Girls to the Front


Book Description

“Not only a historical rockument of the revolutionary 90s counterculture Riot Grrrl movement. . . but also a rousing inspiration for a new generation of empowered rebel girls to strap on guitars and stick it to The Man.” — Vanity Fair Girls to the Front is the epic, definitive history of the Riot Grrrl movement—the radical feminist punk uprising that exploded into the public eye in the 1990s, altering America’s gender landscape forever. Author Sara Marcus, a music and politics writer for Time Out New York, Slate.com, Pos, and Heeb magazine, interweaves research, interviews, and her own memories as a Riot Grrrl front-liner. Her passionate, sophisticated narrative brilliantly conveys the story of punk bands like Bikini Kill, Bratmobile, Heavens to Betsy—as well as successors like Sleater-Kinney, Partyline, and Kathleen Hanna’s Le Tigre—and their effect on today’s culture.




The Riot Grrrl Collection


Book Description

Archival material from the 1990s underground movement “preserves a vital history of feminism” (Ann Cvetkovich, author of Depression: A Public Feeling). For the past two decades, young women (and men) have found their way to feminism through Riot Grrrl. Against the backdrop of the culture wars and before the rise of the Internet or desktop publishing, the zine and music culture of the Riot Grrrl movement empowered young women across the country to speak out against sexism and oppression, creating a powerful new force of liberation and unity within and outside of the women’s movement. While feminist bands like Bikini Kill and Bratmobile fought for their place in a male-dominated punk scene, their members and fans developed an extensive DIY network of activism and support. The Riot Grrrl Collection reproduces a sampling of the original zines, posters, and printed matter for the first time since their initial distribution in the 1980s and ’90s, and includes an original essay by Johanna Fateman and an introduction by Lisa Darms.




Revenge of the She-Punks


Book Description

As an industry insider and pioneering post-punk musician, Vivien Goldman’s perspective on music journalism is unusually well-rounded. In Revenge of the She-Punks, she probes four themes—identity, money, love, and protest—to explore what makes punk such a liberating art form for women. With her visceral style, Goldman blends interviews, history, and her personal experience as one of Britain’s first female music writers in a book that reads like a vivid documentary of a genre defined by dismantling boundaries. A discussion of the Patti Smith song “Free Money,” for example, opens with Goldman on a shopping spree with Smith. Tamar-Kali, whose name pays homage to a Hindu goddess, describes the influence of her Gullah ancestors on her music, while the late Poly Styrene's daughter reflects on why her Somali-Scots-Irish mother wrote the 1978 punk anthem “Identity,” with the refrain “Identity is the crisis you can't see.” Other strands feature artists from farther afield (including in Colombia and Indonesia) and genre-busting revolutionaries such as Grace Jones, who wasn't exclusively punk but clearly influenced the movement while absorbing its liberating audacity. From punk's Euro origins to its international reach, this is an exhilarating world tour.




Pretty in Punk


Book Description

Discusses how young women use the punk subculture for empowerment and self-identification, constructing their own version of femininity from the ingredients of the style. The book is based in part on the author's own reminiscence of a punk girlhood, as well as interviews with 40 punk girls and women between the ages of 14 and 37 in a handful of cities throughout North America. Annotation copyrighted by Book News, Inc., Portland, OR




Henry And Cato


Book Description

Henry and Cato is the story of two prodigal sons. Henry returns from a self-imposed exile in America to an unforeseen inheritance of wealth and land in England. He is also returning to his mother. His friend Cato is struggling with two ambiguous intermingled passions, one for a God who may or may not exist, the other for a petty criminal who may or may not be capable of salvation. Cato's father and his sister Colette wait anxiously to welcome Cato back to sanity after his dubious escapades. Henry meanwhile confronts his mother, the unappeased furies of childish resentment, and various possibilities of revenge. Henry's cool mother watches, Cato's impetuous sister intervenes. Can love here become a saving force, or is it condemned to be possessive and demonic? Blackmail and violence take a hand, and both Henry and Cato return home at last.




How Art Made Pop and Pop Became Art


Book Description

From dada to Gaga and beyond, How Art Made Pop examines the intertwined histories of pop music and the visual arts from the late 1950s to the present day. In particular, this remarkable and definitive study explores in exhaustive detail the exhilarating exchange between the art schools and the pop stars that they nurtured (or, occasionally, expelled). Through a writhing, hedonistic hurly burly of numerous artists and musicians including Marcel Duchamp, the Beatles, Yoko Ono, Andy Warhol, the Velvet Underground, Gilbert & George, Kraftwerk, David Bowie, Richard Hamilton, Roxy Music, Patti Smith, Sex Pistols, Talking Heads, Factory Records, Jean-Michel Basquiat, the KLF and Jay Z amongst others How Art Made Pop encompasses the worldwide history of art school rock, and brings the story up to date by contextualizing the practices of the many contemporary visual artists and artist-musicians still dazzled by pop's vital spark."--Amazon.com.




Please Kill Me


Book Description

Now in paperback, this first oral history of the most nihilistic of all pop movements brings the sound of the punk generation chillingly to life with 50 new pages of depraved testimony. "Please Kill Me" reads like a fast-paced novel, but the tragedies it contains are all too human and all too real. photos.




Hunger Makes Me a Modern Girl


Book Description

From the guitarist of the pioneering band Sleater-Kinney, the book Kim Gordon says "everyone has been waiting for" and a New York Times Notable Book of 2015-- a candid, funny, and deeply personal look at making a life--and finding yourself--in music. Before Carrie Brownstein became a music icon, she was a young girl growing up in the Pacific Northwest just as it was becoming the setting for one the most important movements in rock history. Seeking a sense of home and identity, she would discover both while moving from spectator to creator in experiencing the power and mystery of a live performance. With Sleater-Kinney, Brownstein and her bandmates rose to prominence in the burgeoning underground feminist punk-rock movement that would define music and pop culture in the 1990s. They would be cited as “America’s best rock band” by legendary music critic Greil Marcus for their defiant, exuberant brand of punk that resisted labels and limitations, and redefined notions of gender in rock. HUNGER MAKES ME A MODERN GIRL is an intimate and revealing narrative of her escape from a turbulent family life into a world where music was the means toward self-invention, community, and rescue. Along the way, Brownstein chronicles the excitement and contradictions within the era’s flourishing and fiercely independent music subculture, including experiences that sowed the seeds for the observational satire of the popular television series Portlandia years later. With deft, lucid prose Brownstein proves herself as formidable on the page as on the stage. Accessibly raw, honest and heartfelt, this book captures the experience of being a young woman, a born performer and an outsider, and ultimately finding one’s true calling through hard work, courage and the intoxicating power of rock and roll.




Mamarama


Book Description

A "brilliantly honest" ("INTERVIEW") "momoir" with a pop culture twist: music critic Evelyn McDonnell brings her punk-rocker perspective to her role as wife and alt-mom




Violence Girl


Book Description

The birth of the 1970s' punk movement as seen through the eyes of Chicana feminist and punk musician Alice Bag.




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