Göktepe Marbles


Book Description

The Goektepe marbles, white, black and two-toned, corroborated by archaeological studies and evidences and by scientific archaeometrical studies have been published in several previous paper on the most renowned international journals, but the idea to publish a monographic volume is based on the suggestion that this kind of publication can emphasize the importance of the Goektepe marble, in fact, the new Roman imperial sculptural marble. The large and intensive field research changed completely our knowledge about Roman marble quarries in ancient Asia Minor, due to the unexpected discovery of more than 30 exploitation sites of roman times. The importance of these quarries consists in the fact that the produced marbles were all intended to be export marbles to be destined not only to other foreign cities of the Roman Empire, but mainly to Rome.




The Economics of the Roman Stone Trade


Book Description

The use of stone in vast quantities is a ubiquitous and defining feature of the material culture of the Roman world. In this volume, Russell provides a new and wide-ranging examination of the production, distribution, and use of carved stone objects throughout the Roman world, including how enormous quantities of high-quality white and polychrome marbles were moved all around the Mediterranean to meet the demand for exotic material. The long-distance supply of materials for artistic and architectural production, not to mention the trade in finished objects like statues and sarcophagi, is one of the most remarkable features of the Roman world. Despite this, it has never received much attention in mainstream economic studies. Focusing on the market for stone and its supply, the administration, distribution, and chronology of quarrying, and the practicalities of stone transport, Russell offers a detailed assessment of the Roman stone trade and how the relationship between producer and customer functioned even over considerable distances.




The Eerdmans Encyclopedia of Early Christian Art and Archaeology


Book Description

One of the most widely respected theological dictionaries put into one-volume, abridged form. Focusing on the theological meaning of each word, the abridgment contains English keywords for each entry, tables of English and Greek keywords, and a listing of the relevant volume and page numbers from the unabridged work at the end of each article or section.




Exempli Gratia


Book Description

The Sagalassos Archaeological Research Project has made interdisciplinary practices part of its scientific strategy from the very beginning. The project is internationally acknowledged for important achievements in this respect. Aspects of its approach to ancient Sagalassos can be considered ground-breaking for the archaeology of Anatolia and the wider fields of classical and Roman archaeology. Now that its first project director, Professor Marc Waelkens - University of Leuven -, is at the stage of shifting practices, from an active academic career to an active academic retirement, this volume represents an excellent opportunity to reflect on the wider impact of the Sagalassos Archaeological Research Project. The contributors to the honorific publication build on the methods and practices of interdisciplinary archaeology from a wide variety of angles, in order to highlight the crucial role of interdisciplinary research for creating progress in the interpretation of the human past or nurture developments in their own disciplines. In particular, the contributors consider how the parcours of the Sagalassos Project helped to pave their ways. Contributors are international authorities in the field of Anatolian and classical archaeology, bio-archaeology, geo-archaeology, history and cultural heritage.




Teaching with Objects


Book Description

This beautifully illustrated publication focuses on a spectrum of papers that were given at a major symposium honoring Gordon Mitten, longtime Curator of Ancient Art and a professor in the classics department at Harvard University.




Interdisciplinary Studies on Ancient Stone


Book Description




Facing the Colours of Roman Portraiture


Book Description

The fact that most ancient marble portraits were once intentionally polychrome has always been lurking at the corners of art historical and archaeological research. Despite the fact, that the colours of the sculpted forms completed, enhanced and even extended the plastic shapes, the topic has not been devoted much dedicated attention. This book represents the first full-length academic monograph which explores the original polychromy of Roman white marble portraiture. It presents results from scientific analysis of portraits in statuary and bust formats dating to the first three centuries CE. The book also explores the cultural and social significance of colours in their original contexts, and how the immaterial affects of the polychrome, three-dimensional images can be integrated into the traditional research into ancient portraiture, which has tended to place overwhelming emphasis on iconography, typology and biography. By doing so the ancient sculpted marble form, as we know it, will be exposed and confronted, and the impact of manipulated material effects, that were meant to evoke a broad range of multisensory experiences, will be emphasized. The book puts forth a new way of analysis to be tested and developed in the future.







The Isotopic Signature of Classical Marbles


Book Description

Accompanying CD-ROM contains ... "isotopic and multi-method marble database."--CD-ROM label.




Supports in Roman Marble Sculpture


Book Description

Figural and non-figural supports are a ubiquitous feature of Roman marble sculpture; they appear in sculptures ranging in size from miniature to colossal and of all levels of quality. At odds with modern ideas about beauty, completeness, and visual congruence, these elements, especially non-figural struts, have been dismissed by scholars as mere safeguards for production and transport. However, close examination of these features reveals the tastes and expectations of those who commissioned, bought, and displayed marble sculptures throughout the Mediterranean in the Hellenistic and Roman periods. Drawing on a large body of examples, Greek and Latin literary sources, and modern theories of visual culture, this study constitutes the first comprehensive investigation of non-figural supports in Roman sculpture. The book overturns previous conceptions of Roman visual values and traditions and challenges our understanding of the Roman reception of Greek art.