Proceedings of the 7th Brazilian Technology Symposium (BTSym’21)


Book Description

This book presents the Proceedings of The 7th Brazilian Technology Symposium (BTSym'21). The book discusses current technological issues on Systems Engineering, Mathematics and Physical Sciences, such as the Transmission Line, Protein-modified mortars, Electromagnetic Properties, Clock Domains, Chebyshev Polynomials, Satellite Control Systems, Hough Transform, Watershed Transform, Blood Smear Images, Toxoplasma Gondi, Operation System Developments, MIMO Systems, Geothermal-Photovoltaic Energy Systems, Mineral Flotation Application, CMOS Techniques, Frameworks Developments, Physiological Parameters Applications, Brain Computer Interface, Artificial Neural Networks, Computational Vision, Security Applications, FPGA Applications, IoT, Residential Automation, Data Acquisition, Industry 4.0, Cyber-Physical Systems, Digital Image Processing, Patters Recognition, Machine Learning, Photocatalytic Process, Physical-chemical analysis, Smoothing Filters, Frequency Synthesizers, Voltage Controlled Ring Oscillator, Difference Amplifier, Photocatalysis, Photodegradation, current technological issues on Human, Smart and Sustainable Future of Cities, such as the Digital Transformation, Data Science, Hydrothermal Dispatch, Project Knowledge Transfer, Immunization Programs, Efficiency and Predictive Methods, PMBOK Applications, Logistics Process, IoT, Data Acquisition, Industry 4.0, Cyber-Physical Systems, Fingerspelling Recognition, Cognitive Ergonomics, Ecosystem services, Environmental, Ecosystem services valuation, Solid Waste and University Extension.




VI CONGRESO INTERNACIONAL DE SINESTESIA, CIENCIA Y ARTE 2018 + ACTIVIDADES PARALELAS


Book Description

ACTAS DEL “VI CONGRESO INTERNACIONAL DE SINESTESIA, CIENCIA Y ARTE + ACTIVIDADES PARALELAS 2018”. Alcalá la Real, Jaén (España). Sedes: Convento de Capuchinos, Palacio Abacial, Teatro Martínez Montañés, Alcalá la Real (Jaén) y Conservatorio Superior de Música Victoria Eugenia, Granada, España. Facultad de Bellas Artes, UGR Granada, España Versión digital, Abril de 2018. Primera Edición/First edition: April 2018 E-book ISBN: 978-84-948665-0-0 Comité editorial: Mª José de Córdoba Serrano; Julia López de la Torre Lucha; Timothy B. Leyden. Diseño imagen, trípticos de promoción y cartel: Víctor Parra ©Editorial: Fundación Internacional Artecittà. Granada. 2018 C/Doctor Medina Olmos nº 44. 18015-Granada, España [email protected] http://www.artecitta.es Nota aclaratoria: E-book interactivo. Formato PDF. Todo el material recogido en este libro de Actas está protegido por copyright, ley internacional, y no debe ser reproducido, distribuido, ni publicado sin el permiso expreso solicitado previamente a sus autores/ All materials contained on this Book are protected by International copyright laws and cannot be reproduced, distributed, transmitted, displayed, published or broadcasted without the prior written permission of the publisher. Los textos se presentan como han sido enviados por los congresistas/ investigadores, respetando si han querido publicar sus textos completos o sólo los resúmenes. Comité Organizador/Organization Committee: Comité de dirección: Dra. Mª José de Córdoba. F.I.A.C. y UGR. Coordinador General: Dr. Francisco Toro Ceballos. Jefe de servicio. Técnico de Cultura del Excmo. Ayuntamiento de Alcalá la Real, Jaén. España. [email protected] Juan M. Martín Afán de Rivera. Técnico de Cultura. Excmo. Ayuntamiento de Alcalá la Real, Jaén. España. [email protected] Dirección MuVi5: Dra. Dina Riccò (Univ. Politecnico di Milano) & Dra. María José de Córdoba UGR. Coordinador Internacional: Dr. Sean A Day (IASAS) and Dr. Antón Sidoroff Dorso (Artecitta Ru). Coordinación Interna: Dr.Timothy B Layden y Julia López de la Torre Lucha (Artecittà) Comité Científico: Dr. Edward M. Hubbard (University of Wisconsin-Madison); Dr. Joerg Jewansky; Dr. Markus Zedler; Dr. Sean A Day, Dra. DinaRiccò (Politecnico di Milano) Coordinador interuniversitario: Dr. Juan García Villar (FIAC). Colaboradores / Delegaciones: Dr. Víctor Parra (UPEL, Venezuela); Dr. Wilmer Chávez (UCLA, Venezuela); José Antonio Fernández (Synlogic, FIAC. Asesor psicopedagógico FIAC); Dr. Mohamed Radi Abouarab y Prof. Dr. Maged ABDELTAWAB AHMED ELKEMARY, Rector de la Universidad de Kafrelsheikh, (Egipto). Dra. Helena Melero (Univ. Rey Juan Carlos III. Madrid y FIAC, Madrid); Master Dibujo, Producción y Difusión, Dra. Mari Carmen Hidalgo y Dr. Jesús Pertíñez López. UGR; Ninghui Xiong and Tong Jung Ding (Artecittà China); Dra. Coral Morales, Ciencias de la Educación, UJA. Instituto de Estudios Giennenses (IEG): Dr. Pedro Galera Andreu y Dra. Adela Tarifa Fernández. Concejalía de Cultura, Excmo. Ayuntamiento de Alcalá la Real: Sr. D. Juan Francisco Martínez. Ayudante Comunicación Diseño e Imagen Ayto. Alcalá la Real, Jaén Federico Barquero Mesa. Traducción simultánea: Julia López de la Torre, Timothy B Layden (FIAC). y Dr. Víctor Parra, (F.I.A.C). Colaboración especial: Sr. D. Jesús Caicedo Bernabé. Presidente de la F.I.A.C.




Review of culture


Book Description




Overarching Greek Trends in European Philosophy


Book Description

This book is an enquiry into memory in the Western world. Specifically, memory is the framework of culture, because it links the present to the past - or tradition - and projects it into the future. For this reason, any work focusing on memory involves a double challenge: (1) to reveal the origin of concepts and (2) to glimpse the course of thoughts. This is the case of the present volume, in which the authors make several tastings of Europe's intellectual heritage, by taking into account both the Greek origin of this legacy and its relevance for understanding the European philosophical heritage. In particular, these papers focus on the Aristotelian tradition, the true keystone of Europe, and on other currents of thought that have also played an essential role in the intellectual evolution of the Old Continent. In the latter field, there are contributions, for instance, on philosophical-religious traditions such as Orphism or on certain fundamental aspects of Neoplatonism both in the Classical World and in Christian authors. The volume concludes with various works on the survival of these intellectual trends from the Renaissance to the present day. Consequently, this work offers the opportunity to delve deeper into some of the aspects that define Western civilisation, observed both from its origin and its evolution over the centuries. The volume contains papers in Spanish, Portuguese, Italian, and English. Este libro es una indagación en la memoria del mundo occidental. Específicamente, la memoria es el armazón de la cultura, porque liga el presente al pasado —o tradición— y lo proyecta al futuro. Por ello, toda obra centrada en la memoria entraña un doble reto: (1) revelar el origen de los conceptos y (2) atisbar el rumbo de los pensamientos. Este es el caso del presente volumen, en el que realizan diversas catas en el patrimonio intelectual europeo. Lo hace teniendo en cuenta tanto el origen griego de ese legado como su relevancia para comprender el acervo filosófico europeo. En concreto, se centra en la tradición aristótelica, verdadera clave de bóveda de Europa, y en otras corrientes de pensamiento que también han jugado un papel esencial en la evolución intelectual del viejo continente. En éste último ámbito hay contribuciones, por ejemplo, sobre tradiciones filosófico-religiosas como el orfismo o sobre determinados aspectos fundamentales del neoplatonismo en el mundo clásico y en autores cristianos. Concluye el volumen con diversos trabajos sobre la pervivencia de esas tendencias intelectuales desde el renacimiento hasta nuestros días. En consecuencia, esta obra ofrece la oportunidad de profundizar en algunos aspectos que definen nuestra civilización, observados tanto desde su origen como desde su evolución a lo largo de los siglos.










The Solfeggio Tradition


Book Description

In this first-ever book on the solfeggio tradition, one of the pillars of eighteenth-century music education, author Nicholas Baragwanath illuminates how performers and composers developed their exceptional skills in improvising and inventing melodies.




Historical Dictionary of Romantic Music


Book Description

Library Journal praises the book as "an excellent one-volume ready reference resource for students, researchers, and others interested in music history." Historical Dictionary of Romantic Music, Second Edition covers the persons, ideas, practices, and works that made up the worlds of Western music during the long 19th century (ca. 1780–1918). It’s the first book to recognize that Romantic music was very nearly a global phenomenon. It includes more women, more Black musicians and other musicians of color, and more exponents of musical Romanticism from Central and South America as well as Central and Eastern Europe than any other single-volume study of Romantic music—thus challenging the conventional hegemony of musical Romanticisms by men and by Western European nations. This book includes entries on topics including anti-Semitism, sexism, and racism that were pervasive and defining to the worlds of musical Romanticism but are rarely addressed in general studies of that subject. It includes Romantic musicians who were not primarily composers, as well as topics such as the Haitian Revolution, spirituals, and ragtime that were more important for music in the long 19th century than is generally acknowledged. The result is an expansive, inclusive, diverse, and more richly textured portrayal of Romantic music than is elsewhere available. Historical Dictionary of Romantic Music, Second Edition contains a chronology, an introduction, an extensive bibliography, and a dictionary section with more than 600 cross-referenced entries on traditions, famous pieces, persons, places, technical terms, and institutions of Romantic music. This book is an excellent resource for students, researchers, and anyone wanting to know more about Romantic music.




Santiago de Murcia


Book Description