Book Description

…Throughout of times of literature, there have been many attempts in describing the implication of poetry, of drama and of novel, the basic three pillars of any kind of literature, into the life of art, philosophy, psychology, theology, science, or technology. In ordering this lyrical endeavor of human creation, since Art of Poetry done by Aristotle or ARS POETICA of the brilliants Latinists as Vergilius, or Horace’s dictum, UT PICTURA POESIS… or Ovid?… …Through the ART POETIQUE of the French Encyclopaedist N. Boileau another interpretation is done to the complicated and more complex of literature and poetry… …When, in the beginning of the 20th century, had been launched out some Manifestos of new orientation, particular in poetry, but not confined only to, as Futurism (Marinetti – Rome, 1904), Dadaism (T. Tzara, M. Ianco – 1916), Imagism (S. Esenin, Maiakovsky, Mayerhold – Moscow, 1910) or Surrealism (A. Breton, Artaud, P. Eluard – Paris, 1924) or Ultraism (Lorca – Madrid, 1927) or Lettrism (Isidore Isou – Paris, 1945), the interrelationship of poetry with the other arts has increased substantially… All of these waves of lyrical creators, in poetry, in drama, in prose, in essay, in novel, in short novel or long novel, in theatre, in picture or sculpture or architecture, had taken place throughout the world, because the art, the culture, the civilization is the man itself, by diffusing without borders among different cultures and civilizations… and consequently, the man is poetry itself… …WISDOM AND POETRY ARE THE SAPIENCE ITSELF…