Hope Loring


Book Description




Tate: Contemporary Art Decoded


Book Description

What is contemporary art, and how did art come to be what it is today? How can we understand what a work of art means; and can't just about anything be called art these days? Contemporary Art Decoded takes ten key questions about contemporary art and uses them to what you're looking at, how it works, and why it matters. Steering clear of jargon, this book digs deep into the core ideas and concepts behind the art. It features some work you'll recognise, and some you won't, from some of the most exciting artists working today, such as Olafur Eliasson, Anish Kapoor, Yayoi Kusama and Zanele Muholi. This book is guaranteed to make your next trip to a gallery more rewarding. Chapters include: - What is contemporary art? - Where did it come from? - Where do you draw the line? - Does it matter who makes it? - Does it have to mean something? - Can anything be art? - What about art for art's sake? - Has it all been done before? - Does it have to be so serious? - What's next?




Voices, Voices, Voices


Book Description




Thinking Print


Book Description

Essay by Deborah Wye. Foreword by Glenn D. Lowry.




The Old Distillery


Book Description




Helter Skelter


Book Description

If you are aware of fashion in Japan you must have seen Liliko's face. For the last few years she has been at the top of the modeling world, with her face and body promoting the biggest brands. But as everyone who is in this world admits, staying on top is a constant and never ending battle. There are always new faces introduced to the public. Younger models and new looks are brought into the fold every season. And keeping that position means learning to adapt and learning to cope with change. To maintain her position, Liliko has decided to under the knife. This is not her first go with this service. It is yet another round of plastic surgery, all done to keep herself looking young and vibrant. However, in this case just a little nip and tuck was not enough. Liliko is bent on undergoing a full body makeover. From head-to-toe, every inch of her will undergo cosmetic surgery, and thus begins her madness.




Envy Up, Scorn Down


Book Description

An insightful examination of why we compare ourselves to those above and below us. The United States was founded on the principle of equal opportunity for all, and this ethos continues to inform the nation's collective identity. In reality, however, absolute equality is elusive. The gap between rich and poor has widened in recent decades, and the United States has the highest level of economic inequality of any developed country. Social class and other differences in status reverberate throughout American life, and prejudice based on another's perceived status persists among individuals and groups. In Envy Up, Scorn Down, noted social psychologist Susan Fiske examines the psychological underpinnings of interpersonal and intergroup comparisons, exploring why we compare ourselves to those both above and below us and analyzing the social consequences of such comparisons in day-to-day life. What motivates individuals, groups, and cultures to envy the status of some and scorn the status of others? Who experiences envy and scorn most? Envy Up, Scorn Down marshals a wealth of recent psychological studies as well as findings based on years of Fiske's own research to address such questions. She shows that both envy and scorn have distinctive biological, emotional, cognitive, and behavioral characteristics. And though we are all "wired" for comparison, some individuals are more vulnerable to these motives than others. Dominant personalities, for example, express envy toward high-status groups such as the wealthy and well-educated, and insecurity can lead others to scorn those perceived to have lower status, such as women, minorities, or the disabled. Fiske shows that one's race or ethnicity, gender, and education all correlate with perceived status. Regardless of whether one is accorded higher or lower status, however, all groups rank their members, and all societies rank the various groups within them. We rate each group as either friend or foe, able or unable, and accordingly assign them the traits of warmth or competence. The majority of groups in the United States are ranked either warm or competent but not both, with extreme exceptions: the homeless or the very poor are considered neither warm nor competent. Societies across the globe view older people as warm but incompetent. Conversely, the very rich are generally considered cold but highly competent. Envy Up, Scorn Down explores the nuances of status hierarchies and their consequences and shows that such prejudice in its most virulent form dehumanizes and can lead to devastating outcomes—from the scornful neglect of the homeless to the envious anger historically directed at Tutsis in Rwanda or Jews in Europe. Individuals, groups, and even cultures will always make comparisons between and among themselves. Envy Up, Scorn Down is an accessible and insightful examination of drives we all share and the prejudice that can accompany comparison. The book deftly shows that understanding envy and scorn—and seeking to mitigate their effects—can prove invaluable to our lives, our relationships, and our society.




Songs


Book Description




Voices, Voices, Voices


Book Description




The Making of an Abolitionist


Book Description

William Lloyd Garrison's life as an abolitionist and advocate for social change was dependent on his training as a printer. None who have studied Garrison can ignore his editorship of The Liberator but many have not fully understood his belief in the central role of a well-edited newspaper in the maintenance of a healthy republic and the struggle to reform society. Church, politics and publishing were the three foundations of Garrison's life. Newspapers, he believed, were especially important, for they provided citizens in a democracy the information necessary to make their own choices. When ministers and politicians in the North and the South refused to address the horror of slavery and became tacit advocates for the "peculiar institution," he was compelled to employ the printing press in protest. This book traces his path from printer to publisher of The Liberator. Garrison had not become a publisher to advocate abolition; he was a mechanic and an editor, later a reformer, but always a printer. His expertise with the printing press and the practice of journalism became for him the natural means for ending slavery.