Franklin Roosevelt's Postage Stamp Quilt


Book Description

The true story of an African American woman from Marion, Indiana who, as part of the WPA Sewing-Room Projects, designed and pieced a postage stamp quilt which she presented to President Franklin D. Roosevelt in 1936.




Gee's Bend


Book Description

In 2002, Gee’s Bend burst into international prominence through the success of Tinwood’s Quilts of Gee’s Bend exhibition and book, which revealed an important and previously invisible art tradition from the African American South. Critics and popular audiences alike marveled at these quilts that combined the best of contemporary design with a deeply rooted ethnic heritage and compelling human stories about the women. Gee's Bend: The Architecture of the Quilt is a major book and museum exhibition that will premiere at the Museum of Fine Arts, Houston (MFAH), in June 2006 before traveling to seven American museums through 2008. The book's 330 color illustrations and insightful text bring home the exciting experience to readers while displaying all the cultural heritage and craftsmanship that have gone into these remarkable quilts.




The Quilt Encyclopedia Illustrated


Book Description

"Designs, patterns, techniques, equipment, conservation and care, textiles, dyes, history, quilt organizations, and more"--Jacket.




Georgia Quilts


Book Description

Showcases a number of themes through which the common story of Georgia, its people, and its quilting legacy can be told in a comprehensive record of the diversity of quilting materials, methods, and patterns used in the state. Simultaneous.




Emancipation's Daughters


Book Description

In Emancipation's Daughters, Riché Richardson examines iconic black women leaders who have contested racial stereotypes and constructed new national narratives of black womanhood in the United States. Drawing on literary texts and cultural representations, Richardson shows how five emblematic black women—Mary McLeod Bethune, Rosa Parks, Condoleezza Rice, Michelle Obama, and Beyoncé—have challenged white-centered definitions of American identity. By using the rhetoric of motherhood and focusing on families and children, these leaders have defied racist images of black women, such as the mammy or the welfare queen, and rewritten scripts of femininity designed to exclude black women from civic participation. Richardson shows that these women's status as national icons was central to reconstructing black womanhood in ways that moved beyond dominant stereotypes. However, these formulations are often premised on heteronormativity and exclude black queer and trans women. Throughout Emancipation's Daughters, Richardson reveals new possibilities for inclusive models of blackness, national femininity, and democracy.




Quiltmaking in America


Book Description

A compilation of articles from Uncoverings, the journal of the American Quilt Study Group, this beautifully illustrated book provides an in-depth study of American quiltmaking. Indexed.




West Virginia Quilts and Quiltmakers


Book Description

Valentine, involved in a project to seek out, document, and help preserve West Virginia quilts, presents a fabulously beautiful collection of quilts created prior to 1940. Coverage of each work includes a map showing the county in which it was created, its maker, the date it was finished, its pattern, and a lively description of the quilt's composition, including patterns, fabrics, and techniques employed and its relationship to other quilts of the same era. Annotation copyrighted by Book News Inc., Portland, OR







The Living Museum


Book Description




No Idle Hands


Book Description

“Fascinating . . . What is remarkable about this book is that a history of knitting can function so well as a survey of the changes in women’s rolse over time.”—The New York Times Book Review An historian and lifelong knitter, Anne Macdonald expertly guides readers on a revealing tour of the history of knitting in America. In No Idle Hands, Macdonald considers how the necessity—and the pleasure—of knitting has shaped women’s lives. Here is the Colonial woman for whom idleness was a sin, and her Victorian counterpart, who enjoyed the pleasure of knitting while visiting with friends; the war wife eager to provide her man with warmth and comfort, and the modern woman busy creating fashionable handknits for herself and her family. Macdonald examines each phase of American history and gives us a clear and compelling look at life, then and now. And through it all, we see how knitting has played an important part in the way society has viewed women—and how women have viewed themselves. Assembled from articles in magazines, knitting brochures, newspaper clippings and other primary sources, and featuring reproductions of advertisements, illustrations, and photographs from each period, No Idle Hands capture the texture of women’s domestic lives throughout history with great wit and insight. “Colorful and revealing . . . vivid . . . This book will intrigue needlewomen and students of domestic history alike.”—The Washington Post Book World