Future Science Fiction Digest Issue 9


Book Description

Future SF is a magazine focusing on international science fiction. In this oversized issue we've collected stories from the established masters as well as some exciting up-and-comers in China, Japan, and South Korea. From machine societies to ocean depths, from interstellar migrations to genetically engineered mermaids, these tales envision very different, often dark, but always fascinating futures. Includes the following stories: Rœsin by Wu Guan (translated from Chinese by Judith Huang) Raising Mermaids by Dai Da (translated from Chinese by S. Quouyi Lu) Butterfly Blue by Gustavo Bondoni (Argentina) Reflection by Gu Shi (translated from Chinese by Ken Liu; reprint) Whale Snows Down by Kim Bo-Young (translated from Korean by Sophie Bowman) Formerly Slow by Wei Ma (translated from Chinese by Andy Dudak) Just Like Migratory Birds by Taiyo Fujii (translated from Japanese by Emily Balistrieri)




Future Science Fiction Digest Issue 10


Book Description

Future SF is a magazine focusing on international science fiction. This issue features stories from Mexico, China, Croatia, and the United States. “The Second Celeste” by Alberto Chimal (Mexico), translated by Patrick Weill “The Two Festivals that Cannot Coexist” by Liu Cixin (China), translated by Nathan Faries “The Office Drone” by Nic Lipitz (USA)“Perfect Date” by Jelena Dunato (Croatia)| “The Final Test” by Ti Sha (China), translated by Judith Huang




Future Science Fiction Digest Issue 0


Book Description

Inaugural issue of a new science fiction magazine with an added focus on international fiction and translation. Ranging from lyrical to humorous, from optimistic to jaded, from earthbound to interstellar, these stories offer six very different glimpses into the future. Matthew Kressel's "The History Within Us" takes place during the final stages of the heat death of the universe, where a ship filled with refugees of different species is huddled near one of the last burning stars, and that star is about to go nova. Tatiana Ivanova's satirical "Impress Me, Then We'll Talk About the Money" imagines the consequences of unscrupulous pharmacologists creating drugs that allow people to fulfill their deepest desire, which is to change. In "Earthrise," Lavie Tidhar examines what it means to be an artist in a futuristic society where humanity has colonized the solar system. In Alvaro Zinos-Amaro's "e^h" human colonists encounter a region of space in which their junk DNA mutates, revealing information encoded there by aliens. Teng Ye's "Universal Cigarettes" is a tongue-in-cheek tale of a grandiose marketing stunt with a dark twist reminiscent of Philip K. Dick's work. In the Nebula Award-nominated "Utopia, LOL?" by Jamie Wahls, a modern-day human wakes from cryogenic suspension in a utopian future overseen by a benevolent computer.




Infinite Detail


Book Description

A LOCUS AWARD FINALIST FOR BEST FIRST NOVEL! The Guardian's Pick for Best Science Fiction Book of the Year! A timely and uncanny portrait of a world in the wake of fake news, diminished privacy, and a total shutdown of the Internet BEFORE: In Bristol’s center lies the Croft, a digital no-man’s-land cut off from the surveillance, Big Data dependence, and corporate-sponsored, globally hegemonic aspirations that have overrun the rest of the world. Ten years in, it’s become a center of creative counterculture. But it’s fraying at the edges, radicalizing from inside. How will it fare when its chief architect, Rushdi Mannan, takes off to meet his boyfriend in New York City—now the apotheosis of the new techno-utopian global metropolis? AFTER: An act of anonymous cyberterrorism has permanently switched off the Internet. Global trade, travel, and communication have collapsed. The luxuries that characterized modern life are scarce. In the Croft, Mary—who has visions of people presumed dead—is sought out by grieving families seeking connections to lost ones. But does Mary have a gift or is she just hustling to stay alive? Like Grids, who runs the Croft’s black market like personal turf. Or like Tyrone, who hoards music (culled from cassettes, the only medium to survive the crash) and tattered sneakers like treasure. The world of Infinite Detail is a small step shy of our own: utterly dependent on technology, constantly brokering autonomy and privacy for comfort and convenience. With Infinite Detail, Tim Maughan makes the hitherto-unimaginable come true: the End of the Internet, the End of the World as We Know It.




The Oxford Handbook of Science Fiction


Book Description

The Oxford Handbook of Science Fiction attempts to descry the historical and cultural contours of SF in the wake of technoculture studies. Rather than treating the genre as an isolated aesthetic formation, it examines SF's many lines of cross-pollination with technocultural realities since itsinception in the nineteenth century, showing how SF's unique history and subcultural identity has been constructed in ongoing dialogue with popular discourses of science and technology.The volume consists of four broadly themed sections, each divided into eleven chapters. Section I, "Science Fiction as Genre," considers the internal history of SF literature, examining its characteristic aesthetic and ideological modalities, its animating social and commercial institutions, and itsrelationship to other fantastic genres. Section II, "Science Fiction as Medium," presents a more diverse and ramified understanding of what constitutes the field as a mode of artistic and pop-cultural expression, canvassing extra-literary manifestations of SF ranging from film and television tovideogames and hypertext to music and theme parks. Section III, "Science Fiction as Culture," examines the genre in relation to cultural issues and contexts that have influenced it and been influenced by it in turn, the goal being to see how SF has helped to constitute and define important(sub)cultural groupings, social movements, and historical developments during the nineteenth, twentieth, and twenty-first centuries. Finally, Section IV, "Science Fiction as Worldview," explores SF as a mode of thought and its intersection with other philosophies and large-scale perspectives on theworld, from the Enlightenment to the present day.




A History of the Future


Book Description

In this wide-ranging survey, Peter J. Bowler explores the phenomenon of futurology: predictions about the future development and impact of science and technology on society and culture in the twentieth century. Utilising science fiction, popular science literature and the novels of the literary elite, Bowler highlights contested responses to the potential for revolutionary social change brought about by real and imagined scientific innovations. Charting the effect of social and military developments on attitudes towards innovation in Europe and America, Bowler shows how conflict between the enthusiasm of technocrats and the pessimism of their critics was presented to the public in books, magazines and exhibitions, and on the radio and television. A series of case studies reveals the impact of technologies such as radio, aviation, space exploration and genetics, exploring rivalries between innovators and the often unexpected outcome of their efforts to produce mechanisms and machines that could change the world.




Science Fiction Prototyping


Book Description

Science fiction is the playground of the imagination. If you are interested in science or fascinated with the future then science fiction is where you explore new ideas and let your dreams and nightmares duke it out on the safety of the page or screen. But what if we could use science fiction to do more than that? What if we could use science fiction based on science fact to not only imagine our future but develop new technologies and products? What if we could use stories, movies and comics as a kind of tool to explore the real world implications and uses of future technologies today? Science Fiction Prototyping is a practical guide to using fiction as a way to imagine our future in a whole new way. Filled with history, real world examples and conversations with experts like best selling science fiction author Cory Doctorow, senior editor at Dark Horse Comics Chris Warner and Hollywood science expert Sidney Perkowitz, Science Fiction Prototyping will give you the tools you need to begin designing the future with science fiction. The future is Brian David Johnson’s business. As a futurist at Intel Corporation, his charter is to develop an actionable vision for computing in 2021. His work is called “future casting”—using ethnographic field studies, technology research, trend data, and even science fiction to create a pragmatic vision of consumers and computing. Johnson has been pioneering development in artificial intelligence, robotics, and reinventing TV. He speaks and writes extensively about future technologies in articles and scientific papers as well as science fiction short stories and novels (Fake Plastic Love and Screen Future: The Future of Entertainment, Computing and the Devices We Love). He has directed two feature films and is an illustrator and commissioned painter. Table of Contents: Preface / Foreword / Epilogue / Dedication / Acknowledgments / 1. The Future Is in Your Hands / 2. Religious Robots and Runaway Were-Tigers: A Brief Overview of the Science and the Fiction that Went Into Two SF Prototypes / 3. How to Build Your Own SF Prototype in Five Steps or Less / 4. I, Robot: From Asimov to Doctorow: Exploring Short Fiction as an SF Prototype and a Conversation With Cory Doctorow / 5. The Men in the Moon: Exploring Movies as an SF Prototype and a Conversation with Sidney Perkowitz / 6. Science in the Gutters: Exploring Comics as an SF Prototype and a Conversation With Chris Warner / 7. Making the Future: Now that You Have Developed Your SF Prototype, What’s Next? / 8. Einstein’s Thought Experiments and Asimov’s Second Dream / Appendix A: The SF Prototypes / Notes / Author Biography




The History of the Science-fiction Magazine


Book Description

Fourth volume in Mike Ashley's acclaimed set on the history of science-fiction magazines. This volume looks at the 1980s.




Science Fiction and Computing


Book Description

The prevalence of science fiction readership among those who create and program computers is so well-known that it has become a cliche, but the phenomenon has remained largely unexplored by scholars. What role has science fiction played in the actual development of computers and computing? And likewise, how has computing (including the related fields of robotics and artificial intelligence) affected the course of science fiction? The 18 essays in this critical work explore the interrelationship of these domains over the span of more than half a century.




Science Fiction and the Prediction of the Future


Book Description

Science fiction has always challenged readers with depictions of the future. Can the genre actually provide glimpses of the world of tomorrow? This collection of fifteen international and interdisciplinary essays examines the genre's predictions and breaks new ground by considering the prophetic functions of science fiction films as well as SF literature. Among the texts and topics examined are classic stories by Murray Leinster, C. L. Moore, and Cordwainer Smith; 2001: A Space Odyssey and its sequels, Japanese anime and Hong Kong cinema; and electronic fiction.