House Keys Not Handcuffs


Book Description

House Keys Not Handcuffs is a reflection on over 30 years of homeless organizing in San Francisco. It is an attempt to sort out what went well and what did not as a community begins to organize in order to hold public and private institutions accountable. Its purpose is not only to distill the lessons we have learned, but to encourage others to document and reflect on their own experiences in the hope that we can collectively contribute to a stronger, more broadly-based movement. The book draws from the insights of Paul Boden, whose own experiences on the street as an activist, and as a co-founder of the Coalition on Homelessness and later, the Western Regional Advocacy Project (WRAP), give him a unique and wide perspective. It is a voice for people who have no power or privilege except for their capacity to organize and demand social justice. Additional essays by friends and longtime allies, Art Hazelwood and Bob Prentice, round out the book. It also includes 67 images created by printmakers, painters, muralists, cartoonists and photographers giving a history of the art made in the struggle. Homelessness is a visible manifestation of a society that is lacking in justice. We offer House Keys Not Handcuffs in the hope that it will help re-invigorate a social justice movement in this country that respects all of us as human beings and ensures that all people have a right to exist and a place to live as basic human rights.




Homeless


Book Description

The homeless have the legal right to exist in modern American cities, yet antihomeless ordinances deny them access to many public spaces. How did previous generations of urban dwellers deal with the tensions between the rights of the homeless and those of other city residents? Ella Howard answers this question by tracing the history of skid rows from their rise in the late nineteenth century to their eradication in the mid-twentieth century. Focusing on New York's infamous Bowery, Homeless analyzes the efforts of politicians, charity administrators, social workers, urban planners, and social scientists as they grappled with the problem of homelessness. The development of the Bowery from a respectable entertainment district to the nation's most infamous skid row offers a lens through which to understand national trends of homelessness and the complex relationship between poverty and place. Maintained by cities across the country as a type of informal urban welfare, skid rows anchored the homeless to a specific neighborhood, offering inhabitants places to eat, drink, sleep, and find work while keeping them comfortably removed from the urban middle classes. This separation of the homeless from the core of city life fostered simplistic and often inaccurate understandings of their plight. Most efforts to assist them centered on reforming their behavior rather than addressing structural economic concerns. By midcentury, as city centers became more valuable, urban renewal projects and waves of gentrification destroyed skid rows and with them the public housing and social services they offered. With nowhere to go, the poor scattered across the urban landscape into public spaces, only to confront laws that effectively criminalized behavior associated with abject poverty. Richly detailed, Homeless lends insight into the meaning of homelessness and poverty in twentieth-century America and offers us a new perspective on the modern welfare system.




Order without Design


Book Description

An argument that operational urban planning can be improved by the application of the tools of urban economics to the design of regulations and infrastructure. Urban planning is a craft learned through practice. Planners make rapid decisions that have an immediate impact on the ground—the width of streets, the minimum size of land parcels, the heights of buildings. The language they use to describe their objectives is qualitative—“sustainable,” “livable,” “resilient”—often with no link to measurable outcomes. Urban economics, on the other hand, is a quantitative science, based on theories, models, and empirical evidence largely developed in academic settings. In this book, the eminent urban planner Alain Bertaud argues that applying the theories of urban economics to the practice of urban planning would greatly improve both the productivity of cities and the welfare of urban citizens. Bertaud explains that markets provide the indispensable mechanism for cities’ development. He cites the experience of cities without markets for land or labor in pre-reform China and Russia; this “urban planners’ dream” created inefficiencies and waste. Drawing on five decades of urban planning experience in forty cities around the world, Bertaud links cities’ productivity to the size of their labor markets; argues that the design of infrastructure and markets can complement each other; examines the spatial distribution of land prices and densities; stresses the importance of mobility and affordability; and critiques the land use regulations in a number of cities that aim at redesigning existing cities instead of just trying to alleviate clear negative externalities. Bertaud concludes by describing the new role that joint teams of urban planners and economists could play to improve the way cities are managed.




Hobos to Street People


Book Description

Homeless people have been a part of American society throughout the nation's history, but two of the worst eras of homelessness were that of the Great Depression and the past thirty years from the late 1970s onward. How have artists in these two eras responded to homelessness? How have they used their art to address the issues surrounding poverty? And how has their approach changed? New perspectives are brought to light by bringing together this art from two different periods. The sometimes nostalgic view of the Depression when contrasted with the reality of poverty today allows a reevaluation of views of homelessness. The effects of government policy, economic dislocation, war, and displacement on homelessness are explored. The book is based on the traveling exhibition of the same name.




The Big Sleep


Book Description

DigiCat Publishing presents to you this special edition of "The Big Sleep" by Raymond Chandler. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.




A Stolen Life


Book Description

A raw and powerful memoir of Jaycee Lee Dugard's own story of being kidnapped as an 11-year-old and held captive for over 18 years On 10 June 1991, eleven-year-old Jaycee Dugard was abducted from a school bus stop within sight of her home in Tahoe, California. It was the last her family and friends saw of her for over eighteen years. On 26 August 2009, Dugard, her daughters, and Phillip Craig Garrido appeared in the office of her kidnapper's parole officer in California. Their unusual behaviour sparked an investigation that led to the positive identification of Jaycee Lee Dugard, living in a tent behind Garrido's home. During her time in captivity, at the age of fourteen and seventeen, she gave birth to two daughters, both fathered by Garrido. Dugard's memoir is written by the 30-year-old herself and covers the period from the time of her abduction in 1991 up until the present. In her stark, utterly honest and unflinching narrative, Jaycee opens up about what she experienced, including how she feels now, a year after being found. Garrido and his wife Nancy have since pleaded guilty to their crimes.




Imagining Lynd Ward


Book Description

The life of graphic novel artist Lynd Ward (1905-1985) is told by author and scholar David A. Beronä in a series of vignettes that are accompanied by woodcut prints illustrating the story. Seven contemporary artists provide the original woodcut prints. The illustrators include Olivier Deprez, Jules Remedios Faye, Drew Grasso, Art Hazelwood, Frances Jetter, Billy Simms, Kurt Brian Webb. The vignettes include the childhood of the artist, his marriage, his graphic woodcut novels, and his later illustrated children's books. Graphic novel artist Eric Drooker provides an introduction to both Lynd Ward as well as the author.




Wade in the Water


Book Description

Shortlisted for the T. S. Eliot Prize Finalist for the Forward Prize for Best Collection The extraordinary new poetry collection by Tracy K. Smith, the Poet Laureate of the United States Even the men in black armor, the ones Jangling handcuffs and keys, what else Are they so buffered against, if not love’s blade Sizing up the heart’s familiar meat? We watch and grieve. We sleep, stir, eat. Love: the heart sliced open, gutted, clean. Love: naked almost in the everlasting street, Skirt lifted by a different kind of breeze. —from “Unrest in Baton Rouge” In Wade in the Water, Tracy K. Smith boldly ties America’s contemporary moment both to our nation’s fraught founding history and to a sense of the spirit, the everlasting. These are poems of sliding scale: some capture a flicker of song or memory; some collage an array of documents and voices; and some push past the known world into the haunted, the holy. Smith’s signature voice—inquisitive, lyrical, and wry—turns over what it means to be a citizen, a mother, and an artist in a culture arbitrated by wealth, men, and violence. Here, private utterance becomes part of a larger choral arrangement as the collection widens to include erasures of The Declaration of Independence and the correspondence between slave owners, a found poem comprised of evidence of corporate pollution and accounts of near-death experiences, a sequence of letters written by African Americans enlisted in the Civil War, and the survivors’ reports of recent immigrants and refugees. Wade in the Water is a potent and luminous book by one of America’s essential poets.




Not If I Save You First


Book Description

Bestselling author Ally Carter returns with an exciting stand-alone novel, about a girl stranded in the middle of the Alaskan wilderness with the boy who wronged her... as an assassin moves in. Maddie thought she and Logan would be friends forever. But when your dad is a Secret Service agent and your best friend is the president's son, sometimes life has other plans. Before she knows it, Maddie's dad is dragging her to a cabin in the middle of the Alaskan wilderness.No phone.No Iinternet.And not a single word from Logan.Maddie tells herself it's okay. After all, she's the most popular girl for twenty miles in any direction. She has wood to cut and weapons to bedazzle. Her life is full.Until Logan shows up six years later . . .And Maddie wants to kill him. But before that can happen, an assailant appears out of nowhere, knocking Maddie off a cliff and dragging Logan to some unknown fate. Maddie knows she could turn back- and get help. But the weather is turning and the terrain will only get more treacherous, the animals more deadly. Maddie still really wants to kill Logan. But she has to save him first.




Small Plates


Book Description

Agatha Award winner Katherine Hall Page presents a book of short stories featuring her famed heroine Faith Fairchild. For years, Katherine Hall Page has delighted readers with her Faith Fairchild series, each book like a delicious, satisfying meal. Now, Page has whipped up a tasty collection of appetizing bites. In “The Body in the Dunes,” Faith’s vacation offers more excitement than she and her husband bargained for when a terrified woman knocks on their hotel room door looking to hide from her husband. A case hits close to home in “The Proof is Always in the Pudding,” when Faith investigates a generations-old superstition that has been passed down in her husband’s family. Faith and her sister, Hope, counsel a bride-to-be suffering a number of alarming “accidents” before the big day in “Across the Pond.” In “Sliced,” Faith switches from contestant to detective when a killer reality television cooking competition turns deadly. Small Plates also includes some irresistible standalone treats, including the Agatha Award–winning “The Would-Be Widower,” about a husband who longs to be rid of his wife, and “Hiding Places” in which a young wife’s new husband may not be all that he appears. These stories and more will entice Faith Fairchild fans and new readers alike. Filled with the charm, wit, and the appeal of her beloved novels, Small Plates is a feast for every lover of traditional mysteries.