Journalism and the Periodical Press in Nineteenth-Century Britain


Book Description

Newly commissioned essays by leading scholars offer a comprehensive and authoritative overview of the diversity, range and impact of the newspaper and periodical press in nineteenth-century Britain. Essays range from studies of periodical formats in the nineteenth century - reviews, magazines and newspapers - to accounts of individual journalists, many of them eminent writers of the day. The uneasy relationship between the new 'profession' of journalism and the evolving profession of authorship is investigated, as is the impact of technological innovations, such as the telegraph, the typewriter and new processes of illustration. Contributors go on to consider the transnational and global dimensions of the British press and its impact in the rest of the world. As digitisation of historical media opens up new avenues of research, the collection reveals the centrality of the press to our understanding of the nineteenth century.




"The Art-Journal and Fine Art Publishing in Victorian England, 1850?880 "


Book Description

Focusing on an era that both inherited and irretrievably altered the form and the content of earlier art production, The Art-Journal and Fine Art Publishing in Victorian England, 1850-1880 argues that fine art practices and the audiences and markets for them were influenced by the media culture of art publishing and journalism in substantial and formative ways, perhaps more than at any other time in the history of English art. The study centers on forms of Victorian picture-making and the art knowledge systems defining them, and draws on the histories of art, literature, journalism, and publishing. The historical example employed in the book is that of the more than 800 steel-plate prints after paintings published in the London-based Art-Journal between 1850 and 1880. The cultural phenomenon of the Art Journal print is shown to be a key connector in mid-Victorian art appreciation by drawing out specific tropes of likeness. This study also examines the important links between paint and print; the aesthetic values and domestic aspirations of the Victorian middle class; and the inextricable intertwining of fine art and 'trade' publishing.




Sketches of the Nineteenth Century


Book Description

This book discusses the visual and verbal city sketches which proliferated during the 'journalistic revolution' of the 1830s and 1840s. It shows how sketches transformed models of visual and printed media and of life science into a unique kind of sociology, presenting a self-critique of the middle class on the brink of industrial modernity.




Beyond the Lines


Book Description

In this wonderfully illustrated book, Joshua Brown shows that the wood engravings in the illustrated newspapers of Gilded Age America were more than a quaint predecessor to our own sophisticated media. As he tells the history and traces the influence of Frank Leslie's Illustrated Newspaper, with relevant asides to Harper's Weekly, the New York Daily Graphic, and others, Brown recaptures the complexity and richness of pictorial reporting. He finds these images to be significant barometers for gauging how the general public perceived pivotal events and crises—the Civil War, Reconstruction, important labor battles, and more. This book is the best available source on the pictorial riches of Frank Leslie's newspaper and the only study to situate these images fully within the social context of Gilded Age America. Beyond the Lines illuminates the role of illustration in nineteenth-century America and gives us a new look at how the social milieu shaped the practice of illustrated journalism and was in turn shaped by it.




Reading Popular Prints 1790-1870


Book Description

Each chapter of this stimulating book collects a wide variety of images show the different ways that historical events can be represented. Metal and wood engravings, lithographs, woodcuts, etchings, watercolors, and drawings all reflect changing attitudes towards gender, politics, the family, education, and industrialization. This revised second edition has many new illustrations which further assist the interpretation of popular graphic images from the 18th and 19th centuries.




The Rise of Victorian Caricature


Book Description

This book serves as a retrieval and reevaluation of a rich haul of comic caricatures from the turbulent years between the Reform Bill crisis of the early 1830s and the rise and fall of Chartism in the 1840s. With a telling selection of illustrations, this book deploys the techniques of close reading and political contextualization to demonstrate the aesthetic and ideological clout of a neglected tranche of satirical prints and periodicals dismissed as ineffectual by historians or distasteful by contemporaries. The prime exhibits are the work of Robert Seymour and C.J. Grant giving acerbic comic edge to the case for reform against class and state oppression and the excesses of the monarchical regime under the young Queen Victoria.




Charles Knight


Book Description

Charles Knight: Educator, Publisher, Writer is the first modern book-length study of this important nineteenth-century educational reformer, author, and publisher. Though he made significant contributions during his lifetime to the cause of popular education, providing inexpensive but quality reading material for the newly literate working classes, Knight has been largely ignored by scholars. This neglect, the author suggests, may be related to Knight's association with the controversial Society for the Diffusion of Useful Knowledge and to the use scholars make of Knight's Penny Magazine and his two volumes on political economy to support their arguments on theories of social control and other issues. The author argues that Knight's reputation has suffered as a result. She reexamines the evidence to offer fresh assessments of Knight's life and work that illuminate his genuine achievements. She concludes with an evaluation of Knight's role as an innovative publisher who used the latest techniques to provide the emerging mass readership with unique combinations of text and image in his many 'pictorial' books and periodicals.




The London Journal, 1845-83


Book Description

This book is the first full-length study of one of the most widely read publications of Victorian Britain, the London Journal, inserting the story of this magazine into the wider context of the Victorian mass-market periodical. It draws on traditional modes of scholarship in history, art history, and literature as well as on developments in sociology, psychoanalysis, and cultural theory. However, the author ultimately relies on new and extensive primary research to ground the changing ways in which the reading public became consumers of literary commodities on a scale never before seen. Previous commentators have coded the mass market as somehow always 'feminine', and King offers a genealogy of how such a gender identity came about. Finally, King recontextualizes within the Victorian mass market three key nineteenth-century novels-Walter Scott's Ivanhoe, Mary Braddon's Lady Audley's Secret, and Émile Zola's The Ladies' Paradise-and in so doing suggests radically new and unexpected meanings.




Law, Judges and Visual Culture


Book Description

Law, Judges and Visual Culture analyses how pictures have been used to make, manage and circulate ideas about the judiciary through a variety of media from the sixteenth century to the present. This book offers a new approach to thinking about and making sense of the important social institution that is the judiciary. In an age in which visual images and celebrity play key roles in the way we produce, communicate and consume ideas about society and its key institutions, this book provides the first in-depth study of visual images of judges in these contexts. It not only examines what appears within the frame of these images; it also explores the impact technologies and the media industries that produce them have upon the way we engage with them, and the experiences and meanings they generate. Drawing upon a wide range of scholarship – including art history, film and television studies, and social and cultural studies, as well as law – and interviews with a variety of practitioners, painters, photographers, television script writers and producers, as well as court communication staff and judges, the book generates new and unique insights into making, managing and viewing pictures of judges. Original and insightful, Law, Judges and Visual Culture will appeal to scholars, postgraduates and undergraduates from a variety of disciplines that hold an interest in the role of visual culture in the production of social justice and its institutions.




Judgment in the Victorian Age


Book Description

This volume concerns judges, judgment and judgmentalism. It studies the Victorians as judges across a range of important fields, including the legal and aesthetic spheres, and within literature. It examines how various specialist forms of judgment were conceived and operated, and how the propensity to be judgmental was viewed.




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