Stories I Tell Myself


Book Description

Hunter S. Thompson, “smart hillbilly,” boy of the South, born and bred in Louisville, Kentucky, son of an insurance salesman and a stay-at-home mom, public school-educated, jailed at seventeen on a bogus petty robbery charge, member of the U.S. Air Force (Airmen Second Class), copy boy for Time, writer for The National Observer, et cetera. From the outset he was the Wild Man of American journalism with a journalistic appetite that touched on subjects that drove his sense of justice and intrigue, from biker gangs and 1960s counterculture to presidential campaigns and psychedelic drugs. He lived larger than life and pulled it up around him in a mad effort to make it as electric, anger-ridden, and drug-fueled as possible. Now Juan Thompson tells the story of his father and of their getting to know each other during their forty-one fraught years together. He writes of the many dark times, of how far they ricocheted away from each other, and of how they found their way back before it was too late. He writes of growing up in an old farmhouse in a narrow mountain valley outside of Aspen—Woody Creek, Colorado, a ranching community with Hereford cattle and clover fields . . . of the presence of guns in the house, the boxes of ammo on the kitchen shelves behind the glass doors of the country cabinets, where others might have placed china and knickknacks . . . of climbing on the back of Hunter’s Bultaco Matador trail motorcycle as a young boy, and father and son roaring up the dirt road, trailing a cloud of dust . . . of being taken to bars in town as a small boy, Hunter holding court while Juan crawled around under the bar stools, picking up change and taking his found loot to Carl’s Pharmacy to buy Archie comic books . . . of going with his parents as a baby to a Ken Kesey/Hells Angels party with dozens of people wandering around the forest in various stages of undress, stoned on pot, tripping on LSD . . . He writes of his growing fear of his father; of the arguments between his parents reaching frightening levels; and of his finally fighting back, trying to protect his mother as the state troopers are called in to separate father and son. And of the inevitable—of mother and son driving west in their Datsun to make a new home, a new life, away from Hunter; of Juan’s first taste of what “normal” could feel like . . . We see Juan going to Concord Academy, a stranger in a strange land, coming from a school that was a log cabin in the middle of hay fields, Juan without manners or socialization . . . going on to college at Tufts; spending a crucial week with his father; Hunter asking for Juan’s opinion of his writing; and he writes of their dirt biking on a hilltop overlooking Woody Creek Valley, acting as if all the horrible things that had happened between them had never taken place, and of being there, together, side by side . . . And finally, movingly, he writes of their long, slow pull toward reconciliation . . . of Juan’s marriage and the birth of his own son; of watching Hunter love his grandson and Juan’s coming to understand how Hunter loved him; of Hunter’s growing illness, and Juan’s becoming both son and father to his father . . .




A Hunter in Paradise


Book Description

"'Zeff Veronese is one of this country's longest and most respected chamois and tahr hunters ... His prowess with a rifle and camera have been long known and achieved national recognition within the New Zealand Deerstalkers' Association. The collection of absorbing tales and photographs this back country author has provided, strongly conveys honest passion for our wild places and a sincere respect for the game animals hunted'--Kevin J. Whitelaw, New Zealand's Hunting Legends. Why do I hunt? That is a very hard question to answer. Both my grandparents were hunters and so was my father, my brothers and some of my uncles. I grew up in Italy during the war and the years after, in very tough times. However, the hunting instinct was never far away ... When we arrived in New Zealand, we found it to be a goldmine for a hunter and made the most of it. The first ten years we hunted mainly for meat and always had a freezer full of game meat ... Perhaps the last 40 years I have mainly hunted for trophies. Sometimes when in a good spot for a few days, I might see 30 or 40 animals and as they have no trophy value I don't fire a shot but happily film the events. Hunting is still good for me because I enjoy being in the wild. Camaraderie is an important ingredient on a hunt; there is nothing better than being in a tent or a hut with friends who have the same interests and are happy to share their funny stories after a hard day in the mountains"--page [4] of cover.




The Rum Diary


Book Description

The sultry classic of a journalist's sordid life in Puerto Rico, now a major motion picture starring Johnny Depp




Rebels in Paradise


Book Description

The extraordinary story of the artists who propelled themselves to international fame in 1960s Los Angeles Los Angeles, 1960: There was no modern art museum and there were few galleries, which is exactly what a number of daring young artists liked about it, among them Ed Ruscha, David Hockney, Robert Irwin, Bruce Nauman, Judy Chicago and John Baldessari. Freedom from an established way of seeing, making, and marketing art fueled their creativity, which in turn inspired the city. Today Los Angeles has four museums dedicated to contemporary art, around one hundred galleries, and thousands of artists. Here, at last, is the book that tells the saga of how the scene came into being, why a prevailing Los Angeles permissiveness, 1960s-style, spawned countless innovations, including Andy Warhol's first exhibition, Marcel Duchamp's first retrospective, Frank Gehry's mind-bending architecture, Rudi Gernreich's topless bathing suit, Dennis Hopper's Easy Rider, even the Beach Boys, the Byrds, the Doors, and other purveyors of a California style. In the 1960s, Los Angeles was the epicenter of cool.




Maring Hunters and Traders


Book Description

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1990.




Field & Stream


Book Description

FIELD & STREAM, America’s largest outdoor sports magazine, celebrates the outdoor experience with great stories, compelling photography, and sound advice while honoring the traditions hunters and fishermen have passed down for generations.




Paradise Island


Book Description

Four best friends—Check. One unforgettable week in Kauai—Check. Sun, surf, and hula girls in bikinis—Check. A creepy mansion on the forbidden side of the island…. Check? Sam and Colby’s vacation in paradise goes from enchanting, to weird, to deadly, when Trey, an old acquaintance, insists they can’t leave without a visit to the legendary Nā Pali Coast. It turns out Trey has been living at the infamous Belle Estate, owned by a wealthy and eccentric widow—who locals believe is a witch. The only thing odder than how a twenty-three-year-old college kid from Utah ended up living in a remote and isolated mansion on the North Shore of Kauai is that he is romantically involved with a woman old enough to be their grandmother. Belle Estate’s walls hold an eerie sway over all who enter, and a dark, shadowy presence seems to be following them around the grounds. When an unfavorable change of plans forces them to stay overnight, Sam and Colby are in for the most terrifying encounter of their lives.




Outdoor Life


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Recreation


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Inter-ocean


Book Description