General catalogue of printed books
Author : British museum. Dept. of printed books
Publisher :
Page : 456 pages
File Size : 33,21 MB
Release : 1931
Category :
ISBN :
Author : British museum. Dept. of printed books
Publisher :
Page : 456 pages
File Size : 33,21 MB
Release : 1931
Category :
ISBN :
Author : British Museum. Department of Printed Books
Publisher :
Page : 456 pages
File Size : 22,8 MB
Release : 1963
Category : English imprints
ISBN :
Author :
Publisher :
Page : 70 pages
File Size : 50,47 MB
Release : 1700
Category :
ISBN :
Author : Robert Freeman
Publisher :
Page : 368 pages
File Size : 12,36 MB
Release : 1981
Category : Music
ISBN :
Author : Colin Timms
Publisher :
Page : 441 pages
File Size : 38,82 MB
Release : 2003
Category : Biography & Autobiography
ISBN : 0195154738
This is the first book to consider all aspects of the life of Agostino Steffani (1654-1728), a composer, diplomat, and bishop. A remarkable figure of the late 17th and early 18th century Europe, Steffani began his career as a composer, musician, and courtier, but his accomplishments brought him high-level positions in the courts of Germany and the Catholic Church. Throughout his diplomatic and ecclesiatical career, Steffani continued to compose chamber music, vocal chamber music, operas, and sacred music--works which inspired Handel and other Baroque composers.
Author : Melania Bucciarelli
Publisher : Brepols Publishers
Page : 0 pages
File Size : 20,43 MB
Release : 2000
Category : Opera
ISBN : 9782503510217
What emerges from this study, is a picture of 18th-century opera as a literary work as well as a theatrical and musical event in its challenging and variable interactions of poetry, music, gesture and decor. This is illuminated by an exploration of both the context of ideas in which opera flourished and the aims that animated those who where involved with its existence - poets, composers, performers, dramatists, impresari, patrons, audiences - in an attempt to penetrate the secrets of its appeal, of that tacit agreement between authors and audiences, that made it possible for dramatist, musicians and stage designers to manipulate spectator's emotions and reactions as successfully as many sources document.
Author : Dene Barnett
Publisher :
Page : 516 pages
File Size : 50,18 MB
Release : 1987
Category : Acting
ISBN :
Author : Pier Francesco Tosi
Publisher : Gregory Blankenbehler
Page : 119 pages
File Size : 16,76 MB
Release : 2009-09-29
Category : Art
ISBN : 0557122937
Opinioni de' cantori antichi, e moderni o sieno osservazioni sopra il canto figurato (1723) -- Extended Edition. As the first full-length treatise ever to be published on singing, Tosi revealed to the world the secret method that accounted for the unworldly vocal abilities of the famous castrati. Living in a Europe alight with the virtuosic Baroque operas of Handel, Scarlatti and Porpora, Tosi revealed that it was extensive training in the old Italian school of singing that cultivated the beautiful tone and expression of their voices, as well as the infamous mezza di voce, trills and runs. What's more, Tosi revealed that the method worked equally well for any voice type, male or female, provided that its principles and techniques were adhered to with exactness and consistency. Written by one of the most famous singers and voice teachers of the early 18th century, Tosi's Opinioni has remained an indispensable text on the bel canto singing method, as well as Baroque stylistic techniques.
Author : George J. Buelow
Publisher : Univ of California Press
Page : 340 pages
File Size : 34,65 MB
Release : 1966
Category : Continuo
ISBN :
Author : Michael Hawcroft
Publisher : Oxford Modern Languages & Lite
Page : 296 pages
File Size : 42,42 MB
Release : 1992
Category : Drama
ISBN :
France's greatest tragedian, Jean Racine, is often admired for his poetic and tragic qualities. This book, on the other hand, explores the theatrical qualities of Racine's language and takes as its analytical tool two neglected parts of rhetoric, inventio and dispositio. How does Racine write exciting dialogue? He makes the persuasive interaction of characters a key feature of his dramatic technique and Word as Action shows how he deploys persuasion in well-defined contexts: trials, embassies, and councils; informal oratory as protagonists try to manipulate each other and their confidants in order to make their own views and wishes prevail; self-persuasion in monologues; and narrations, often used by characters with persuasive intent. The book draws illuminating and provocative comparisons with other playwrights and offers a closer and better documented description of the specific nature of Racine's theatrical language than has previously been available in any one study.