Nineteenth-century French Song


Book Description

Song by song this study addresses the comple te works of each of the composers for solo voice and piano. When necessary, errors in the published editions are correct ed and the full French text is provided alongside the author ''s translations '







French Art Song


Book Description

A ground-breaking study of the musical and literary priorities, professional practices and creative interactions that shaped one of the most adventurous artforms of the Belle Époque.




The Harvard Dictionary of Music


Book Description

This classic reference work, the best one-volume music dictionary available, has been brought completely up to date in this new edition. Combining authoritative scholarship and lucid, lively prose, the Fourth Edition of The Harvard Dictionary of Music is the essential guide for musicians, students, and everyone who appreciates music. The Harvard Dictionary of Music has long been admired for its wide range as well as its reliability. This treasure trove includes entries on all the styles and forms in Western music; comprehensive articles on the music of Africa, Asia, Latin America, and the Near East; descriptions of instruments enriched by historical background; and articles that reflect today’s beat, including popular music, jazz, and rock. Throughout this Fourth Edition, existing articles have been fine-tuned and new entries added so that the dictionary fully reflects current music scholarship and recent developments in musical culture. Encyclopedia-length articles by notable experts alternate with short entries for quick reference, including definitions and identifications of works and instruments. More than 220 drawings and 250 musical examples enhance the text. This is an invaluable book that no music lover can afford to be without.




French Art Songs of the Nineteenth Century


Book Description

The lyric art song, in which the piano plays as large a part as the vocal melody, is one of the characteristic products of the 19th century. This collection of 39 songs from the romantic period spotlights 18 composers: Berlioz, Chausson, Debussy (6 songs), Gounod, Massenet, Thomas, and more. For high voice. French text, English singing translations.




Art Song


Book Description

(Book). Art Song: Linking Poetry and Music is a follow-up to author Carol Kimball's bestselling Song: A Guide to Art Song Style and Literature . Rather than a general survey of art song literature, the new book clearly and insightfully defines the fundamental characteristics of art song, and the integral relationship between lyric poetry and its musical settings. Topics covered include poetry basics for singers, exercises for singers in working with poetry, insights into composers' musical settings of poetry, building recital programs, performance suggestions, and recommended literature for college and university classical voice majors. The three appendices address further aspects of poetry, guidelines for creating a recital program, and representative classical voice recitals of various descriptions. Art Song: Linking Poetry and Music is extremely useful as an "unofficial" text for college/university vocal literature classes, as an excellent resource for singers and voice teachers, and of interest to all those who are fascinated by the rich legacy of the art song genre.




The Interpretation of French Song


Book Description

Provides general instructions for the performance and interpretation of French melodies and analyzes vocal works by eighteen composers including Berlioz, Duparc, Debussy, and Ravel




30 Arias for Mezzo-soprano


Book Description

This selection of arias ranges from the dawn of Italian opera to the late nineteenth century. Arranged chronologically, it encompasses historically and artistically significant operatic modes as well as many varieties of airs. Highlights include Bizet’s 'Près de remparts,ö' from Carmen; 'Voi, che sapeteö' and 'Deh vieni, non tardarö' from Mozart’s Le Nozze di Figaro; 'Gerechter Gott!ö' from Wagner’s Rienzi; Verdi’s 'Saper vorresteö' from Un Ballo in Maschera and 'O don fatale,ö' from Don Carlo; Handel’s 'Lascia ch’ io pianga,ö' from Rinaldo; plus arias by Monteverde, Weber, Rossini, Donizetti, and other composers. Lyrics appear in the original languages and in English translations.







French Music, Culture, and National Identity, 1870-1939


Book Description

Heroism, art, and new media : France and identity formation. Unifying the French nation : Savorgnan de Brazza and the Third Republic / Edward Berenson ; New media, source-bonding, and alienation : listening at the 1889 Exposition Universelle / Annegret Fauser ; Debussy and the making of a musicien français : Pelléas, the press, and World War I / Barbara L. Kelly ; A bas Wagner! : the French press campaign against Wagner during World War I / Marion Schmid -- Canon, style, and political alignment. D'Indy's Beethoven / Steven Huebner ; Messidor : republican patriotism and the French revolutionary tradition in Third Republic opera / James Ross ; The symphony and national identity in early twentieth-century France / Brian Hart ; Transcending the word? : religion and music in Gauguin's quest for abstraction / Debora Silverman ; Jolivet's search for a new French voice : spiritual otherness in Mana (1935) / Deborah Mawer -- Regionalism. Rameau in late nineteenth-century Dijon : memorial, festival, fiasco / Katharine Ellis ; Becoming Alsatian : anti-German and pro-French cultural propaganda in Alsace, 1898-1914 / Detmar Klein ; National identity and the double border in Lorraine, 1870-1914 / Didier Francfort.