Hersilia's Sisters


Book Description

Political and cultural history and the arts combine in this engaging account of 1790s France. In 1799, when the French artist Jacques-Louis David (1748–1825) exhibited his Intervention of the Sabines, a history painting featuring the ancient heroine Hersilia, he added portraits of two contemporary women on either side of her—Henriette de Verninac, daughter of Charles-François Delacroix, minister of foreign affairs, and Juliette Récamier, a well-known and admired socialite. Drawing on many disciplines, Norman Bryson explains how such a combination of paintings could reveal the underlying nature of the Directoire, the period between the vicious and near-dictatorial Reign of Terror (1793–94) and the coup in 1799 that brought Napoleon to power. Hersilia’s Sisters illuminates ways that cultural life and civil society were rebuilt during these years through an extraordinary efflorescence of women pioneers in every cultural domain—literature, the stage, opera, moral philosophy, political theory, painting, popular journalism, and fashion. Through a close examination of David’s work between The Intervention of the Sabines (begun in 1796) and Bonaparte Crossing the Alps (begun in 1800), Bryson explores how the flowering of women’s culture under the Directoire became a decisive influence on David’s art. With more than 150 illustrations, this book provides new and brilliant insight into this period that will captivate readers.



















Servilia and her Family


Book Description

Servilia is often cited as one of the most influential women of the late Roman Republic. Though she was a high-born patrician, her grandfather died disgraced and her controversial father was killed before he could stand for the consulship; she herself married twice, but both husbands were mediocre. Nevertheless, her position in the ruling class still afforded her significant social and political power, and it is likely that she masterminded the distinguished marriages of her one son, Brutus, and her three daughters. During her second marriage she began an affair with Iulius Caesar, which probably lasted for the rest of his life and is further indicative of the force of her charm and her exceptional intelligence. The patchiness of the sources means that a full biography is impossible, though in suggesting connections between the available evidence and the speculative possibilities open to women of Servilia's status this volume aims to offer an insightful reconstruction of her life and position both as a member of the senatorial nobility and within her extended and nuclear family. The best attested period of Servilia's life, for which the chief source is Cicero's letters, follows the murder of Caesar by her son and her son-in-law, Cassius, who were leaders among the crowd of conspirators in the Senate House on the Ides of March in 44 BC. We find her energetically working to protect the assassins' interests, also defending her grandchildren by the Caesarian Lepidus when he was declared a public enemy and his property threatened with confiscation. Exploring the role she played during these turbulent years of the late Republic reveals much about the ways in which Romans of both sexes exerted influence and sought to control outcomes, as well as about the place of women in high society, allowing us to conclude that Servilia wielded her social and political power effectively, though with discretion and within conventional limits.




Livy's Women


Book Description

Livy’s Women explores the profound questions arising from the presence of women of influence and power in the socio-political canvas of one of the most important histories of Rome and the Roman people, Ab Urbe Condita (From the Foundation of the City). This theoretically informed study of Livy’s monumental narrative charts the fascinating links between episodes containing references to women in prominent roles and the historian’s treatment of Rome’s evolutionary foundation story. Explicitly gendered in relation to the socio-cultural contexts informing the narrative, the author’s background, the literary landscape of Livy's Rome, and the subsequent historiographical commentary, this volume offers a comprehensive, coherent and contextualised overview of all episodes in Ab Urbe Condita relating to women as agents of historical change. As well as proving invaluable insights into socio-cultural history for Classicists, Livy’s Women will also be of interest to instructors, researchers, and students of female representation in history in general.