Framing the Penal Colony


Book Description

This book examines the representation of penal colonies both historically and in contemporary culture, across an array of media. Exploring a range of geographies and historical instances of the penal colony, it seeks to identify how the ‘penal colony’ as a widespread phenomenon is as much ‘imagined’ and creatively instrumentalized as it pertains to real sites and populations. It concentrates on the range of ‘media’ produced in and around penal colonies both during their operation and following their closures. This approach emphasizes the role of cross-disciplinary methods and approaches to examining the history and legacy of convict transportation, prison islands and other sites of exile. It develops a range of methodological tools for engaging with cultures and representations of incarceration, detention and transportation. The chapters draw on media discourse analysis, critical cartography, museum and heritage studies, ethnography, architectural history, visual culture including film and comics studies and gaming studies. It aims to disrupt the idea of adopting linear histories or isolated geographies in order to understand the impact and legacy of penal colonies. The overall claim made by the collection is that understanding the cultural production associated with this global phenomenon is a necessary part of a wider examination of carceral imaginaries or ‘penal spectatorship’ (Brown, 2009) past, present and future. It brings together historiography, criminology, media and cultural studies.




Carceral Geography


Book Description

The ’punitive turn’ has brought about new ways of thinking about geography and the state, and has highlighted spaces of incarceration as a new terrain for exploration by geographers. Carceral geography offers a geographical perspective on incarceration, and this volume accordingly tracks the ideas, practices and engagements that have shaped the development of this new and vibrant subdiscipline, and scopes out future research directions. By conveying a sense of the debates, directions, and threads within the field of carceral geography, it traces the inner workings of this dynamic field, its synergies with criminology and prison sociology, and its likely future trajectories. Synthesizing existing work in carceral geography, and exploring the future directions it might take, the book develops a notion of the ’carceral’ as spatial, emplaced, mobile, embodied and affective.




The Colonial Comedy


Book Description

Bridging the gap between postcolonial theory and nineteenth-century literary studies, The Colonial Comedy renews our vision of key authors of realist canon, including Balzac, Flaubert, Zola and Maupassant.




A Carceral Ecology


Book Description

Closer to Antarctica than to Buenos Aires, the port town of Ushuaia, Argentina is home to a national park as well as a museum that is housed in the world’s southernmost prison. Ushuaia’s radial panopticon operated as an experimental hybrid penal colony and penitentiary from 1902 to 1947, designed to revolutionize modern prisons globally. A Carceral Ecology offers the first comprehensive study of this notorious prison and its afterlife, documenting how the Patagonian frontier and timber economy became central to ideas about labor, rehabilitation, and resource management. Mining the records of penologists, naturalists, and inmates, Ryan C. Edwards shows how discipline was tied to forest management, but also how inmates gained situated geographical knowledge and reframed debates on the regeneration of the land and the self. Bringing a new imperative to global prison studies, Edwards asks us to rethink the role of the environment in carceral practices as well as the impact of incarceration on the natural world.




Framing Medieval Bodies


Book Description

In this book, available at last in paperback, Kauppi develops a structural constructivist theory of the European Union and critically analyses, through French and Finnish empirical cases, the political practices that maintain the Union's 'democratic deficit'. Kauppi conceptualises the European Union as both an arena for political contention and a nascent political order. In this evolving, multi-levelled European political field, individuals and groups construct material and symbolic structures of political power, grounded in a variety of social resources such as nationality, culture, and gender. The author shows how the dominance of both executive political resources and domestic political cultures has prevented the development of European democracy. Supranational executive networks have become more autonomous, reinforcing the dominance of the resources they control. At the same time, national political cultures condition the political status of elected institutions such as the European parliament. The book is particularly suited for undergraduate and graduate students in the fields of European Politics, European Union Studies and International Relations.




Surviving Russian Prisons


Book Description

What do Russian prisons look like? Who is sent to prison in Russia? How is punishment allocated and administered? This pioneering book aims to answer these and other questions by embarking on a journey that begins by exploring how the prisons have survived the collapse of the USSR, and ends with a discussion of global penal politics. It is the first book to have been written in English on penal practices in the contemporary Russian prison system. Surviving Russian Prisons focuses in particular on the reality of work and labour within Russian prisons, exploring its changing function. From being for much of the twentieth century a major activity as well as an ideological justification for prison regimes, its main function now has been to enable prisoners to survive through participating in a barter economy. In exploring the microworlds of the Russian prison this book at the same time presents new evidence and offers fresh insight into how prisons are governed in societies undergoing turbulent social and political transformation; it explores how current practices in relation to prisoners' work comply with international regulations designed to promote humane containment and positive custody; and debates the nature of knowledge on penal discourse in transitional states.




Zones of Contention


Book Description

Addresses the questions: What might be the role of the artist in the 21st century? How essential is art to the psychic and political well-being of American society?




The Dynamic Frame


Book Description

The camera’s movement in a film may seem straightforward or merely technical. Yet skillfully deployed pans, tilts, dollies, cranes, and zooms can express the emotions of a character, convey attitude and irony, or even challenge an ideological stance. In The Dynamic Frame, Patrick Keating offers an innovative history of the aesthetics of the camera that examines how camera movement shaped the classical Hollywood style. In careful readings of dozens of films, including Sunrise, The Grapes of Wrath, Rear Window, Sunset Boulevard, and Touch of Evil, Keating explores how major figures such as F. W. Murnau, Orson Welles, and Alfred Hitchcock used camera movement to enrich their stories and deepen their themes. Balancing close analysis with a broader poetics of camera movement, Keating uses archival research to chronicle the technological breakthroughs and the changing division of labor that allowed for new possibilities, as well as the shifting political and cultural contexts that inspired filmmakers to use technology in new ways. An original history of film techniques and aesthetics, The Dynamic Frame shows that the classical Hollywood camera moves not to imitate the actions of an omniscient observer but rather to produce the interplay of concealment and revelation that is an essential part of the exchange between film and viewer.




The Picture Frame, and Other Stories


Book Description

In this book of stories -- most never before published -- Robert Drake has written his most poignant collection thus far. With the theme of the picture frame, Drake has included people, places, and events of a most recent past. "Crowded in the picture" are unforgettable images of memory and grace, love and remorse. But more than the characters and the subjects of the story, the draw of this collection is once again Drake's use of language. The language is the language of the South. It is the language of humanity. While the stories look back, they do so without regret. They were great times, but so is the present. From the town of Woodville to St. Mark's Square in Venice, Drake's powerful language draws the reader not only into the book, but also into the photographs.




Frame by Frame II


Book Description

A filmography of Blacks in the film industry