Goethe and Patriarchy


Book Description

"This book traces the history of a complex sexual fantasy which features recurrently in Goethe's writings from his days as a student in Leipzig to the final years as Europe's most celebrated living poet. Simpson shows how the young man's fantasy of innocent sexuality became an increasingly troubled one during the poet's first decade in Weimar. Goethe began to recognize in it a submerged element: the incestuous roots of desire. Triggered by this discovery, Goethe's imagination becomes increasingly analytic and diagnostic, and startlingly prefigures the work of Freud. Yet, paradoxically, Goethe's insight leads him to a triumphant reassertion of an innocent sexuality purged of those elements he identifies as 'diseased'. Central to ""Goethe and Patriarchy"" is a new account of the genesis of the first part of ""Faust"", which is shown to contain a record of Goethe's changing attitudes to human sexuality. In particular, Simpson is the first critic to demonstrate that the Gretchen episode is a deliberate ""Kontrafaktur"" of the patriarchal idyll of the ""Song of Songs"". The book explores numerous other Goethe texts and casts entirely new light on his creative imagination."




The Cambridge Companion to Goethe


Book Description

The Cambridge Companion to Goethe provides a stimulating and accessible survey of this many-sided figure. The volume places Goethe in the context of the Germany and Europe of his lifetime. His literary work is covered in individual chapters on poetry, drama (with a separate chapter on Faust), prose fiction and autobiography. A wide-ranging survey of reception inside and outside Germany and an extensive guide to further reading round off this volume, which will appeal to students and specialists alike.




Volume 16, Tome II: Kierkegaard's Literary Figures and Motifs


Book Description

While Kierkegaard is perhaps known best as a religious thinker and philosopher, there is an unmistakable literary element in his writings. He often explains complex concepts and ideas by using literary figures and motifs that he could assume his readers would have some familiarity with. This dimension of his thought has served to make his writings far more popular than those of other philosophers and theologians, but at the same time it has made their interpretation more complex. Kierkegaard readers are generally aware of his interest in figures such as Faust or the Wandering Jew, but they rarely have a full appreciation of the vast extent of his use of characters from different literary periods and traditions. The present volume is dedicated to the treatment of the variety of literary figures and motifs used by Kierkegaard. The volume is arranged alphabetically by name, with Tome II covering figures and motifs from Gulliver to Zerlina.




Volume 16, Tome I: Kierkegaard's Literary Figures and Motifs


Book Description

While Kierkegaard is perhaps known best as a religious thinker and philosopher, there is an unmistakable literary element in his writings. He often explains complex concepts and ideas by using literary figures and motifs that he could assume his readers would have some familiarity with. This dimension of his thought has served to make his writings far more popular than those of other philosophers and theologians, but at the same time it has made their interpretation more complex. Kierkegaard readers are generally aware of his interest in figures such as Faust or the Wandering Jew, but they rarely have a full appreciation of the vast extent of his use of characters from different literary periods and traditions. The present volume is dedicated to the treatment of the variety of literary figures and motifs used by Kierkegaard. The volume is arranged alphabetically by name, with Tome I covering figures and motifs from Agamemnon to Guadalquivir.




Goethe’s Message for the 21st century: "Islam is the rescue for Humanity"


Book Description

Goethe's Message to The 21st century: "Islam is the Rescue for Humanity" "Stupid that everyone in his case Is praising his particular opinion! If Islam means submission to God, We all live and die in Islam." Johann Wolfgang Goethe




Goethe Yearbook 18


Book Description

New essays on topics spanning the Age of Goethe, with a special section of fresh views of Goethe and Idealism. The Goethe Yearbook is a publication of the Goethe Society of North America, publishing original English-language contributions to the understanding of Goethe and other authors of the Goethezeit, while also welcomingcontributions from scholars around the world. Volume 18 features a special section on Goethe and Idealism, edited by Elizabeth Millán and John H. Smith and including essays on Goethe and Spinoza; Goethe's notions of intuition and intuitive judgment; Novalis, Goethe, and Romantic science; Goethe and Humboldt's presentation of nature; Hegel's Faust; Goethe contra Hegel on the end of art; Goethean morphology and Hegelian science; and Goethe andphilosophies of religion. There are also essays on fraternity in Goethe, Margarete-Ariadne as Faust's labyrinth, Schiller's Geisterseher, and Martin Walser's Goethe novel Ein liebender Mann, and a review essay on recent books on money and materiality in German culture heads the book review section. Contributors: Frederick Amrine, Brady Bowen, Jeffrey Champlin, Adrian Del Caro, Stefani Engelstein, Luke Fischer, Gail Hart, Gunnar Hindrichs, Jens Kruse, Horst Lange, Elizabeth Millán, Dalia Nassar, John H. Smith. Daniel Purdy is Associate Professor of German at Pennsylvania State University. Book review editor Catriona MacLeod is Associate Professorof German at the University of Pennsylvania.




Encyclopedia of the Romantic Era, 1760–1850


Book Description

In 850 analytical articles, this two-volume set explores the developments that influenced the profound changes in thought and sensibility during the second half of the eighteenth century and the first half of the nineteenth century. The Encyclopedia provides readers with a clear, detailed, and accurate reference source on the literature, thought, music, and art of the period, demonstrating the rich interplay of international influences and cross-currents at work; and to explore the many issues raised by the very concepts of Romantic and Romanticism.




Schubert's Goethe Settings


Book Description

The traditional approach to the study of Goethe and Schubert is to place them in opposition to one another, both in terms of their life experiences and in relation to the nineteenth-century Lied. In her introduction to this book, Lorraine Byrne examines the myths that have evolved around these artists and challenges the view that Goethe was unmusical and conservative in his musical tastes. She also considers Schubert's life in relation to his obvious affinity with the poet and links the composer's Goethe settings with the poet's perception of the Lied. Goethe judged the success of a setting by whether the meaning of the text had been realised in musical form. In his Goethe settings Schubert translates the poet's meaning into musical terms and his rendition attains the classical unity of words and music that Goethe sought. The core of this volume is the series of individual analyses of all of Schubert's solo, dramatic and multi-voice settings of Goethe texts. These explore in detail both the literary and the musical dimensions of each work, and Schubert's reading and interpretation of Goethe's writings. This is the first study in English to treat both artists with equal attention and insight. This, together with its encyclopaedic coverage of this important corpus of works, makes this volume an essential reference tool for all those who study Schubert and Goethe.




Imagining the Age of Goethe in German Literature, 1970-2010


Book Description

"This is the first book-length study devoted to modern German "author-as-character" fiction set in the Age of Goethe. It shows for the first time in a sustained manner the powerful hold the Goethezeit continues to exercise on the imagination of many of Germany's leading writers. This inner-German dialogue across the ages provides an important corrective to the dominant critical view that contemporary German-language literature is composed primarily under the sign of both globalization and the influence of mass American culture." -- Book cover.




Goethe Yearbook 25


Book Description

Cutting-edge scholarly articles on diverse aspects of Goethe and the Goethezeit, featuring in this volume a special section on acoustics around 1800. The Goethe Yearbook is a publication of the Goethe Society of North America, encouraging North American Goethe scholarship by publishing original English-language contributions to the understanding of Goethe and other authors of the Goethezeit while also welcoming contributions from scholars around the world. Volume 25 features a special section on acoustics around 1800, edited by Mary Helen Dupree, which includes, among others, contributionson sound and listening in Ludwig Tieck's Der blonde Eckbert (Robert Ryder) and on the role of the tympanum in Herder's aesthetic theory (Tyler Whitney). The volume also contains essays on Goethe and stage sequels(Matthew Birkhold), on figures of armament in eighteenth-century German drama (Susanne Fuchs), on the dialectics of Bildung in Wilhelm Meister (Galia Benziman), on the Gothic motif in Goethe's Faust and "Von deutscher Baukunst" (Jessica Resvick), on Goethe and Salomon Maimon (Jason Yonover), on Goethe's "Novelle" (Ehrhard Bahr), and on Schiller's Bürger critique (Hans Richard Brittnacher). Contributors: Ehrhard Bahr, Galia Benziman, Matthew H. Birkhold, Hans Richard Brittnacher, Linda Dietrick, Mary Helen Dupree, Susanne Fuchs, Deva Kemmis, Jessica C. Resvick, Robert Ryder, Patricia Anne Simpson, Chenxi Tang, Tyler Whitney, Jason Yonover, Chunjie Zhang. Adrian Daub is Associate Professor of German at Stanford University. Elisabeth Krimmer is Professor of German at the University of California Davis.