Hamish Fulton[1988/2].
Author : Hamish Fulton
Publisher :
Page : pages
File Size : 18,57 MB
Release : 1987
Category : Photography, Artistic
ISBN :
Author : Hamish Fulton
Publisher :
Page : pages
File Size : 18,57 MB
Release : 1987
Category : Photography, Artistic
ISBN :
Author : Museum of Modern Art (New York, N.Y.). Library
Publisher :
Page : 418 pages
File Size : 27,47 MB
Release : 2001
Category : Art, Modern
ISBN :
Author : Karin Breuer
Publisher : Univ of California Press
Page : 220 pages
File Size : 31,37 MB
Release : 1997-01-01
Category : Art
ISBN : 9780520210615
Crown Point Press in San Francisco, founded in 1962 by Kathan Brown, is a world-renowned center of contemporary printmaking. It has published work by such major figures as Richard Diebenkorn, Helen Frankenthaler, Sol LeWitt, and Wayne Thiebaud, while bringing to attention prints by many younger artists, including April Gornik, Anish Kapoor, Eric Fischl, and Francesco Clemente. Crown Point Press is known for presenting social and political issues in a range of printmaking media, from hard- and soft-ground etching to drypoint, aquatint, and mezzotint. The Fine Arts Museums of San Francisco acquired the Crown Point Press archive in 1991. This collection of nearly 800 works contains one impression of every print the Press has ever produced. Also included are over 2000 working proofs and preparatory sketches. Now, in collaboration with the National Gallery of Art, the Fine Arts Museums of San Francisco has organized an exhibition of these distinctive prints. Chronicling Crown Point Press's dedication to artistic quality and commitment to innovation in printmaking technique and subject matter, this book also presents Kathan Brown's notable contributions in transforming the printmaking landscape of the twentieth century. Published in association with The Fine Arts Museums of San Francisco
Author : Jonathan Bordo
Publisher : McGill-Queen's Press - MQUP
Page : 393 pages
File Size : 44,39 MB
Release : 2022-12-15
Category : Art
ISBN : 0228014859
A place comes into existence through the depth of relationships that underwrite a physical location with layers of sedimented names. In Place Matters scholars and artists conduct varied forms of place-based inquiry to demonstrate why place matters. Lavishly illustrated, the volume brings into conversation photographic projects and essays that revitalize the study of landscape. Contributors engage the study of place through an approach that Jonathan Bordo and Blake Fitzpatrick call critical topography: the way that we understand critical thought to range over a place, or how thought and symbolic forms invent place through text and image as if initiated by an X marking the spot. Critical topography’s tasks are to mediate and to diminish the gap between representation and referent, to be both in the world and about the world; to ask what place is this, what are its names, where am I, how and with what responsibilities may I be here? Chapters map the deep cultural, environmental, and political histories of singular places, interrogating the charged relation between history, place, and power and identifying the territorial imperatives of place making in such sites as Colonus, Mont Sainte-Victoire, Chomolungma/Everest, Hiroshima, Fort Qu’Appelle, Donetsk airport, and the island of Lesbos. With contributions from the renowned artists Hamish Fulton and Edward Burtynsky, the Swedish poet Jesper Svenbro, and others, the collection examines profound shifts in place-based thinking as it relates to the history of art, the anthropocene and nuclear ruin, borders and global migration, residential schools, the pandemic, and sites of refuge. In his prologue W.J.T. Mitchell writes: “Places, like feasts, are moveable. They can be erased and forgotten, lost in space, or maintained and rebuilt. Both their appearance and disappearance, their making and unmaking, are the work of critical topography.” Global in scope, Canadian in spirit, and grounded in singular sites, Place Matters presents critical topography as an approach to analyze, interpret, and reflect on place.
Author : Deirdre Heddon
Publisher : Bloomsbury Publishing
Page : 344 pages
File Size : 40,45 MB
Release : 2012-12-07
Category : Performing Arts
ISBN : 1350315850
In this dynamic collection a team of experts map the development of Live Art culturally, thematically and historically. Supported with examples from around the world, the text engages with a number of key practices, asking what these practices do and how they can be contextualised and understood.
Author : Adam Bushnell
Publisher : Learning Matters
Page : 462 pages
File Size : 47,30 MB
Release : 2017-02-27
Category : Education
ISBN : 152641483X
With recent research findings by The National Literacy Trust indicating that 1 in 2 children enjoy writing, should primary school teachers be using it more? There are opportunities for teaching and learning writing in all subjects and all lessons. Inviting Writing supports you to find these opportunities and to plan, assess and develop children’s writing for a range of purposes in a range of styles. Chapters cover every curriculum subject and explore the unique writing opportunities for each one. It helps you to focus on teaching the skills of composition and on taking writing forward. Examples of good practice are included throughout, alongside suggestions for teaching activities. This book also outlines the many ways in which children′s writing can be evidenced and encourages you to reconsider the ways in which children′s progress in writing can be tracked and captured. This is a practical guide to teaching writing across the curriculum.
Author :
Publisher :
Page : 850 pages
File Size : 34,35 MB
Release : 1999
Category : Art
ISBN :
Author : Michael Newman
Publisher : Reaktion Books
Page : 266 pages
File Size : 38,46 MB
Release : 1999-12-01
Category : Art
ISBN : 1861896794
An international movement that followed specific geographical-cultural patterns, Conceptual Art built on the legacy of Marcel Duchamp, redefining the institutional and social relationships among production, work and audience in ways which have comprehensively transformed the nature of the art object and forms of artistic practice, both historically and in the present. Investigating and documenting the histories, theories and forms of Conceptual Art, this timely book, including both established writers and a new generation of art historians, shows that Conceptual Art was a broad movement encompassing a range of artistic tendencies. This is the most stimulating account of the movement to date, arguing forcefully for its vitality and potential as well as examining its influence on art today. With essays by Alex Alberro, Stephen Bann, Jon Bird, David Campany, Helen Molesworth, Michael Newman, Peter Osborne, Birgit Pelzer, Desa Philipagesi, Anne Rorimer, Peter Wollen and William Wood.
Author : Alan Windsor
Publisher : Routledge
Page : 612 pages
File Size : 50,2 MB
Release : 2020-09-10
Category : Art
ISBN : 1000160521
This title was first published 2003. In the twentieth century, Britain was rich in artistic achievement, especially in sculpture. Just some of those working in this field were Jacob Epstein, Henri Gaudier-Brzeska, Henry Moore, Barbara Hepworth, Anthony Caro, Richard Long, Mona Hatoum and Anish Kapoor. The work of these and other known and less well-known artists has an astonishing variety and expressive power, a range and strength that has placed Britain at the hub of the artistic world. Alan Windsor has compiled a concise biographical dictionary of sculpture in Britain in book form. Richly informative and easy-to-use, this guide is an art-lover's and expert's essential reference. Written by scholars, the entries are cross-referenced and each concise biographical outline provides the relevant facts about the artist's life, a brief characterization of the artist's work, and, where appropriate, major bibliographical references.
Author : Hamish Fulton
Publisher :
Page : 44 pages
File Size : 10,3 MB
Release : 1999
Category : Art
ISBN :
"A book of Hamish Fulton's text pieces that both discuss and exemplify his artwork. Fulton's spare texts originate in walks he takes through the landscape. Descriptive and at times prescriptive, he describes them as "facts for the walker and fiction for everyone else." Carefully placed on the small square pages, each aphoristic piece is simultaneously present and absent as an artwork, a fact captured by the book's subtitle: 'The separation of subject (walking) and medium (text on paper).'"--Printed Matter.