I'm a Black Man, Who Are You?


Book Description

In this autobiographical story set in the deep south of the United States during the turbulence of the 1960¿s, Dr. David Sharp recounts the life lessons that sparked the discovery of his own uniqueness, inner beauty, joy, passion and power. From the first understanding of himself as ¿different¿ he allows you inside his journey toward self-acceptance. He shares how he learned to claim who he really is, and shows you the people who helped him find the strength and courage to do so. You will see how truth, wisdom and humor are used not just to survive, but thrive; and how the ability to ¿dance the blues away¿ or ¿laugh, cry, complain and count your blessings at the same time¿ are two of the many heroic responses to life¿s deep pains. The story features Mbase, a long dead ancestor, who reaches through time to become part of the journey. He guides with wit and compassion and offers a reminder of the four powerful words that have echoed in their family through the generations. I¿m a Black Man, Who are You? is a triumph of the human spirit. It will inspire you to look at yourself ¿differently¿ and answer more clearly the grand question life asks¿ WHO ARE YOU?




I Am... a Young Black Man


Book Description

I am a Young Black Man is a collection of poetry and prose that explores the joy, triumphs, and nuances of black adolescence. This compilation includes original poems written by students from Gentleman's Quest of Tampa Inc., a 501c3 nonprofit based in Tampa, Florida that is committed to helping youth become productive members of society. This collection of poetry is reflection of Gentleman's Quest's mission to provide teenage boys the opportunity to share their individual hopes and fears in a safe environment. These poems provide an intimate perspective into the lives of 29 young black men as they reflect on their aspirations, self-identities, and the beautiful complexity of their blackness. Meet The Authors Clyde St Vall Anthony Ezeanya Antonio Taylor Caileb Harris Chase Walker Damani Fisher Dayvin Fisher Dominic Cooper Donovan Terry Earl Knighten Ethan Eugene Jacob O. Jamari Harrison Jamari Mercy Jaron Williams Jayalan Moreau Jaylen Jackson Jordan Stabler Joshua Nina Keith Canady Kellen Wiley Ma'khi Nelson Marcus Jones Maurice Hargrow Maurice Watkins Miles Jones Nicolas Nina Robert Stone Ronnie Plummer Sharod Ford Thomas Miller Trashaun Cairo




Let it Bang


Book Description

A story of race, guns, and self-protection in America today, through the quest--funny and searing--of a young black man learning to shoot a handgun better than a white person




American Paradox


Book Description

Over a half-century since Ralph Ellison wrote the classic book Invisible Man, black men have been trying to become visible. In various ways, black men have sought to get the attention of the world. An intense quest to become seen, heard, and felt has manifested itself in rebellious and counterproductive behavior. Whether it is the baggy pants, the bandana, the braids in the hair, the earring, or the tattoo, black men have desperately striven for visibility. Perpetual gang warfare and an overemphasis on living a glamorous lifestyle have derailed many young black men from achieving success in the U.S. Author Renford Reese examines how young African American males have unwittingly accepted one model of black masculinity. The acceptance of this "tough guy" model is having detrimental consequences on an entire generation of young black men. The book's thesis is supported by a survey the author conducted of 756 African American males from the ages of 13-19 in Los Angeles and Atlanta. This survey attempts to gauge the attitudes, perceptions, and basic knowledge of young African American men regarding black public figures. One component of this survey is a Realness Scale that the author constructed. Along with this survey, interviews were conducted with various young black males to find out why they, or many of their peers, have embraced the gangsta-thug persona. The results of the survey and interviews are fascinating. Although the primary focus of this book is on the young black male's acceptance of the gangsta-thug image and his enthusiastic embrace of society's stereotypes, this book also looks at the unkindness of the system. One would be naive to dismiss the historical impact of discriminatory policies and the systemic perpetuation of stereotypes in U.S. society. Hence, this book examines the internal and external influences on the current black male identity. American Paradox and Reese's vists to prisons in California have already begun to pay off. In the Summer 2004 issue of Cal Poly Pomona & the Community, writer Jennifer Parsons talks about Reese's efforts, mentioning that Reese keeps a note in his briefcase from a 31-year-old prisoner serving time for manslaughter. According to her article, the prisoner writes, "I used to love being looked up to for all the wrong reasons. Now, though, I'm on a whole new script. My goal is to turn my misfortunes into a fortune. I want to help inner city kids avoid situations such as my own." He goes on to say, "I look forward to your visit. There is so much in that book that I would like to speak with you on." "...Reese raises serious questions regarding the state of life among African American youth that cannot be ignored. The book, an excellent source for discussion of issues in the black community and race relations in the US, will surely be controversial. Summing up: Highly recommended." -- CHOICE Magazine, October 2004 "American Paradox: Young Black Men . . . is an eye-opening read that brings to focus some the contemporary social issues that black and white America are reluctant to discuss. I would highly recommend it for courses in sociology, political science, and black studies." -- Journal of Urban Affairs, November 2006




Everywhere You Don't Belong


Book Description

A New York Times Book Review Notable Book of 2020 Winner of the Ernest J. Gaines Award for Literary Excellence “A comically dark coming-of-age story about growing up on the South Side of Chicago, but it’s also social commentary at its finest, woven seamlessly into the work . . . Bump’s meditation on belonging and not belonging, where or with whom, how love is a way home no matter where you are, is handled so beautifully that you don’t know he’s hypnotized you until he’s done.” —Tommy Orange, The New York Times Book Review In this alternately witty and heartbreaking debut novel, Gabriel Bump gives us an unforgettable protagonist, Claude McKay Love. Claude isn’t dangerous or brilliant—he’s an average kid coping with abandonment, violence, riots, failed love, and societal pressures as he steers his way past the signposts of youth: childhood friendships, basketball tryouts, first love, first heartbreak, picking a college, moving away from home. Claude just wants a place where he can fit. As a young black man born on the South Side of Chicago, he is raised by his civil rights–era grandmother, who tries to shape him into a principled actor for change; yet when riots consume his neighborhood, he hesitates to take sides, unwilling to let race define his life. He decides to escape Chicago for another place, to go to college, to find a new identity, to leave the pressure cooker of his hometown behind. But as he discovers, he cannot; there is no safe haven for a young black man in this time and place called America. Percolating with fierceness and originality, attuned to the ironies inherent in our twenty-first-century landscape, Everywhere You Don’t Belong marks the arrival of a brilliant young talent.




Uncomfortable Conversations with a Black Man


Book Description

INSTANT NEW YORK TIMES BESTSELLER An urgent primer on race and racism, from the host of the viral hit video series “Uncomfortable Conversations with a Black Man” “You cannot fix a problem you do not know you have.” So begins Emmanuel Acho in his essential guide to the truths Americans need to know to address the systemic racism that has recently electrified protests in all fifty states. “There is a fix,” Acho says. “But in order to access it, we’re going to have to have some uncomfortable conversations.” In Uncomfortable Conversations With a Black Man, Acho takes on all the questions, large and small, insensitive and taboo, many white Americans are afraid to ask—yet which all Americans need the answers to, now more than ever. With the same open-hearted generosity that has made his video series a phenomenon, Acho explains the vital core of such fraught concepts as white privilege, cultural appropriation, and “reverse racism.” In his own words, he provides a space of compassion and understanding in a discussion that can lack both. He asks only for the reader’s curiosity—but along the way, he will galvanize all of us to join the antiracist fight.




Makes Me Wanna Holler


Book Description

NATIONAL BESTSELLER • One of our most visceral and important memoirs on race in America, this is the story of Nathan McCall, who began life as a smart kid in a close, protective family in a black working-class neighborhood. Yet by the age of fifteen, McCall was packing a gun and embarking on a criminal career that five years later would land him in prison for armed robbery. In these pages, McCall chronicles his passage from the street to the prison yard—and, later, to the newsrooms of The Washington Post and ultimately to the faculty of Emory University. His story is at once devastating and inspiring, at once an indictment and an elegy. Makes Me Wanna Holler became an instant classic when it was first published in 1994 and it continues to bear witness to the great troubles—and the great hopes—of our nation. With a new afterword by the author




What Doesn't Kill You Makes You Blacker


Book Description

“A blazing memoir in essays” (Entertainment Weekly) that explores the ever-shifting definitions of what it means to be black (and a man) in America. An NPR Best Book of the Year A Washington Independent Review of Books Favorite of the Year A Finalist for the NAACP Image Award A Finalist for the Hurston/Wright Legacy Award for Nonfiction A Finalist for the Thurber Prize for American Humor Longlisted for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay For Damon Young, existing while black is an extreme sport. The act of possessing black skin while searching for space to breathe in America is enough to induce a ceaseless state of angst, where questions such as “How should I react here, as a Professional Black Person?” and “Will this white person’s potato salad kill me?” are forever relevant. Both a celebration of the idiosyncrasies and distinctions of blackness and a critique of white supremacy and how we define masculinity, What Doesn’t Kill You Makes You Blacker is a hilarious and honest debut that chronicles Young’s efforts to survive while battling and making sense of the various neuroses his country has given him. “Young delivers a passionate, wryly bittersweet tribute to Black life in majority-white Pittsburgh . . . A must read.” —Booklist (starred review) “Young’s charm and wit make these essays a pleasure to read; his candid approach makes them memorable.” —Publishers Weekly (starred review)




Cool Pose


Book Description

Traces the history of black men in America using a tough-guy image to obscure their anger and disappointment over their roles in society back to their origins in Africa and the slave era.




Invisible Man, Got the Whole World Watching


Book Description

An unflinching account of what it means to be a young black man in America today, and how the existing script for black manhood is being rewritten in one of the most fascinating periods of American history. How do you learn to be a black man in America? For young black men today, it means coming of age during the presidency of Barack Obama. It means witnessing the deaths of Oscar Grant, Trayvon Martin, Michael Brown, Akai Gurley, and too many more. It means celebrating powerful moments of black self-determination for LeBron James, Dave Chappelle, and Frank Ocean. In Invisible Man, Got the Whole World Watching, Mychal Denzel Smith chronicles his own personal and political education during these tumultuous years, describing his efforts to come into his own in a world that denied his humanity. Smith unapologetically upends reigning assumptions about black masculinity, rewriting the script for black manhood so that depression and anxiety aren't considered taboo, and feminism and LGBTQ rights become part of the fight. The questions Smith asks in this book are urgent -- for him, for the martyrs and the tokens, and for the Trayvons that could have been and are still waiting.