Handbook for American Musicians Overseas


Book Description

Whether you're a seasoned traveler or making your first trip to Europe to study or work as a musician, this book will simplify your life. the Handbook for American Musicians Overseas describes details of understanding the different European music school systems, finding and getting into a school, and adjusting to a new country. A dictionary of contemporary music terms gives you the musical vocabulary that you'll need in French, German and Italian on a daily basis. Whether you're going to work or study music in Europe, this book is going to make life easier!




Handbook for American Musicians Overseas


Book Description

Whether youre a seasoned traveler or making your first trip to Europe to study or work as a musician, this book will simplify your life. The Handbook for American Musicians Overseas describes details of understanding the different European music school systems, finding and getting into a school, and adjusting to a new country. A dictionary of contemporary music terms gives you the musical vocabulary that youll need in French, German and Italian on a daily basis. Whether youre going to work or study music in Europe, this book is going to make life easier!







The Oxford Handbook of Music Education, Volume 2


Book Description

Music education takes place in many contexts, both formal and informal. Be it in a school or music studio, while making music with friends or family, or even while travelling in a car, walking through a shopping mall or watching television, our myriad sonic experiences accumulate from the earliest months of life to foster our facility for making sense of the sound worlds in which we live. The Oxford Handbook of Music Education offers a comprehensive overview of the many facets of musical experience, behavior and development in relation to this diverse variety of contexts. While the first volume primarily focuses on children during school-age years, this second collects an international list of contributors to explore how music learning takes place outside of the traditional classroom environment. Discussing a range of issues such as music education for the special needs population, music learning in adulthood, and music learning through media and technology these chapters help to broaden conceptions of music and musical involvement. Whether they are used individually or in tandem, the two volumes of The Oxford Handbook of Music Education update and redefine the discipline, and show how individuals across the world learn, enjoy and share the power and uniqueness of music.







The Oxford Handbook of The American Musical


Book Description

This text presents keywords and critical terms that deepen analysis and interpretation of the musical. Taking into account issues of composition, performance, and reception, the book's contributors bring a range of practical and theoretical perspectives to bear on their considerations of American musicals.




The Human Rights Handbook


Book Description




The American Music Handbook


Book Description

A directory with 5,000 annotated entries, covering composers, organizations, contests, schools, periodicals, and industries, etc.







The Oxford Handbook of Musical Theatre Screen Adaptations


Book Description

Hollywood's conversion to sound in the 1920s created an early peak in the film musical, following the immense success of The Jazz Singer. The opportunity to synchronize moving pictures with a soundtrack suited the musical in particular, since the heightened experience of song and dance drew attention to the novelty of the technological development. Until the near-collapse of the genre in the 1960s, the film musical enjoyed around thirty years of development, as landmarks such as The Wizard of Oz, Meet Me in St Louis, Singin' in the Rain, and Gigi showed the exciting possibilities of putting musicals on the silver screen. The Oxford Handbook of Musical Theatre Screen Adaptations traces how the genre of the stage-to-screen musical has evolved, starting with screen adaptations of operettas such as The Desert Song and Rio Rita, and looks at how the Hollywood studios in the 1930s exploited the publication of sheet music as part of their income. Numerous chapters examine specific screen adaptations in depth, including not only favorites such as Annie and Kiss Me, Kate but also some of the lesser-known titles like Li'l Abner and Roberta and problematic adaptations such as Carousel and Paint Your Wagon. Together, the chapters incite lively debates about the process of adapting Broadway for the big screen and provide models for future studies.