God Breaketh Not All Men's Hearts Alike


Book Description

With nearly seventy-five new poems and over two hundred selected from his previous books, God Breaketh Not All Men’s Hearts Alike is the book of a lifetime in poetry, one that will lead to the author being recognized as among American’s best living poets. A work of intense illumination, these poems investigate meanings and subjects usually left in darkness. A dramatic excitement, a surprising beauty, a song draws us from poem to poem. It has been pointed out by Hayden Carruth that "in many voices, in lines rugged yet eloquent with various learnings, Moss sings us his disconcerting and extraordinarily moving songs of unbelievable belief."










A People’s Tragedy


Book Description

As an authority on the religion of medieval and early modern England, Professor Eamon Duffy is preeminent. In his revisionist masterpiece The Stripping of the Altars, Duffy opened up new areas of research and entirely fresh perspectives on the origin and progress of the English Reformation. Duffy's focus has always been on the practices and institutions through which ordinary people lived and experienced their religion, but which the Protestant reformers abolished as idolatry and superstition. The first part of A People's Tragedy examines the two most important of these institutions: the rise and fall of pilgrimage to the cathedral shrines of England, and the destruction of the monasteries under Henry VIII, as exemplified by the dissolution of the ancient Anglo-Saxon monastery of Ely. In the title essay of the volume, Duffy tells the harrowing story of the Elizabethan regime's savage suppression of the last Catholic rebellion against the Reformation, the Rising of the Northern Earls in 1569. In the second half of the book Duffy considers the changing ways in which the Reformation has been thought and written about: the evolution of Catholic portrayals of Martin Luther, from hostile caricature to partial approval; the role of historians of the Reformation in the emergence of English national identity; and the improbable story of the twentieth century revival of Anglican and Catholic pilgrimage to the medieval Marian shrine of Walsingham. Finally, he considers the changing ways in which attitudes to the Reformation have been reflected in fiction, culminating with Hilary Mantel's gripping trilogy on the rise and fall of Henry VIII's political and religious fixer, Thomas Cromwell, and her controversial portrayal of Cromwell's Catholic opponent and victim, Sir Thomas More.




Standing Strong


Book Description

Let go of the guilt, shake off the shame, and fend off your fears. God made you to stand strong in any situation, and bestselling author Alli Worthington will show you how. We live in a culture that constantly tells you who you should be as a modern woman. You're told that you aren't enough and that you don't have what it takes to chase your dreams. But it doesn't have to be that way. For the woman who longs to break free from what holds her back, Standing Strong offers a no-nonsense, guilt-free guide to take back your life from self-doubt. In Standing Strong, Alli comes alongside you as you: Eliminate, once and for all, the lies that keep you from being who God made you to be Become an unbreakable woman who finds her strength from God for any adversity Gain strategies for tackling the obstacles of self-doubt, fear, and insecurity Find the confidence to say yes and amen to God's call on your life You can't break a woman who draws her strength from God. You're stronger than you think, and you're worth more than you could ever imagine. Let this book help you cement these realities in your life. Praise for Standing Strong: "The path to fulfilling our God-given purpose is filled with numerous twists, turns, and challenges. In Standing Strong, Alli shows us how to press through our fears, doubts, and self-imposed limitations in order to embark on the exhilarating faith-filled adventure we are each destined to live. This book is full of wisdom, grace, and honesty. I loved it and know you will too." --Christine Caine, Founder of A21 and Propel Women "If your life has been plagued by self-doubt, by feelings of never being enough, Alli has given us a road map to saying yes to who God says we are." --Sheila Walsh, Author of Praying Women and Praying Girls




Act V Scene I


Book Description

“Open Act V, Scene I or any of Stanley Moss’s books anywhere, and you will come shockingly upon wisdom and beauty, a diversity of styles—a unity of voice, a voice that was there since the beginning. I love Stanley Moss’s work. The pace, the strategy, the wit, the knowledge are astonishing. Of the generation that is gradually leaving us, those born in the mid- and late-1920s, he has a prominent place. He loves donkeys. He owns Ted Roethke’s raccoon coat. He is an original.”—Gerald Stern “Magisterial. . . this book is magnificent. I’ve read it several times with greater and greater pleasure. Its verbal generosity and bravura, its humanity, the quality and quantity of information which it generates into poetry of the highest order make it a continuing delight.”—Marilyn Hacker “. . . In our epoch of turmoil, crisis, and grief, I find that Moss’s poetry still, always, brings me a little closer to happiness.” —Forrest Gander “I’ve loved Stanley’s poems since I first encountered a poem of his in Poetry magazine in John Berryman’s office when I was nineteen.” —W.S. Merwin “. . . This is a book to hold onto for dear life.” —Rosanna Warren I Choose to Write a Poem I choose to write a poem when my left ankle’s broken, purple, and my right ankle’s swollen blue, both knees banged, twice their usual size, both my long legs “killing me,” while a famous angel is really killing me. I separate physical pain from the real thing— the real thing, the soul usually dies before the body. My soul is dancing, welcoming spring in the garden on a beautiful June morning, ready to live forever.





Book Description




The Oxford Handbook of English Prose, 1640-1714


Book Description

The Oxford Handbook of English Prose, 1640-1714 is the most wide-ranging overview available of prose writing in English during one of the most tumultuous periods in British and Irish history. Stretching from the outbreak of the English Civil Wars to the death of Queen Anne, the last Stuart monarch, the volume is unprecedented in the breadth of its coverage of an age in which prose moved from the margins of cultural life in Britain to its centre. The volume also breaks new ground in the diversity of the prose writing it covers: its thirty-six chapters by an array of established literary critics and historians capture the excitingly multiple forms that prose took in what was a golden age for non-fictional writing, but which also saw the emergence of modes of prose fiction that became part of the origin story of the eighteenth-century novel. This Handbook reflects that multiplicity and diversity in its structure. Four longer introductory chapters map the changing contexts of the publication and reception of prose in the period, as well as the influence of the classical heritage and the role of relations with continental Europe. The subsequent thirty-two chapters are organized by different categories of prose writing. The contributors approach key authors and texts from various and often unconventional perspectives. The volume offers coverage of well-known writers and texts while also capturing the assortment of prose writing in a time of rapid political and social change: there are chapters on, for example, 'Bites and Shams'; 'Circulation Narratives'; 'Keys'; 'Pornography'; 'Recipe Books'; 'True Accounts', and even 'Handbooks'.




The Puritan Imagination


Book Description

This book seeks to add a needed introduction to a way of meditation used among early modern English Protestants, influenced by Bishop Joseph Hall. Furthermore, the major role that Hall had in his Arte of Divine Mediation on late-seventeenth-century Protestant spirituality went beyond the practice of meditation and established a positive claim on the role of the imagination in shaping souls, well into the modern period. Within this context, the questions related to ancient understandings of faith and the interrelationship of divine revelation are discussed with fresh insights for our own times. If a revival of interest emerges again in Hall's work, it would be a compelling and fresh impetus to reclaim the broken imagination evident in many parts of the Western Church.