Author : Matias Faldbakken
Publisher : Karma, New York
Page : 0 pages
File Size : 17,65 MB
Release : 2016-08-23
Category : Art
ISBN : 9781938560170
A stark, black-and-white publication, The Mess includes nearly 80 paintings by Norwegian-born artist Gardar Eide Einarsson (born 1976) that explore the relationship between authority and rebellion through visual signs and symbols taken from sources ranging from popular culture to political iconography and utopian ideologies.
Author : Adam Marnie
Publisher : Karma, New York
Page : 112 pages
File Size : 28,82 MB
Release : 2022-02-15
Category : Art
ISBN : 9781949172713
On the face and the self in Mark Flood's early work This book investigates a crucial period for the Houston-based artist Mark Flood (born 1957), from 1987 to 1992, during which he was still making and exhibiting work using his birth name, John Peters. Artist and editor Adam Marnie explores Flood's motif of the face and his use of personae, aliases and surrogates.
Author : Steven Henry Madoff
Publisher : MIT Press
Page : 387 pages
File Size : 37,53 MB
Release : 2009-09-11
Category : Art
ISBN : 0262134934
Leading international artists and art educators consider the challenges of art education in today's dramatically changed art world. The last explosive change in art education came nearly a century ago, when the German Bauhaus was formed. Today, dramatic changes in the art world—its increasing professionalization, the pervasive power of the art market, and fundamental shifts in art-making itself in our post-Duchampian era—combined with a revolution in information technology, raise fundamental questions about the education of today's artists. Art School (Propositions for the 21st Century) brings together more than thirty leading international artists and art educators to reconsider the practices of art education in academic, practical, ethical, and philosophical terms. The essays in the book range over continents, histories, traditions, experiments, and fantasies of education. Accompanying the essays are conversations with such prominent artist/educators as John Baldessari, Michael Craig-Martin, Hans Haacke, and Marina Abramovic, as well as questionnaire responses from a dozen important artists—among them Mike Kelley, Ann Hamilton, Guillermo Kuitca, and Shirin Neshat—about their own experiences as students. A fascinating analysis of the architecture of major historical art schools throughout the world looks at the relationship of the principles of their designs to the principles of the pedagogy practiced within their halls. And throughout the volume, attention is paid to new initiatives and proposals about what an art school can and should be in the twenty-first century—and what it shouldn't be. No other book on the subject covers more of the questions concerning art education today or offers more insight into the pressures, challenges, risks, and opportunities for artists and art educators in the years ahead. Contributors Marina Abramovic, Dennis Adams, John Baldessari, Ute Meta Bauer, Daniel Birnbaum, Saskia Bos, Tania Bruguera, Luis Camnitzer, Michael Craig-Martin, Thierry de Duve, Clémentine Deliss, Charles Esche, Liam Gillick, Boris Groys, Hans Haacke, Ann Lauterbach, Ken Lum, Steven Henry Madoff, Brendan D. Moran, Ernesto Pujol, Raqs Media Collective, Charles Renfro, Jeffrey T. Schnapp, Michael Shanks, Robert Storr, Anton Vidokle
Author :
Publisher : Karma, New York
Page : pages
File Size : 17,79 MB
Release : 2020-11-24
Category : Art
ISBN : 9781949172508
An intimate clothbound volume compiling the exquisite postcard paintings of Matthew Wong This fully illustrated volume collects Matthew Wong's small-scale postcard paintings made during the last year of his life in 2019. As Winnie Wong writes in her newly commissioned essay for the book, "Art critics have observed that Matthew Wong's landscapes are 'uncannily familiar, ' and they do prompt viewers to search our own memories, but he almost never titled them as places. Instead, he consistently named them as moments in time: midnight, 5:00am, dawn, daybreak, 12:30am, Autumn, Winter, the first snow, the gloaming, the moon rise ... For the postcard is a genre that seems to consciously elude a sense of stable locus, yet marks the times of our lives when we tried to grasp it. Matthew Wong painted at home, on the road, and in the studio. He spoke of the compulsion to finish each of his paintings in a single sitting, and talked of them always as process, rather than subject matter. Standing before paintings he finished years ago, he could recall every stroke and mark as if he had placed them just moments before." Matthew Wong (1984-2019) was a self-taught Canadian artist whose paintings evoke art historical precedents ranging Soutine and Van Gogh to abstract expressionism. His colorful, dappled vignettes of imaginary landscapes and half-remembered interiors have the uncanny ability to, in his words, "activate nostalgia, both personal and collective." Wong held his first American solo exhibition at Karma in March 2018, garnering reviews in the New York Times and the New Yorker, among others. His work is in the collection of the Dallas Museum of Art, Texas.
Author : Matias Faldbakken
Publisher : Gallery/Scout Press
Page : 256 pages
File Size : 31,89 MB
Release : 2019-06-18
Category : Fiction
ISBN : 1501197533
“As if The Remains of the Day had been written by Kingsley Amis, The Waiter is…one of the most purely entertaining novels I’ve read in years. This book is a meal you won’t want to finish.” —J. Ryan Stradal, New York Times bestselling author of Kitchens of the Great Midwest In the tradition of the modern classics The Remains of the Day and A Gentleman in Moscow comes The Waiter, in which the finely tuned balance of a timeworn European restaurant is irrevocably upset by an unexpected guest. The Hills dates from a time when pigs were pigs and swine were swine, the Maître D’ likes to say—in other words from the mid-1800s. Every day begins with the head waiter putting on his jacket. In with one arm, then the other. Shrugged onto his shoulders. Horn buttons done up. Always the same. There is clinking. Cutlery is moved around porcelain and up to mouths. But in this universe unto itself, there is scarcely any contact between the tables of regulars. And that is precisely how the waiter likes it. Sheer routine…until a beautiful young woman walks through the door and upsets the delicate balance of the restaurant and all it has come to represent. Told in a kaleidoscopic rotation of voices—the headwaiter, the bartender, the coat checker, the chef who never speaks—The Waiter marks the North American debut of an exciting new voice in literary fiction that will leave you longing to sit down at The Hills, order a drink, and watch the world go by….
Author : Matias Faldbakken
Publisher :
Page : 172 pages
File Size : 26,90 MB
Release : 2009
Category :
ISBN :
Faldbakken is a young artist with a considerable interest in counter-cultural phenomena i.e. positions and strategies formulated in opposition to society's norms and conventions. This exhibition is the first large scale presentation of his work.
Author : Gardar Eide Einarsson
Publisher :
Page : 112 pages
File Size : 47,62 MB
Release : 2004-01-01
Category : Art, Norwegian
ISBN : 9783937577777
Author : Steven Parrino
Publisher :
Page : 68 pages
File Size : 37,28 MB
Release : 2003
Category : Artists' books
ISBN : 9780967732657
Tiré du site Internet des Presses du réel: "Steven Parrino is born in 1958, New York City. He died on a motorcycle in Brooklyn in 2005."
Author : Dash Snow
Publisher :
Page : 312 pages
File Size : 12,71 MB
Release : 2011
Category :
ISBN :
"Loves roses" are glass tubes, 3/8 inches in diameter, 4 inches long. Covered on one end with foil, each contains a cloth flower: red, yellow, blue, violet, white or green. They are duplicitous objects. If you ask one kind of person, they'll tell you these "stems" are romantic offerings, valentine's gifts. If you ask another kind of person, they'll tell you these are pipes for smoking crack cocaine. In September 2008 at a palazzo gallery in Brescia, Italy, Dan Colen and Nate Lowman installed the third incarnation of an evolving body of collaborative work. A long-envisioned but, until Italy, unrealized plan for a sculpture had been a "beaded" curtain made of "love roses" (and titled the same). The curtain was hung in a doorway leading into the ornate spaces housing the rest of their show. Dash snow arrived in Brescia when Colen and Lowman were finishing their installation. A close friend of the collaborators, snow had documented their shared process since its inception in 2007, and he continued here. As well-heeled Italian patrons (almost all of them women) arrived for the show's opening night, snow began shooting photographs of them passing through love roses on their way into the galleries. The piece created a theatrical plane through which snow could enter the partnership and break apart the odd boundaries of inclusivity and exclusivity inherent to art making and art consumption. In turn, this staging ground quickly provoked the visitors to make dramatic entrances. Every passage through love roses and across snow's lens built on the collaborative armature - whether or not the participants were aware of the potential irony of the curtain or of the cumulative performance itself. At certain points, Lowman and Colen enter the frame of the photographs; at others, Snow is visible in his simultaneously primary and tertiary role as auteur. The three planned to create a book from the images as soon as they saw Snow's processed film in 2008, however Snow passed away before they initiated the project. This book is made now through the collaboration of the Dash Snow Estate, Dan Colen, Nate Lowman and Brendan Dugan." -- Colophon.
Author : Matias Faldbakken
Publisher : JRP Ringier
Page : 196 pages
File Size : 35,29 MB
Release : 2007
Category : Art
ISBN :
Tiré du site Internet de JRP/Ringier : "Matias Faldbakken (*1973) is an artist and writer living in Oslo. Son of the celebrated Norwegian author Knut Faldbakken, he has published two novels, "The Cocka Hola Company" and "Macht und Rebel" under the alias Abo Rasul. Drenched with acid humor and continuously hitting below the waist, his books immediately caused a considerable stir in Norway. If, in these publications, he underlines the differences and similarities between the so-called underground and the mainstream, and between the "independent" and the "commercial" in everyday life, these subjects are also central to his art practice. Fascinated with systems of knowledge, power, order, and exchange, he shows an interest in understanding how art and artists can be active participants in these systems. Faldbakken studied at the National Academy of Fine Arts in Bergen as well as at the Städelschule in Frankfurt am Main. He represented Norway in the Nordic Pavillion at the Venice Biennial in 2005, as well as showing his work in the Wrong Gallery at the Whitney Biennial, the Stedelijk Museum Amsterdam, the National Museum Oslo, the Sydney Biennial and the KW Institute for Contemporary Art Berlin, among others."
