Favorite Hymns and Gospel Songs for Accordion


Book Description

This book presents a collection of the most-loved, all-time favorite gospel songs and hymns for the keyboard accordion. The songs are presented in easy-to-read arrangements in popular keys, with accompanying fingering suggestions and chord symbols. These short and lyrical arrangements are perfect for use in a worship setting or just for fun.




Hymns for Accordion


Book Description

Accordion Music




Hymns Made Easy for Piano Book 2


Book Description

This collection presents nineteen hymns in arrangements for the progressing beginning piano student. the left hand uses block chords, broken chords, and Alberti bass, and the right hand introduces two-note chords and sixteenth notes. the pieces are in the keys of C, F, and G. Lyrics are included. Most of the selections in this book are the same as in Book 1, but the arrangements are more difficult. Recommended for hymn playing by the Federation of Music Clubs.




First 50 Songs You Should Play on the Accordion


Book Description

(Accordion). If you're new to the accordion, you are probably eager to learn some songs. This book provides 50 simplified arrangements of popular standards, folk songs and showtunes that accordion players like to play, including: All of Me * Beer Barrel Polka * Carnival of Venice * Edelweiss * Hava Nagila (Let's Be Happy) * Hernando's Hideaway * Jambalaya (On the Bayou) * Lady of Spain * Moon River * 'O Sole Mio * Sentimental Journey * Somewhere, My Love * That's Amore (That's Love) * Under Paris Skies * and more.




International Accordion Favorites


Book Description

Welcome to the world of international accordion music. This collection contains a sampling of ethnic folk music from Europe and the Americas and forms the foundation of a basic folk accordion repertoire. These songs are from many nations. They are crowd pleasers and they are fun to play. I have played most of these songs in the various bands I have played with over the years. These melodies have stood the test of time, so what are you waiting for? Open the book, get your accordion out and let's play some music!One word about these songs: I generally learn a song and then play it by heart-by memory as opposed to playing it by reading from a sheet of music. I believe this allows for more personal expression and interpretation which can be affected by audience response or the way I feel at the time. You'll notice that on most of the performances on the CD I didn't play repeats. Because of the limited time available on a disc we found we couldn't fit all the tunes if we played them as written. Written by Bruce Bollerud, June 2007.




Italian Songs & Arias for Accordion


Book Description

This book contains many arias as well as traditional favorites that have never been arranged for accordion, utilizing all of its superb orchestral capabilities. Some of the world's greatest composers and singers have expressed themselves in this sublime musical language. the contents include arias such as Nessun Dorma, Quando men vo and O mio babbino caro to name a few.




You Can Teach Yourself Accordion


Book Description

A comprehensive method written especially for serious students learning the accordion without access to formal music lessons. Seasoned music educator and performer Neil Griffin guides the student through music reading fundamentals, correct posture and hand position, use of the bellows, bass buttons, keyboard, and more. Music theory concepts are introduced as required by the generous selection of carefully graded exercises and pieces. Although this book covers concepts that apply to the 120-bass accordion, it only uses 54 buttons (covering 9 rows in keys). Illustrated with diagrams and photographs.







World's Favorite Easy to Play Accordion Pieces


Book Description

"We are presenting a collection of about 100 of the most popular melodies of all time -- arranged for the accordion."--Foreword




Hymns and the Christian Myth


Book Description

From its beginnings in the Bible, Christian hymnology has fulfilled three functions -- praise, recital and teaching of the Myth, and collective and personal adoration as well as the foundation and worship of the church. In Hymns and the Christian Myth Lionel Adey demonstrates that over the centuries shifts emphasizing particular elements of the Christian faith accord with the interests and concerns of the times in which the hymns were composed. Using a broad range of texts, Adey deals with major themes of every period from biblical times to the early twentiet century. In tracing the changes in representation of the Father, Son, Holy Spirit and Four Last Things in early and medieval Latin hymns, post-Reformation chorales and psalm-based hymns, and English hymns from the time of Watts, the book shows an increasing sense of personal response to the Incarnation and Passion of Christ and of participation in His redemptive work. Chapters on hymnody of the Nativity and Passion illustrate the tendency of monastic poets (the Learned tradition) to focus on dogma, mystery, and paradox, and carolists (the Popular tradition) to convey devotional tenderness. Those on hymnody of the Holy Spirit illustrate a shift through the medieval period from representing pentecostal events to exploring their spiritual meaning. During the Reformation and the Evangelical Revival, the weight of hymnody shifts first to the Father and then to the Son's Passion and Atonement, applied personally and inwardly re-lived by the convert. Most consistently, hymnic representations of the Last Things shift their focus from collective to individual judgement, from death as sleep until the general awakening to death as instant passage to reunion with family and friends. As a hymnologist rather than a theologian, Adey makes no pronouncements on the truth of Christian beliefs. His focus is on how poets have expressed them over two millenia. As such, the book will interest not only students of religion but also those in such related disciplines as literature, psychology, history, and sociology.