Music and Maestros


Book Description

Music and Maestros was first published in 1952. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. Music lovers all over the United States as well as in other countries have heard the music of the Minneapolis Symphony Orchestra under the direction of such noted conductors as Dimitri Mitropoulos and Eugene Ormandy. Now they can enjoy the story behind those concerts, records, and radio broadcasts through this intimate history of the men and music that have made the orchestra famous. The story begins with the lively musical activities of a frontier town, the antecedents of the symphony orchestra that took shape at the turn of the century. From the early years of the organization under the batons of Emil Oberhoffer and Henri Verbrugghen, the chronicle rises to the period of the great contemporaries, Ormandy, Mitropoulos, and Antal Dorati. There is a wealth of detail on the career of Mitropoulos, the renowned New York Philharmonic conductor who reached his present stature during his leadership of the Minneapolis orchestra.The extensive concert tours that have earned for the Minneapolis symphony the nickname of "orchestra on wheels" are recalled in anecdotes that will evoke many a chuckle and plenty of amazement. Accounts of early recording sessions offer fascinating sidelights on this aspect of musical history. A complete list of the works performed by the orchestra during the past fifty years provides a significant record of changing trends in musical tastes. A roster of al the players who have been members of the orchestra is given, and the reference section also includes a complete list of out-of-town engagements and a list of the orchestra's recordings which are available.







Prison Industries


Book Description




The Swedish Acceptance of American Literature


Book Description

In the decade following World War I, American literature won a large and enthusiastic reading public in Europe. With the exception of such writers as James Fenimore Cooper, Edgar Allan Poe, and Mark Twain, American literature had been virtually unknown before the war, yet, in 1930, Sweden awarded the Nobel Prize in literature to Sinclair Lewis, probably the most dramatic sign of the critical upheaval that had been taking place in European attitudes toward American culture. The Swedish Acceptance of American Literature is a study of this radical shift in opinion as it occurred in Sweden. It first examines the sources of the conventional prejudices against American Literature in vogue at the end of World War I. It then shows how these prejudices had been strengthened by the reaction of Swedish critics to Jack London and Upton Sinclair and how they became, paradoxically, the basis in the next decade of the enthusiastic reception accorded Sinclair Lewis, Theodore Dreiser, Edith Wharton, and other American writers. The book concludes by indicating some of the aftereffects in Sweden of the award of the Nobel Prize to Lewis.
















Report


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Crop Report for Michigan


Book Description

Jan. issues for 1921-1941, and Jan. and Feb. issues for 1942-1949 are annual statistical summary issues; beginning in 1950, summaries are found in Michigan agricultural statistics.