The Inspiration Motif in the Works of Franz Grillparzer


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Franz Grillparzer was not a man of extravagance either in phrase or conduct. His life as an individual and artist is marked by a reticence, an aversion to the unveiling of the inner SOul,1 that is perhaps best matched by the concise style and expression of his works. This art of effective restraint is particularly visible in the dramas where often a single word or indeed an utter silence carries the greatest emotional impact. There is an absolute lack of sound and fury signifying nothing; even in the frenzy of inspiration 2 Grillparzer carefully chooses words that best convey his thoughts and for purely emotional release he turns to another medium which he sharply distinguished from poetry: to music. If this poet then who knows no empty phrases applies terms like 'betrothed of the gods',3 'mother of all greatness',4 'mighty 5 lever of the universe', 'messenger of divine happiness'6 to one and the same concept at different times, we may assume that he here expresses something deeply anchored in his being. And indeed, the motif of concentration ('Sammlung') and inspiration ('Begeisterung') is one that we meet again and again in the poetry, the diaries and the dramas. This emotional state is at all times highly revered and greatly sought by the poet - it is, in fact, made a condition of creative productivity and, as the years pass, finally develops into a condition of life itself in the prophecy of 'Libussa'.




Grillparzer's Attitude Toward Romanticism


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Excerpt from Grillparzer's Attitude Toward Romanticism: A Dissertation Grillparzer's opposition to the novergnd the folk-song, forms Of composition which enjoyed special favor among the romanticists, may also be traced largely to his love for artistic form in poetry. The popularity of the novel among romantic writers was largely due to the fact that it combined all the elements of poetry - epic, lyric, and dramatic. In the Brief fiber den Roman Friedrich Schlegel states: Es muss Ihnen nach meiner Ansicht einleuchtend sein, dass und war'um ich fodre, alle Poesie solle romantisch sein; den Roman aber, insofem er eine besondere Gattung sein will, verabscheue Ja ich kann mir einen Roman kaum anders denken als gemischt aus Erzahlung, Gesang und andern F This mixed nature of the novel was, as has been pointed out, enough in itself to condemn it in Grillparzer's eyes as a form Of art. As a matter Of fact he con sidered the novel to be a genre midway between prose and poetry, and therefore as not belonging to the highest kind of art. Besteht namlich die Poesie aus zwei Theilen: Poesie def-ahffas sung und Poesie der Darstellung; der Roman ist deshalb auch nur hochstens halbe Poesie (xv, In conversation with F olgar3 he expressed himself even more strongly on this subject: Mich schauert immer, he says, wenn ich daran denke, dass die Italiener den Roman bei sich einftihren. Durch zwei Jahrhunderte behalfen sie sich, freilich auf eine erb'armliche Art, mit ihren Sonetten; aber es war doch Poesie. Der Roman ist Prosa. Sir Walter Scott's achievements in epic, lyric, and dramatic poetry he considered to be. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
















Subject Finding List


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GRILLPARZERS ATTITUDE TOWARD R


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