Heart First Into This Ruin


Book Description

The first complete collection of Wanda Coleman's original and inventive sonnets. Long regarded as among her finest work, these one hundred poems give voice to loving passions, social outrage, and hard-earned wisdom. "Fantastically entertaining and deeply engaging...potent distillations of creative rage, social critique, and subversive wit."--Washington Post "Terrifying and fearlessly inventive."--New York Times Wanda Coleman was a beat-up, broke Black woman who wrote with anger, humor, and ruthless intelligence: "to know, i must survive myself," she wrote in "American Sonnet 7." A poet of the people, she created the experimental "American Sonnet" form and published them between 1986 and 2001. The form inspired countless others, from Terrance Hayes to Billy Collins. Drawn from life's particulars, Coleman's art is timeless and universal. In "American Sonnet 61" she writes: reaching down into my griot bag of womanish wisdom and wily social commentary, i come up with bricks with which to either reconstruct the past or deconstruct a head.... from the infinite alphabet of afroblues intertwinings, i cull apocalyptic visions (the details and lovers entirely real) and articulate my voyage beyond that point where self disappears These one hundred sonnets--borne from influences as diverse as Huey P. Newton and Herman Melville, Amiri Baraka and Robert Duncan--tell Coleman's own tale, as well as the story of Black and white America. From "American Sonnet 2": towards the cruel attentions of violent opiates as towards the fatal fickleness of artistic rain towards the locusts of social impotence itself i see myself thrown heart first into this ruin not for any crime but being This is a collection for anyone who values the power of words to name what is real and what is possible in a unique, questioning, and questing mind.




Songs of a Ruin


Book Description

Songs of a Ruin is an anthology of poems that attempts to open our eyes to things we don’t pay heed to. It mocks the robots that we have become, and endeavours to pull us toward the sentient light. These poems appreciate the rarity of an actual emotion. Songs of a Ruin relates profusely with visionaries and builds rivers of hope. Maybe we still have a shot. Maybe everything’s not lost. Life isn’t order. So you don’t often find one pressed against the book’s poetic lines. It is the turmoil that struggles in its alluring pages that sets its rhymes apart. Songs of a Ruin is written in pain, with it, and by it. It is an epitome of a ruin’s rediscovery in an ugly world of decadence. It screams for your slightest nod. Come, fall in love with the fallen.




Flower Grand First


Book Description

Gustavo Hernandez's debut poetry collection, Flower Grand First, moves through the complex roads of immigration, sexuality, and loss. These poems are points plotted on maps both physical and emotional-the rural landscapes of Jalisco, the glimmering plains of memory, the busy cities of California, and the circular paths of grief. Hernandez's stunning elegies float along a timeline spanning three decades, honoring family, recording a personal history, and revealing a vulnerable but resilient voice preoccupied with time, place, and what is left behind out of necessity.




Sweet Ruin


Book Description

Tony Hoagland captures the recognizably American landscape of a man of his generation: sex, friendship, rock and roll, cars, high optimism, and disillusion. With what Robert Pinsky has called “the saving vulgarity of American poetry,” Hoagland’s small biographies of destruction reveal that defeat is a natural prelude to grace and loss a kind of threshold to freedom. “A remarkable book. Without any rhetorical straining, with a disarming witty directness, these poems manage to transform every subject they touch, from love to politics, reaching out from the local and the personal to place the largest issues in the context of feeling. It’s hard to think of a recent book that succeeds with equal grace in fusing the truth-telling and the lyric impulse, clarity and song, in a way that produces such consistent pleasure and surprise.”—Carl Dennis “This is wonderful poetry: exuberant, self-assured, instinct with wisdom and passion.”—Carolyn Kizer “There is a fine strong sense in these poems of real lives being lived in a real world. This is something I greatly prize. And it is all colored, sometimes brightly, by the poet’s own highly romantic vision of things, so that what we may think we already know ends up seeming rich and strange.”—Donald Justice “In Sweet Ruin, we’re banging along the Baja of our little American lives, spritzing truth from our lapels, elbowing our compadres, the Seven Deadly Sins. Maybe we’re unhappy in a less than tragic way, but our ruin requires of us a love and understanding and loyalty just as deep and sweet as any tragic hero’s. And it’s all the more poignant in a sad and funny way because the purpose of this forced spiritual march, Hoagland seems to be saying, is to leave ourselves behind. Undoubtedly, you will recognize among the body count many of your selves.”—Jack Myers




Heart to Heart


Book Description

A compilation of poems by Americans writing about American art in the twentieth century, including such writers as Nancy Willard, Jane Yolen, and X.J. Kennedy.




House of Fact, House of Ruin


Book Description

"Very much of our present moment, in which fact can so easily be manufactured and ruin so easily achieved by pressing SEND or pulling a trigger, these poems range across the landscapes of contemporary experience. Whether a militia in Libya or a military base in Baghdad, a shantytown in East Africa or an opulent mall on Long Island, these subjects and locations resonate with the psychic and social costs of having let the genie of war, famine, and climate change out of the lamp in the first place. The book ultimately turns on conundrums of selfhood and self-estrangement in which Sleigh urges us toward a different realm, where we might achieve the freedom of spirit to step outside our own circumstances, however imperfectly, and look at ourselves as other, as unfamiliar, as strange."--




When We Were Birds


Book Description

In When We Were Birds, Joe Wilkins wrestles his attention away from the griefs, deprivations, and high prairies of his Montana childhood and turns toward "the bean-rusted fields and gutted factories of the Midwest," toward ordinary injustice and everyday sadness, toward the imminent birth of his son and his own confusions in taking up the mantle of fatherhood, toward faith and grace, legacy and luck. A panoply of voices are at play--the escaped convict, the late-night convenience store clerk, and the drowned child all have their say--and as this motley chorus rises and crests, we begin to understand something of what binds us and makes us human: while the world invariably breaks all our hearts, Wilkins insists that is the very "place / hope lives, in the breaking." Within a notable range of form, concern, and voice, the poems here never fail to sing. Whether praiseful or interrogating, When We Were Birds is a book of flight, light, and song. "When we were birds," Wilkins begins, "we veered & wheeled, we flapped & looped-- / it's true, we flew."




Wicked Enchantment


Book Description

A voice for justice, anti-racism, and equality—here is the greatest and most powerful work of the people’s poet, Wanda Coleman. One of the most talked about literary collections of the year is this collection by a beat-up, broke, and Black woman who wrote with anger, humor, and clarity about her life on the margins. Wicked Enchantment: Selected Poems is a selection of 130 of Coleman’s poems spanning four decades, edited and introduced by Terrance Hayes. Although Coleman was rejected by the literary elites during her lifetime, here’s what people are saying now about Wicked Enchantment: “Wanda Coleman is not just wickedly wise, she is transcendent.” —The Washington Post “These poems are wildly fun and inventive . . . and frequently hilarious; they seem to cover every human experience and emotion.” —The New York Times “Wanda Coleman’s work has that ineffable quality that accompanies poetry you understand in your belly and your head. . . . It is an unmistakable style that propels a Coleman poem, and draws us into it.” —Reginald Dwayne Betts “Wicked Enchantment has words to crack you open and heal you where it counts—hateful and hilarious, heartbroke and hellbent.” —Mary Karr, New York Times bestselling author “One of the greatest poets ever to come out of L.A.” —The New Yorker “One of the most exciting, original, deliciously dangerous voices of the 20th century.” —The Irish Times “Required Reading” —Bustle “Best Poetry of 2020” The New York Times, The Washington Post, The Irish Times Winner California Independent Booksellers Alliance’s 2020 Golden Poppy Award for Poetry




Shot in the Heart


Book Description

NATIONAL BOOK CRITICS CIRCLE AWARD WINNER • A murder tale "from inside the house where murder is born." Haunting, harrowing, and profoundly affecting, Shot in the Heart exposes and explores a dark vein of American life that most of us would rather ignore. It is a book that will leave no reader unchanged. Gary Gilmore, the infamous murderer immortalized by Norman Mailer in The Executioner's Song, campaigned for his own death and was executed by firing squad in 1977. Writer Mikal Gilmore is his younger brother. In Shot in the Heart, he tells the stunning story of their wildly dysfunctional family: their mother, a black sheep daughter of unforgiving Mormon farmers; their father, a drunk, thief, and con man. It was a family destroyed by a multigenerational history of child abuse, alcoholism, crime, adultery, and murder. Mikal, burdened with the guilt of being his father's favorite and the shame of being Gary's brother, gracefully and painfully relates his story "from inside the house where murder is born... a house that, in some ways, [he has] never been able to leave." Shot in the Heart is the history of an American family inextricably tied up with violence, and the story of how the children of this family committed murder and murdered themselves in payment for a long lineage of ruin.




Perfect Ruin


Book Description

"Sixteen-year-old Morgan Stockhour lives in Internment, a floating city utopia. But when a murder occurs, everything she knows starts to unravel"--




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