Godzilla Returns


Book Description

Godzilla, the king of the monsters, has returned to wreak havoc on the people of Japan.




A Critical History and Filmography of Toho's Godzilla Series, 2d ed.


Book Description

This thoroughly updated and revised critical account of the Godzilla movie franchise explores the fascinating story behind Japan's most famous movie monster and its development from black-and-white arthouse allegory to international commercial juggernaut. Reviled by critics but boasting a dedicated cult following, the films of the Godzilla franchise provide a unique window into the national identities of both Japan and the United States. This work focuses on how differences in American and Japanese culture, as well as differences in their respective film industries, underlie the discrepancies between the American and Japanese versions of the films. It features detailed filmographic data for both the American and Japanese versions of each film, including plot synopses, cast, credits, and detailed production notes.




Kaiju Unleashed


Book Description

Kaiju Unleashed offers a general introduction to the exciting film genre, serves as a guidebook to its film highlights, and celebrates its practitioners, trends, and stories.




Japan's Favorite Mon-star


Book Description

Bigger, badder, and more durable than Hollywood's greatest action heroes, Godzilla emerged from the mushroom cloud of an H-bomb test in 1954 to trample Tokyo. More than 40 years later, he reigns as the undisputed monarch of movie monsters, with legions of fans spanning several generations and countless international boundaries.




Godzilla FAQ


Book Description

He is the Lizard King – well, the King of the Monsters – he can do anything. Since he first romped onto the silver screen in 1954, no other character in all of international cinema has been as beloved by American audiences as Godzilla. Despite the modern film industry's affinity for franchises and cinematic universes, he remains one of its most enduring and popular characters, with a total of twenty-eight motion pictures (not even including two American reboots!) under his massive belt. From his home base in Japan, where the legendary Toho Pictures first put him on the map, Godzilla has gone on to become an international phenomenon, a pop culture avatar, a movie monster unrivaled in both size and appeal. The latest installment in Applause Theatre and Cinema Books' FAQ series, Brian Soloman's Godzilla FAQ is a broad and varied exploration of the monumental, fire-breathing radioactive lizard that has roared his way into our hearts over a sixty-year reign of terror. By pairing a colloquial text with a wide array of illustrations and visual media, this 400-page survey encourages readers to drop in and out of the book, as every chapter serves as a self-supporting article on a given subject. Written by a lifelong Godzilla fan and pop culture critic, Godzilla FAQ offers a comprehensive rundown of every Godzilla film ever made, in-depth biographies of major players in the franchise's history, and enough raw information to rebuild a ravaged Tokyo. Don't miss out on this ideal gift for cinema fans, lizard lovers, and pop culture fiends of all ages!




The Kaiju Connection


Book Description

What makes a kaiju a kaiju? What makes an ape a large ape, and why do we sympathize with some, such as King Kong, and not with others, such as Konga? And what makes a giant person become a "monster"? This book provides a new perspective on kaiju and reveals that our boundaries for the genre are perhaps not so solid. The work focus primarily on newer kaiju works, ranging from Colossal to Shin Godzilla to Godzilla vs. Kong, but also touches on classics such as King Kong, Mighty Joe Young, Godzilla Raids Again, and lesser-known works such as What to Do With the Dead Kaiju? and Agon. Like our ancestors we have collectively adopted giant monsters into our culture, especially our pop culture. Within the domains where giant monsters walk, we experience the rigidity of our moral structures, and the fleeting borders of our definitions of humanity. Within the kaiju film genre rest our own assumptions about what makes a monster a monster, and, more importantly, what makes a human a human.




Godzilla 2000


Book Description

"World Fandom magazine called Marc Cerasini's 1996 novel "Godzilla Returns "an astounding debut of a new series." In Cerasini's new Godzilla adventure, teenager Kip Daniels is grabbed by two mysterious men after he breaks all previous records on a new video game called Battleground 2000. The military created the game to recruit new talent for training on a high-tech flying weapon to be used against Godzilla and other giant monsters who have been wreaking havoc worldwide. Kip and five other teenagers agree to join the secret organization called G-Force USA, but do they stand a chance against the mighty Godzilla? This nonstop science fiction thriller takes readers from the Russian Mir space station to the wheat fields of Kansas, and from a secret Pentagon testing base to the top of Mount Rushmore!




Godzilla at World's End


Book Description

A group of teenage science students and a team of U.S. Army Rangers discover an ancient race of crystalline beings beneath the South Pole. These beings soon create a race of gigantic monsters, and the young scientists and soldiers must join forces with Godzilla, king of the monsters, to prevent humantity being destroyed.




Godzilla on My Mind


Book Description

“A stellar book; an entertaining and vivid look at Japanese pop culture, its globalization, and American encounters with Japan.” —Theodore C. Bestor, author of Tsukiji: The Fish Market at the Center of the World Ever since Godzilla (or, Gojira, as he is known in Japan) crawled out of his radioactive birthplace to cut a swath of destruction through Tokyo, he has claimed a place alongside King Kong and others in the movie monster pantheon. He is the third most recognizable Japanese celebrity in the United States, and his fan base continues to grow as children today prove his enduring appeal. Now, Bill Tsutsui, a life-long fan and historian, takes a light-hearted look at the big, green, radioactive lizard, revealing how he was born and how he became a megastar. With humorous anecdotes, Godzilla on My Mind explores his lasting cultural impact on the world. This book is sure to be welcomed by pop culture enthusiasts, fans, and historians alike. “Godzilla On My Mind is a good read, well written, occasionally provocative and full of facts that show it to be well researched as well as a labour of love.” —Dr. Dolores Martinez, author of The Worlds of Japanese Popular Culture “William Tsutsui’s Godzilla takes a fresh, original, and appealing look at one of our more intriguing pop culture icons. Although informed by careful scholarship, the book is highly accessible. It’s funny, stimulating, and an overall pleasure to read. I’ll never look at Godzilla the same way again!” —Susan Napier, author of Anime from Akira To Princess Mononoke




Spinegrinder


Book Description

First came video and more recently high definition home entertainment, through to the internet with its streaming videos and not strictly legal peer-to-peer capabilities. With so many sources available, today’s fan of horror and exploitation movies isn’t necessarily educated on paths well-trodden — Universal classics, 1950s monster movies, Hammer — as once they were. They may not even be born and bred on DAWN OF THE DEAD. In fact, anyone with a bit of technical savvy (quickly becoming second nature for the born-clicking generation) may be viewing MYSTICS IN BALI and S.S. EXPERIMENT CAMP long before ever hearing of Bela Lugosi or watching a movie directed by Dario Argento. In this world, H.G. Lewis, so-called “godfather of gore,” carries the same stripes as Alfred Hitchcock, “master of suspense.” SPINEGRINDER is one man’s ambitious, exhaustive and utterly obsessive attempt to make sense of over a century of exploitation and cult cinema, of a sort that most critics won’t care to write about. One opinion; 8,000 reviews (or thereabouts.