The Valiant Woman


Book Description

Reprint of the original, first published in 1872. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.




Béranger's Poems


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The Non-Sectarian


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The plantation of Ulster


Book Description

This book is the first major academic study of the Ulster Plantation in over 25 years. The pivotal importance of the Plantation to the shared histories of Ireland and Britain would be difficult to overstate. It helped secure the English conquest of Ireland, and dramatically transformed Ireland’s physical, political, religious and cultural landscapes. The legacies of the Plantation are still contested to this day, but as the Peace Process evolves and the violence of the previous forty years begins to recede into memory, vital space has been created for a timely reappraisal of the plantation process and its role in identity formation within Ulster, Ireland and beyond. This collection of essays by leading scholars in the field offers an important redress in terms of the previous coverage of the plantations, moving away from an exclusive colonial perspective, to include the native Catholic experience, and in so doing will hopefully stimulate further research into this crucial episode in Irish and British history.




Mimma Bella


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Victorian Poetry


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In a work that is uniquely comprehensive and theoretically astute, Isobel Armstrong rescues Victorian poetry from its longstanding sepia image as `a moralised form of romantic verse', and unearths its often subversive critique of nineteenth-century culture and politics.







Essay on Epitaphs


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Death Sentences


Book Description

This is a book about terminals and boundaries, mortality and closure, the infinitesimals of style and the finite limits of representational language, about least and last things together. It is a book, to start with, about three vast and familiar facts of life and art: death, content, and form. Only by their particular triangulation in the genre of prose fiction do they mark out the hypothesis of the present study: that death in fiction is the fullest instance of form indexing content, is indeed the moment when content, comprising the imponderable of negation and vacancy, can be found dissolving to pure form. Death in narrative yields, by yielding to, sheer style.