Il Moro; Ellis Heywood's Dialogue in Memory of Thomas More


Book Description

In Il Moro Heywood constructs a presumably imaginary debate about the nature of true happiness between his great-uncle Sir Thomas More and six of More's friends. Heywood's principal intention in composing this dialogue about happiness seems to have been to provide posterity with a loving memorial of one of England's greatest humanists.




Choice


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Travels and Translations in the Sixteenth Century


Book Description

In recent years the twin themes of travel and translation have come to be regarded as particularly significant to the study of early modern culture and literature. Traditional notions of 'The Renaissance' have always emphasised the importance of the influence of continental, as well as classical, literature on English writers of the period; and over the past twenty years or so this emphasis has been deepened by the use of more complicated and sophisticated theories of literary and cultural intertextuality, as well as broadened to cover areas such as religious and political relations, trade and traffic, and the larger formations of colonialism and imperialism. The essays collected here address the full range of traditional and contemporary issues, providing new light on canonical authors from More to Shakespeare, and also directing critical attention to many unfamiliar texts which need to be better known for our fuller understanding of sixteenth-century English literature. This volume makes a very particular contribution to current thinking on Anglo-continental literary relations in the sixteenth century. Maintaining a breadth and balance of concerns and approaches, Travels and Translations in the Sixteenth Century represents the academic throughout Europe: essays are contributed by scholars working in Hungary, Greece, Italy, and France, as well as in the UK. Arthur Kinney's introduction to the collection provides an North American overview of what is perhaps a uniquely comprehensive index to contemporary European criticism and scholarship in the area of early modern travel and translation.







The sense of early modern writing


Book Description

In The sense of Early Modern writing, Mark Robson pursues the relation between the concept of the ‘early modern’ and modernity, tracing the complex interactions of post-Romantic, philosophical aesthetics and early modern rhetoric and poetics. The book therefore questions the status of what we now think of as literary texts in a period prior to the emergence of literature as a category. In this way, Robson argues for an attention to the classical notion of aisthesis, that is, for the crucial dimension of perception and response in reading and thinking -- and its rhetorical determination -- to be taken into account. Robson’s theoretically-informed approach, drawing in particular on the work of Jacques Derrida and Paul de Man, fundamentally challenges the idea that critical theory is of little relevance in the reading of early modern texts. The sense of Early Modern writing includes readings of both familiar and unfamiliar texts by Shakespeare, Sidney, Jonson, Hester Pulter and others, and considers topics such as ears, eyes, tongues, hands and voices, in order to ask: How should we read early modern texts? The book will therefore be of interest to all students and researchers in early modern or Renaissance studies, as well as to those thinking through the theories and histories of literature, aesthetics and rhetoric.




Political Thought and the Tudor Commonwealth


Book Description

Shining new light onto an historically pivotal time, this book re-examines the Tudor commonwealth from a socio-political perspective and looks at its links to its own past. Each essay in this collection addresses a different aspect of the intellectual and cultural climate of the time, going beyond the politics of state into the underlying thought and tradition that shaped Tudor policy. Placing security and economics at the centre of debate, the key issues are considered in the context of medieval precedence and the wider European picture.




Transnational Catholicism in Tudor England


Book Description

Transnational Catholicism in Tudor England details the relationship between transnational mobility and the development of Tudor Catholicism. Almost two hundred Catholics felt compelled to exile themselves from England rather than conform with the religious reformations inaugurated by Henry VIII and Edward VI. Frederick E. Smith explores how these émigrés' physical mobility reconfigured their relationships with the men and women they left behind, and how it forced them to develop new relationships with individuals they encountered abroad. It analyses how the experiences of mobility and displacement catalysed a shift in their religious identities, in some ways broadening but in others narrowing their understandings of what it meant to be 'Catholic'. The author examines the role of these émigrés as agents of religious exchange, circulating new doctrinal and devotional ideas throughout western Europe and forging new connections between them. By focussing particularly upon those individuals who subsequently returned to their homeland during Mary I's Catholic counter-reformation, the study also explores the lasting legacies of these émigrés' displacement and mobility, both for the émigrés themselves as they grappled with the difficulties of re-integration, but also for the broader development of English Catholicism. In this way, Transnational Catholicism in Tudor England deepens our understanding of the complex and sometimes contradictory ways in which exile shapes religio-political identities, but also underlines the importance of international mobility as a crucial factor in the development of English Catholicism and the wider European Catholic Church over the mid sixteenth century.




Women Writers and Familial Discourse in the English Renaissance


Book Description

This book explores the development of familial discourse within a chronological frame, commencing with the More family and concluding with the Cavendish group. It explores the way in which the support of family groups enabled women to participate in literary production, whilst closeting them within a form of writing that encompassed style or theme.