Geisha of a Different Kind


Book Description

"Geisha of a Different Kind bravely engages with the struggles and triumphs of Asian American gay men as they inhabit American society and its gay mainstream. A lucid study with anunflinching focus on the daily contingencies of these men's lives, this book isan important contribution to the scholarly understanding of contemporary U.S.sex/gender systems and their fraught links to racial formations."--Martin F. Manalansan IV, author of Global Divas: Filipino Gay Men in the Diaspora.




Geisha of a Different Kind


Book Description

In gay bars and nightclubs across America, and in gay-oriented magazines and media, the buff, macho, white gay man is exalted as the ideal—the most attractive, the most wanted, and the most emulated type of man. For gay Asian American men, often viewed by their peers as submissive or too ‘pretty,’ being sidelined in the gay community is only the latest in a long line of racially-motivated offenses they face in the United States.Repeatedly marginalized by both the white-centric queer community that values a hyper-masculine sexuality and a homophobic Asian American community that often privileges masculine heterosexuality, gay Asian American men largely have been silenced and alienated in present-day culture and society. In Geisha of a Different Kind, C. Winter Han travels from West Coast Asian drag shows to the internationally sought-after Thai kathoey, or “ladyboy,” to construct a theory of queerness that is inclusive of the race and gender particularities of the gay Asian male experience in the United States. Through ethnographic observation of queer Asian American communities and Asian American drag shows, interviews with gay Asian American men, and a reading of current media and popular culture depictions of Asian Americans, Han argues that gay Asian American men, used to gender privilege within their own communities, must grapple with the idea that, as Asians, they have historically been feminized as a result of Western domination and colonization, and as a result, they are minorities within the gay community, which is itself marginalized within the overall American society. Han also shows that many Asian American gay men can turn their unusual position in the gay and Asian American communities into a positive identity. In their own conception of self, their Asian heritage and sexuality makes these men unique, special, and, in the case of Asian American drag queens, much more able to convey a convincing erotic femininity. Challenging stereotypes about beauty, nativity, and desirability, Geisha of a Different Kind makes a major intervention in the study of race and sexuality in America.




Geisha


Book Description

A Kyoto geisha describes her initiation into an okiya at the age of four, the intricate training that made up most of her education, her successful career, and the traditions surrounding the geisha culture.




Memoirs of a Geisha


Book Description

"Captivating, minutely imagined . . . a novel that refuses to stay shut" ("Newsweek"), "Memoirs of a Geisha" is now released in a movie tie-in edition.




Racial Erotics


Book Description

Sexual desire, often understood as personal erotic preference, is frequently seen as neutral, natural, or inevitable. Countering these commonplace assumptions, Racial Erotics shows how sexual partnering within communities of gay men is deeply embedded within larger social structures that define whiteness as desirable and normative while othering men of color. In queer erotic economies this othering may take the form of sexual rejection or fetishization of men of color, but C. Winter Han argues that the real danger of sexual racism is that it creates a hierarchy of racial worth that extends outside of erotic encounters into the everyday lives of gay men of color. In this way, sexual racism perpetuates a larger project of racial erasing that equates gayness with whiteness to secure acceptance for gay white men at the expense of queers of color. With vivid examples from interviews, media representations, and online dating sites, Han highlights the creative means through which gay men of color, cordoned off in spaces both gay and straight, produce alternative frameworks to combat dominant narratives. Racial Erotics offers a new paradigm for understanding the connection of race and queer desire, demonstrating how race profoundly shapes sexual desires among men while racialized notions of desire construct beliefs about belonging.




Racial Castration


Book Description

Racial Castration, the first book to bring together the fields of Asian American studies and psychoanalytic theory, explores the role of sexuality in racial formation and the place of race in sexual identity. David L. Eng examines images—literary, visual, and filmic—that configure past as well as contemporary perceptions of Asian American men as emasculated, homosexualized, or queer. Eng juxtaposes theortical discussions of Freud, Lacan, and Fanon with critical readings of works by Frank Chin, Maxine Hong Kingston, Lonny Kaneko, David Henry Hwang, Louie Chu, David Wong Louie, Ang Lee, and R. Zamora Linmark. While situating these literary and cultural productions in relation to both psychoanalytic theory and historical events of particular significance for Asian Americans, Eng presents a sustained analysis of dreamwork and photography, the mirror stage and the primal scene, and fetishism and hysteria. In the process, he offers startlingly new interpretations of Asian American masculinity in its connections to immigration exclusion, the building of the transcontinental railroad, the wartime internment of Japanese Americans, multiculturalism, and the model minority myth. After demonstrating the many ways in which Asian American males are haunted and constrained by enduring domestic norms of sexuality and race, Eng analyzes the relationship between Asian American male subjectivity and the larger transnational Asian diaspora. Challenging more conventional understandings of diaspora as organized by race, he instead reconceptualizes it in terms of sexuality and queerness.




Memoirs of a Geisha


Book Description

A literary sensation and runaway bestseller, this brilliant debut novel tells with seamless authenticity and exquisite lyricism the true confessions of one of Japan's most celebrated geisha. Nominated as one of America’s best-loved novels by PBS’s The Great American Read Speaking to us with the wisdom of age and in a voice at once haunting and startlingly immediate, Nitta Sayuri tells the story of her life as a geisha. It begins in a poor fishing village in 1929, when, as a nine-year-old girl with unusual blue-gray eyes, she is taken from her home and sold into slavery to a renowned geisha house. We witness her transformation as she learns the rigorous arts of the geisha: dance and music; wearing kimono, elaborate makeup, and hair; pouring sake to reveal just a touch of inner wrist; competing with a jealous rival for men's solicitude and the money that goes with it. In Memoirs of a Geisha, we enter a world where appearances are paramount; where a girl's virginity is auctioned to the highest bidder; where women are trained to beguile the most powerful men; and where love is scorned as illusion. It is a unique and triumphant work of fiction—at once romantic, erotic, suspenseful—and completely unforgettable.




Autobiography of a Geisha


Book Description

The glamorous world of Kyoto's geisha is familiar to many readers but Sayo Masuda's tale tells a different story, one that bears little resemblance to the elegant geisha quarters frequented by illustrious patrons. Masuda was a geisha at a rural hot-spring




Yoshiwara


Book Description

Drawing on both historical and literary sources, examines life in the pleasure houses of Japan during the Edo period from the early 1600s to 1868. Among the topics are the origins, illegal competitors, the cost of a visit, the treatment of the courtesans, traditions and protocols, Yoshiwara arts, th




Geisha in Rivalry


Book Description

Geisha in Rivalry, first published as Udekurabe in 1918, has a secure place among Kafu Nagai's masterpieces. Set against the backdrop of Tokyo's Shimbashi geisha district, a company of vivid characters play out their drama of illicit love, shady intrigue, and unrelenting rivalry. In the forefront are the geisha: some powerful and spiteful like the imperious Rikiji, some crude and obvious like the gaudy Kikuchiyo, some naive and pathetic like the heroine Komayo, and all engaged in finding a place for themselves in a world that offers no easy route of escape from their profession. Here, too, are the patrons of the geisha: the playboys, the actors, the successful businessmen, and the "upstart gentlemen" of late Meiji society. And here, again, are those who make the machinery of this world function: the geisha house proprietors, the teahouse mistresses, the actors' retainers, the servants. And, finally, here are the parasites of the demimonde, who live off its other denizens through guile and deceit. Through this often sordid but fascinating pageant move the figures of the geisha Komayo, her lovers, and the women who conspire to steal them from her.