Frank Merriwell's Support; Or, A Triple Play


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It was the seventh inning, Frank Merriwell's team had not scored, while the Omaha Stars, who had been putting up a hard game against the boys from the East, had made two runs, one in the first inning and one in the fifth. Frank had been pitching a fine game, although his wrist, sprained some time before, had not permitted him to use the double-shoot. In the seventh inning, with the very first ball he pitched, he gave his wrist a twist that sent a shooting pain all the way to his shoulder. The ball went wide of the plate, and the batter did not strike at it. When Bart Hodge returned the ball, he knew something had happened, by the expression on Frank's face.




Frank Merriwell and the Fiction of All-American Boyhood


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Gilbert Patten, writing as Burt L. Standish, made a career of generating serialized twenty-thousand-word stories featuring his fictional creation Frank Merriwell, a student athlete at Yale University who inspired others to emulate his example of manly boyhood. Patten and his publisher, Street and Smith, initially had only a general idea about what would constitute Merriwell’s adventures and who would want to read about them when they introduced the hero in the dime novel Tip Top Weekly in 1896, but over the years what took shape was a story line that capitalized on middle-class fears about the insidious influence of modern life on the nation’s boys. Merriwell came to symbolize the Progressive Era debate about how sport and school made boys into men. The saga featured the attractive Merriwell distinguishing between “good” and “bad” girls and focused on his squeaky-clean adventures in physical development and mentorship. By the serial’s conclusion, Merriwell had opened a school for “weak and wayward boys” that made him into a figure who taught readers how to approximate his example. In Frank Merriwell and the Fiction of All-American Boyhood, Anderson treats Tip Top Weekly as a historical artifact, supplementing his reading of its text, illustrations, reader letters, and advertisements with his use of editorial correspondence, memoirs, trade journals, and legal documents. Anderson blends social and cultural history, with the history of business, gender, and sport, along with a general examination of childhood and youth in this fascinating study of how a fictional character was used to promote a homogeneous “normal” American boyhood rooted in an assumed pecking order of class, race, and gender.




The New Yorker


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Facsimile Reprint


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The Hall Ball


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Rescued in 2010 from the small creek that runs next to Doubleday Field in Cooperstown, New York, a simple baseball launched an epic quest that spanned the United States and beyond. For eight years, "The Hall Ball" went on a journey to have its picture taken with every member of the Baseball Hall of Fame, both living and deceased. The goal? To enshrine the first crowd-sourced artifact ever donated to the Hall. Part travelogue, part baseball history, part photo journal, this book tells the full story for the first time. The narratives that accompany the ball's odyssey are as funny and moving as any in the history of the game.




Pitching in a Pinch


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An inside baseball memoir from the game’s first superstar, with a foreword by Chad Harbach Christy Mathewson was one of the most dominant pitchers ever to play baseball. Posthumously inducted into the Baseball Hall of Fame as one of the “Five Immortals,” he was an unstoppable force on the mound, winning at least twenty-two games for twelve straight seasons and pitching three complete-game shutouts in the 1905 World Series. Pitching in a Pinch, his witty and digestible book of baseball insights, stories, and wisdom, was first published over a hundred years ago and presents readers with Mathewson’s plainspoken perspective on the diamond of yore—on the players, the chances they took, the jinxes they believed in, and, most of all, their love of the game. Baseball fans will love to read first-hand accounts of the infamous Merkle’s Boner incident, Giants manager John McGraw, and the unstoppable Johnny Evers and to learn how much—and just how little—has really changed in a hundred years. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.




Editor & Publisher


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The United States Catalog


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Frank Merriwell at Yale


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Frank Merriwell was the fictional creation of Gilbert Patten, who wrote under the pseudonym Burt L. Standish. The model for all later American juvenile sports fiction, Merriwell excelled at football, baseball, crew, and track at Yale while solving mysteries and righting wrongs. He played with great strength and received traumatic blows without injury. A biographical entry on Patten noted that Frank Merriwell "had little in common with his creator or his readers." Patten offered some background on his character: "The name was symbolic of the chief characteristics I desired my hero to have. Frank for frankness, merry for a happy disposition, well for health and abounding vitality." Merriwell's classmates observed, "He never drinks. That's how he keeps himself in such fine condition all the time. He will not smoke, either, and he takes his exercise regularly. He is really a remarkable freshie." Merriwell originally appeared in a series of magazine stories starting April 18, 1896 ("Frank Merriwell: or, First Days at Fardale") in Tip Top Weekly, continuing through 1912, and later in dime novels and comic books. Patten would confine himself to a hotel room for a week to write an entire story.




Forthcoming Books


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