Hang 'Em High


Book Description

For more than a century the Western film has proven to be an enduring genre. At the dawn of the 20th century, in the same years that The Great Train Robbery begat a film genre, Owen Wister wrote The Virginian, which began a new literary genre. From the beginning, both literature and film would usually perpetuate the myth of the Old West as a place where justice always triumphed and all concerned (except the villains) pursued the Law. The facts, however, reflect abuses of due process: lynch mobs and hired gunslingers rather than lawmen regularly pursued lawbreakers; vengeance rather than justice was often employed; and even in courts of law justice didn't always prevail. Some films and novels bucked this trend, however. This book discusses the many Western films as well as the novels they are based on, that illustrate distortions of the law in the Old West and the many ways, most of them marked by vengeance, in which its characters pursued justice.




Wastward, Whoa!


Book Description




Westerns in a Changing America, 1955-2000


Book Description

For many, the Westerns of 1930 to 1955 were a defining part of American culture. Those Westerns were one of the vehicles by which viewers learned the values and norms of a wide range of social relationships and behavior. By 1955, however, Westerns began to include more controversial themes: cowardly citizens, emotionally deranged characters, graphic violence, marital infidelity, racial prejudice, and rape, among other issues. This work examines the manner in which Westerns reflected the substantial social, economic and political changes that shaped American culture in the latter half of the twentieth century. Part One of this work considers shifting themes as the genre reacted to changes unfolding in the broader social landscape of American culture. Part Two examines the manner in which images of cowboys, outlaws, lawmen, American Indians and women changed in Westerns as the viewers were offered new understanding of the frontier experience.




Peckerwood in Paradise


Book Description

Since this book is sort of semiautobiographical, I guess the first thing I need to do is to introduce myself and give y’all a little history of how I came to be a big-time, bucks-up tycoon and sorta semi-infamous in the world of professional rodeo, which by the way was the direct result of what I have come to refer to as “The Cataclysmic Mind-Wrenching, Brain-Warping Event of 8:55 p.m., Saturday, July 15, 1988.”




The Philosophy of the Western


Book Description

The western is arguably the most iconic and influential genre in American cinema. The solitude of the lone rider, the loyalty of his horse, and the unspoken code of the West render the genre popular yet lead it to offer a view of America's history that is sometimes inaccurate. For many, the western embodies America and its values. In recent years, scholars had declared the western genre dead, but a steady resurgence of western themes in literature, film, and television has reestablished the genre as one of the most important. In The Philosophy of the Western, editors Jennifer L. McMahon and B. Steve Csaki examine philosophical themes in the western genre. Investigating subjects of nature, ethics, identity, gender, environmentalism, and animal rights, the essays draw from a wide range of westerns including the recent popular and critical successes Unforgiven (1992), All the Pretty Horses (2000), 3:10 to Yuma (2007), and No Country for Old Men (2007), as well as literature and television serials such as Deadwood. The Philosophy of the Western reveals the influence of the western on the American psyche, filling a void in the current scholarship of the genre.




The Range Detectives


Book Description

A killer is on the loose in the Arizona Territory. One by one, Tonto Basin ranchers are being murdered for their livestock. And the Cattle Raisers Association has hired two range detectives to catch the culprit. From the looks of them, Stovepipe Stewart and Wilbur Coleman are just another pair of high plains drifters. But with their razor-sharp detective skills and rare talent for trouble, they're the last remaining hope for one young cowboy who's been arrested for the murders.




Capital Punishment


Book Description

This authoritative, balanced, and accessible reference resource provides readers with a wide-ranging survey of capital punishment in America, including its history, its legal and cultural foundations, and racial and economic factors in its application. This carefully crafted primer on the history and present state of capital punishment in the United States examines cultural, political, and legal factors and developments, as well as key figures, groups, and movements, by consolidating a wide variety of material into a single, convenient source. Utilizing a rich and varied array of scholarship and primary sources, this work examines historical, political, cultural, and legal factors and developments that have shaped the contours of capital punishment throughout American history. It examines key figures and organizations who have played pivotal roles in debates over the death penalty; provides readers with illuminating coverage of laws, cases, and the people involved; discusses the experiences of death row inmates; and explores questions and controversies revolving around the socioeconomic factors that influence the use of capital punishment.




Two Texts by Edward Everett Hale


Book Description

Two Texts by Edward Everett Hale brings together one of the most popular stories of the nineteenth-century, "The Man Without a Country," with its novel-length sequel, Philip Nolan's Friends. As Hsuan Hsu and Susan Kalter show in this critical edition, these engaging works of fiction helped orient nineteenth-century Americans' opinions about citizenship, statelessness, imperialism, and conflicts with Mexico and Native American nations in the U.S. Southwest.







Philip Nolan's Friends


Book Description