Hermeneutical Narratives in Art, Literature, and Communication


Book Description

Exploring the relationship between hermeneutics and the arts, including painting, music, and literature, this book builds on hermeneutics from a practical perspective, connecting this area of critical research with others to reveal how it is viewed from different perspectives. International and interdisciplinary in scope, this edited volume draws on the work of scholars and practitioners working across a variety of subject areas, themes and topics, including philosophy, literature, religious paintings, musical oeuvres, Chinese urbanscapes, Moroccan proverbs, and Ukrainian internet blogs. Focusing on the idea of hermeneutics as a discipline that can connect different areas of interest, the book offers an inside view into how the contributors 'interpret' it within their own academic remits, demonstrating its presence in qualitative academic interpretations and canonical contemporary research in humanities.




Narrative as Communication


Book Description




The Hermeneutic Spiral and Interpretation in Literature and the Visual Arts


Book Description

This collection brings together eighteen of the author’s original papers, previously published in a variety of academic journals and edited collections over the last three decades, on the process of interpretation in literature and the visual arts in one comprehensive volume. The volume highlights the centrality of artistic texts to the study of multimodality, organized into six sections each representing a different modality or semiotic system, including literature, television, film, painting, sculpture, and architecture. A new introduction lays the foundation for the theoretically based method of analysis running through each of the chapters, one that emphasizes the interplay of textual details and larger thematic purposes to create an open-ended and continuous approach to the interpretation of artistic texts, otherwise known as the "hermeneutic spiral". Showcasing Michael O’Toole’s extensive contributions to the field of multimodality and in his research on interpretation in literature and the visual arts, this book is essential reading for students and scholars in multimodality, visual arts, art history, film studies, and comparative literature.




Rabbinic Body Language: Non-Verbal Communication in Palestinian Rabbinic Literature of Late Antiquity


Book Description

This study constitutes the first comprehensive examination of rabbinic body language represented in Palestinian rabbinic sources of late antiquity. Catherine Hezser examines rabbis’ appearance and demeanor, spatial movement, gestures, and facial expressions on the basis of literary and social-anthropological methods and theories. She discusses the various forms of rabbis’ non-verbal communication in the context of Graeco-Roman and ancient Christian literary sources and in connection with the material culture of Roman and early Byzantine Palestine. Catherine Hezser convincingly shows that in rabbinic literature body language serves as an important means of rabbis’ self-fashioning. Rabbinic texts create the image of a particularly Jewish type of intellectual who functioned and competed for adherents within the highly visual and body-conscious environment of late antiquity.




The Intermediality of Narrative Literature


Book Description

This book argues that narrative literature very often, if not always, include significant amounts of what appears to be extra-literary material – in form and in content – and that we too often ignore this dimension of literature. It offers an up to date overview and discussion of intermedial theory, and it facilitates a much-needed dialogue between the burgeoning field of intermedial studies on the one side and the already well-developed methods of literary analysis on the other. The book aims at working these two fields together into a productive working method. It makes evident, in a methodologically succinct way, the necessity of approaching literature with an intermedial terminology by way of a relatively simple but never the less productive three-step analytic method. In four in-depth case studies of Anglophone texts ranging from Nabokov, Chandler and Tobias Wolff to Jennifer Egan, it demonstrates that medialities matter.







The Ethics of Storytelling


Book Description

"This book provides a theoretical-analytical framework for a hermeneutic narrative ethics, which articulates the ethical potential and risks of narrative practices. It analyzes how narratives shape our sense of the possible by enlarging and diminishing the dialogic spaces of possibilities in which we act, think, and re-imagine the world"--




Language as Hermeneutic


Book Description

Language in all its modes—oral, written, print, electronic—claims the central role in Walter J. Ong’s acclaimed speculations on human culture. After his death, his archives were found to contain unpublished drafts of a final book manuscript that Ong envisioned as a distillation of his life’s work. This first publication of Language as Hermeneutic, reconstructed from Ong’s various drafts by Thomas D. Zlatic and Sara van den Berg, is more than a summation of his thinking. It develops new arguments around issues of cognition, interpretation, and language. Digitization, he writes, is inherent in all forms of "writing," from its early beginnings in clay tablets. As digitization increases in print and now electronic culture, there is a corresponding need to counter the fractioning of digitization with the unitive attempts of hermeneutics, particularly hermeneutics that are modeled on oral rather than written paradigms. In addition to the edited text of Language as Hermeneutic, this volume includes essays on the reconstruction of Ong’s work and its significance within Ong’s intellectual project, as well as a previously unpublished article by Ong, "Time, Digitization, and Dalí's Memory," which further explores language’s role in preserving and enhancing our humanity in the digital age.




Ethos and Narrative Interpretation


Book Description

Ethos and Narrative Interpretation examines the fruitfulness of the concept of ethos for the theory and analysis of literary narrative. The notion of ethos refers to the broadly persuasive effects of the image one may have of a speaker’s psychology, world view, and emotional or ethical stance. How and why do readers attribute an ethos (of, for example, sincerity, reliability, authority, or irony) to literary characters, narrators, and even to authors? Are there particular conditions under which it is more appropriate for interpreters to attribute an ethos to authors, rather than to narrators? In the answer Liesbeth Korthals Altes proposes to such questions, ethos attributions are deeply implicated in the process of interpreting and evaluating narrative texts. Demonstrating the extent to which ethos attributions, and hence, interpretive acts, play a tacit role in many methods of narratological analysis, Korthals Altes also questions the agenda and epistemological status of various narratologies, both classical and post-classical. Her approach, rooted in a broad understanding of the role and circulation of narrative art in culture, rehabilitates interpretation, both as a tool and as an object of investigation in narrative studies.




Narrative, Political Violence and Social Change


Book Description

Narrative, Political Violence and Social Change is a call for engaging actively and critically with the ontological, epistemological, and methodological implications of narrative in the study of political violence and terrorism. Building on a basic framework of three modes of narrative – as lens, as data, and as tool – the chapters in this book demonstrate how the study of political violence and terrorism benefits from narrative inquiry as an interdisciplinary endeavour, in particular as regards diverging perceptions of social reality, the meanings of belonging, and the human drive for change. They showcase the substantial advances that scholars have made in this field to date and identify promising avenues for further research. The chapters in this book were originally published as a special issue of the journal Studies in Conflict & Terrorism.