Green Lantern Vol. 1: Sinestro (The New 52)


Book Description

A New York Times Bestseller As part of the DC Comics—The New 52, the first six issues of the star-spanning series from superstar writer Geoff Johns and artist Doug Mahnke is collected here in hardcover! In the aftermath of a deadly showdown between the Green Lantern Corps and a mysterious foe from the past, Hal Jordan has been stripped of his ring. Left standing is an unexpected new Green Lantern in town: Sinestro! And now, this renegade GL has set a course for Korugar with one purpose: To free his homeworld from the scourge of his own Sinestro Corps, with the not-so-willing help of Hal Jordan! The volume collects issues 1-6 of Green Lantern, part of the DC Comics—The New 52 event.




Green Lantern Corps


Book Description

When an enemy of the Lanterns seizes control of the Alpha Lanterns, Green Lanterns John Stewart, Kyle Rayner, and former Guardian Ganthet must stop them.




Green Lantern (1960-) #14


Book Description

Green Lantern meets Sonar, the tyrannical ruler of Modora—and he's got the sonic power to take on even GL's power ring! Plus, Hal Jordan's brother, Jim, returns to help with a new case.




Green Lantern


Book Description

Hal Jordan has been framed for murder in this new trade paperback collecting GREEN LANTERN #14-20! Now, Hal is on the run from a legion of intergalactic bounty hunters and the new Global Guardians. Can he clear his name and discover who put a price on his head? From the Trade Paperback edition.




The Art of the Batman


Book Description

The official behind-the-scenes companion book to Matt Reeves' The Batman The Art of The Batman is the official behind-the-scenes illustrated tie-in book to the highly-anticipated Matt Reeves (Cloverfield, Dawn of the Planet of the Apes, War for the Planet of the Apes) film, coming to theaters March 4, 2022. Set during Batman's second year as a crime fighter, this unique, noir-inspired take on the Dark Knight serves as a return to the character's roots and stars Robert Pattinson as Bruce Wayne, Zoë Kravitz as Selina Kyle/Catwoman, Paul Dano as The Riddler, Jeffrey Wright as Commissioner Gordon, and Colin Farrell as The Penguin. Readers will get an insider's look at the film's production process through character designs, vehicle and gadget designs, and background paintings, alongside original commentary and interviews from the filmmakers, cast, production designer, and conceptual artists.




Green Lantern (2011- ) #32


Book Description

Uprising part 3, continued from GREEN LANTERN CORPS (2011- ) #31. In the midst of a bloody interstellar revolution against the Green Lantern Corps, the Durlans make a move to claim the ultimate position of power for themselves. The battered Corps' only hope is intel possessed by a sworn enemy, Nol-Anj. Continued in GREEN LANTERN CORPS (2011- ) #32.




Postfeminism and Paternity in Contemporary US Film


Book Description

This book interrogates representations of fatherhood across the spectrum of popular U.S. film of the early twenty-first century. It situates them in relation to postfeminist discourse, identifying and discussing dominant paradigms and tropes that emerge from the tendency of popular cinema to configure ideal masculinity in paternal terms. It analyses postfeminist fatherhood across a range of genres including historical epics, war films, westerns, bromantic comedies, male melodramas, action films, family comedies, and others. It also explores recurring themes and intersections such as the rejuvenation of aging masculinities through fatherhood, the paternalized recuperation of immature adult masculinities, the relationship between fatherhood in film and 9/11 culture, post-racial discourse in representations of fatherhood, and historically located formations of fatherhood. It is the first book length study to explore the relationship between fatherhood and postfeminism in popular cinema.




Super Black


Book Description

Super Black places the appearance of black superheroes alongside broad and sweeping cultural trends in American politics and pop culture, which reveals how black superheroes are not disposable pop products, but rather a fascinating racial phenomenon through which futuristic expressions and fantastic visions of black racial identity and symbolic political meaning are presented. Adilifu Nama sees the value—and finds new avenues for exploring racial identity—in black superheroes who are often dismissed as sidekicks, imitators of established white heroes, or are accused of having no role outside of blaxploitation film contexts. Nama examines seminal black comic book superheroes such as Black Panther, Black Lightning, Storm, Luke Cage, Blade, the Falcon, Nubia, and others, some of whom also appear on the small and large screens, as well as how the imaginary black superhero has come to life in the image of President Barack Obama. Super Black explores how black superheroes are a powerful source of racial meaning, narrative, and imagination in American society that express a myriad of racial assumptions, political perspectives, and fantastic (re)imaginings of black identity. The book also demonstrates how these figures overtly represent or implicitly signify social discourse and accepted wisdom concerning notions of racial reciprocity, equality, forgiveness, and ultimately, racial justice.




Green Lantern Corps (2011-) #27


Book Description

Green Lantern Sector Houses across the galaxy are being destroyed, and the Durlans unleash a deadly new weapon designed to counter the GL's rings.




The Science Fiction Film in Contemporary Hollywood


Book Description

The Science Fiction Film in Contemporary Hollywood focuses on the American science fiction (SF) film during the period 2001-2020, in order to provide a theoretical mapping of the genre in the context of Conglomerate Hollywood. Using a social semiotics approach in a systematic corpus of films, the book argues that the SF film can be delineated by two semiotic squares -the first one centering on the genre's more-than-human ontologies (SF bodies), and the second one focusing on its imaginative worlds (SF worlds). Based on this theoretical framework, the book examines the genre in six cycles, which are placed in their historical context, and are analyzed in relation to cultural discourses, such as technological embodiment, race, animal-human relations, environmentalism, global capitalism, and the techno-scientific Empire. By considering these cycles -which include superhero films, creature films, space operas, among others-as expressions of the genre's basic oppositions, the book facilitates the comparison and juxtaposition of films that have rarely been discussed in tandem, offering a new perspective on the multiple articulations of the SF film in the new millennium.