the nature and truth of historical knowledge. Ricoeur explores whether historians, who can write a history of memory, can truly break with all dependence on memory, including memories that resist representation. The third and final section is a profound meditation on the necessity of forgetting as a condition for the possibility of remembering, and whether there can be something like happy forgetting in parallel to happy memory. Throughout the book there are careful and close readings of the texts of Aristotle and Plato, of Descartes and Kant, and of Halbwachs and Pierre Nora. A momentous achievement in the career of one of the most significant philosophers of our age, Memory, History, Forgetting provides the crucial link between Ricoeur's Time and Narrative and Oneself as Another and his recent reflections on ethics and the problems of responsibility and representation. “His success in revealing the internal relations between recalling and forgetting, and how this dynamic becomes problematic in light of events once present but now past, will inspire academic dialogue and response but also holds great appeal to educated general readers in search of both method for and insight from considering the ethical ramifications of modern events. . . . It is indeed a master work, not only in Ricoeur’s own vita but also in contemporary European philosophy.”—Library Journal “Ricoeur writes the best kind of philosophy—critical, economical, and clear.”— New York Times Book Review




The Memory Police


Book Description

Finalist for the International Booker Prize and the National Book Award A haunting Orwellian novel about the terrors of state surveillance, from the acclaimed author of The Housekeeper and the Professor. On an unnamed island, objects are disappearing: first hats, then ribbons, birds, roses. . . . Most of the inhabitants are oblivious to these changes, while those few able to recall the lost objects live in fear of the draconian Memory Police, who are committed to ensuring that what has disappeared remains forgotten. When a young writer discovers that her editor is in danger, she concocts a plan to hide him beneath her f loorboards, and together they cling to her writing as the last way of preserving the past. Powerful and provocative, The Memory Police is a stunning novel about the trauma of loss. ONE OF THE BEST BOOKS OF THE YEAR THE NEW YORK TIMES * THE WASHINGTON POST * TIME * CHICAGO TRIBUNE * THE GUARDIAN * ESQUIRE * THE DALLAS MORNING NEWS * FINANCIAL TIMES * LIBRARY JOURNAL * THE A.V. CLUB * KIRKUS REVIEWS * LITERARY HUB American Book Award winner




Jeremiah


Book Description

"Whether dealing with collective catastrophe or intimate trauma, recovering from emotional and physical hurt is hard. Kathleen O'Connor shows that although Jeremiah's emotionally wrought language can aggravate readers' memories of pain, it also documents the ways an ancient community, and the prophet personally, sought to restore their collapsed social world. Both prophet and book provide a traumatized community language to articulate disaster; move self-understanding from delusional security to identity as survivors; constitute individuals as responsible moral agents; portray God as equally afflicted by disaster; and invite a reconstruction of reality" -- Publisher description.




The Generation of Postmemory


Book Description

Can we remember other people's memories? The Generation of Postmemory argues we can: that memories of traumatic events live on to mark the lives of those who were not there to experience them. Children of survivors and their contemporaries inherit catastrophic histories not through direct recollection but through haunting postmemories--multiply mediated images, objects, stories, behaviors, and affects passed down within the family and the culture at large. In these new and revised critical readings of the literary and visual legacies of the Holocaust and other, related sites of memory, Marianne Hirsch builds on her influential concept of postmemory. The book's chapters, two of which were written collaboratively with the historian Leo Spitzer, engage the work of postgeneration artists and writers such as Art Spiegelman, W.G. Sebald, Eva Hoffman, Tatana Kellner, Muriel Hasbun, Anne Karpff, Lily Brett, Lorie Novak, David Levinthal, Nancy Spero and Susan Meiselas. Grappling with the ethics of empathy and identification, these artists attempt to forge a creative postmemorial aesthetic that reanimates the past without appropriating it. In her analyses of their fractured texts, Hirsch locates the roots of the familial and affiliative practices of postmemory in feminism and other movements for social change. Using feminist critical strategies to connect past and present, words and images, and memory and gender, she brings the entangled strands of disparate traumatic histories into more intimate contact. With more than fifty illustrations, her text enables a multifaceted encounter with foundational and cutting edge theories in memory, trauma, gender, and visual culture, eliciting a new understanding of history and our place in it.