From Rice Paddies and Temple Yards


Book Description

From the Back Cover: From Rice Paddies and Temple Yards: Traditional Music Of Vietnam presents an in-depth look at the music and culture of Vietnam, written by one of the foremost scholars and performers of traditional Vietnamese music in the world today. This is the first time an annotated collection of Vietnamese music has been prepared in English. The team of Phong Nguyen and Patricia Shehan Campbell, and ethnomusicologist and music educator, has produced a truly unique contribution to multicultural education, equally useful for Vietnamese and non-Vietnamese readers, music or social studies classes, courses in Southeast Asian culture and community outreach programs. An extremely varied collection, From Rice Paddies and Temple Yards: Traditional Music of Vietnam includes game songs, love songs, boating songs, recited and sung poetry and instrumental music. It offers a section on the history and culture of Vietnam, a general introduction to the music and instruments, and twelve vocal and instrumental pieces with study guides for group use. A fluid writing style, in-depth annotation, and personal notes by Phong Nguyen about every selection take this out of the realm of dry scholarship and place it firmly within reach of all those who want to remember and preserve their heritage, as well as those who are being introduced to these gently flowing rivers of Vietnamese music for the first time.




From Rice Paddies and Temple Yards


Book Description

Features an examination of the traditional music of Vietnam & its place in the society, presented in English. Includes history, cultural information, information about each piece, translations, pronunciation, numerous photos of the country & instruments, bibliography, index, & information for teachers on how to work with the pieces in the classroom. Designated "Best Folk Recording of 1990." Folk Life Center Library of Congress.




Remembering Musical Childhoods in Vietnam


Book Description

This book offers an in-depth exploration of the childhood musical experiences of Vietnamese elders, providing a unique lens on the intersections between identity, culture, and music education. Centering the stories of five Vietnamese Americans and one Vietnamese person who grew up in Vietnam between 1931 and 1975, the author considers the role that each individual’s childhood musical experiences played in their life as they were impacted by war, political movements, and immigrant and refugee experiences. The book adds a new perspective to research on the global music practices of children by exploring music transmission and repertoire in Vietnam in the context of political unrest and colonialism before and during the Vietnam War. It also explores the evolution of the personal meanings and memories of music over a period of drastic change in each individual’s life, as five of six elders transitioned into a life in the United States. This book provides both an act of cultural and musical preservation, and relevant implications for music education today. Situating the children’s songs and games of Vietnamese culture in their original context, the author invites those in the field of music education to consider how lived experiences and entrenched systems of teaching affect music learning and identity formation. The volume includes a selection of Vietnamese children’s songs, games, chants, and musicopoetic lullabies (ca dao), offering ways to enrich music educators’ world music curricula. Relevant to music education, ethnomusicology, and Asian American studies, this book provides a nuanced account of Vietnamese children’s music making of the past and presents an analysis of childhood musical experiences in a wider cultural, sociopolitical, and historical context.







The Garland Encyclopedia of World Music


Book Description

The Garland Encyclopedia of World Music is a ten-volume reference work, organized geographically by continent to represent the musics of the world in nine volumes. The tenth volume houses reference tools and descriptive information about the encyclopedia’s structure, criteria for inclusion and other information specific to the field of ethnomusicology. An award-winning reference, its contributions are from top researchers around the world who were active in fieldwork and from key institutions with programs in ethnomusicology. GEWM has become a familiar acronym, and it remains highly revered for its scholarship, uncontested in being the sole encompassing reference work with a broad survey of world music. More than 9,000 pages, with musical illustrations, photographs and drawings, it is accompanied by 300+ audio examples.




Freedom's Plow


Book Description

First Published in 1993. Routledge is an imprint of Taylor & Francis, an informa company.




The Oxford Handbook of Applied Ethnomusicology


Book Description

Applied studies scholarship has triggered a not-so-quiet revolution in the discipline of ethnomusicology. The current generation of applied ethnomusicologists has moved toward participatory action research, involving themselves in musical communities and working directly on their behalf. The essays in The Oxford Handbook of Applied Ethnomusicology, edited by Svanibor Pettan and Jeff Todd Titon, theorize applied ethnomusicology, offer histories, and detail practical examples with the goal of stimulating further development in the field. The essays in the book, all newly commissioned for the volume, reflect scholarship and data gleaned from eleven countries by over twenty contributors. Themes and locations of the research discussed encompass all world continents. The authors present case studies encompassing multiple places; other that discuss circumstances within a geopolitical unit, either near or far. Many of the authors consider marginalized peoples and communities; others argue for participatory action research. All are united in their interest in overarching themes such as conflict, education, archives, and the status of indigenous peoples and immigrants. A volume that at once defines its field, advances it, and even acts as a large-scale applied ethnomusicology project in the way it connects ideas and methodology, The Oxford Handbook of Applied Ethnomusicology is a seminal contribution to the study of ethnomusicology, theoretical and applied.




Musical Classroom


Book Description

With this Eighth Edition, The Musical Classroom celebrates thirty years as a leading resource for future and in-service teachers as they engage children in the exciting world of music! Teachers, with the help of this user-friendly text, can develop the understandings and skills needed to teach elementary school music. The forty-four model lessons are the centerpiece to the book's long-lasting success. A collection of over 170 children's songs from around the world; instructional information for learning to play the recorder, keyboard, guitar, and Autoharp(TM); and the theoretical, pedagogical, and practical backgrounds needed for reaching all learners complete the comprehensive resource of The Musical Classroom. Note: This is the standalone book. If you want the accompanying audio CD, order the ISBN 9781138656703, which is available for separate sale.




The Garland Encyclopedia of World Music


Book Description

This volume makes available the full range of the American/Canadian musical experience, covering-for the first time in print-all major regions, ethnic groups, and traditional and popular contexts. From musical comedy to world beat, from the songs of the Arctic to rap and house music, from Hispanic Texas to the Chinese communities of Vancouver, the coverage captures the rich diversity and continuities of the vibrant music we hear around us. Special attention is paid to recent immigrant groups, to Native American traditions, and to such socio-musical topics as class, race, gender, religion, government policy, media, and technology.