Images of Madness


Book Description




Media Madness


Book Description

From Psycho, Silence of the Lambs, Kojak, and Melrose Place, from books, music, cartoons, advertising, and newspapers, we all derive our images of mental illness. These omnipresent media portrayals are at the least insensitive, inaccurate, and unfavorable and at the worst stigmatizing and pernicious. In this important book, Dr. Otto Wahl examines the prevalence, nature, and impact of such depictions, using numerous examples from film, television, and print media. He documents the remarkable frequency of these images and demonstrates how the media has stereotyped the mentally ill through exaggeration, misunderstanding, ridicule, and disrespect. Media Madness also shows the damaging consequences of such stereotypes - stigma, rejection, loss of self-esteem, reluctance to seek, accept, or reveal psychiatric treatment, discrimination, and restriction of opportunity. The forces that shape current images of mental illness are clarified, as are the efforts of organizations and individuals to combat such exploitation.




Disease and Representation


Book Description

Sander L. Gilman, whose pioneering work on the history of stereotypes has become a model for scholars in many fields, here examines the images that society creates of disease and its victims.




Digital Photo Madness


Book Description

With this appealing, irreverent companion to The Kids' Guide to Digital Photography, children 10 years and up can go wild with the new technology. It explains everything a kid needs to know about digital photography, from using the camera to coordinating it with the computer, printer, and scanner to manipulating the images. They can dive right into 50 cool, inventive activities and turn their friends into aliens, make a Warhol-esque pop art masterpiece, and create a "trapped-in-the-computer" screen saver!--From publisher description.




Face of Madness: Hugh W. Diamond and the Origin of Psychiatric Photography


Book Description

Today the use of photography (and its extension, video) in psychiatry is a common practice. But in the 1850s, when pioneering medical photographer and psychiatrist Dr. Hugh W. Diamond was behind the camera, this technique was an innovative application of art to science, reflecting and expanding the contemporary interest in physiognomic characteristics. In "The Face of Madness," notable scholar Sander Gilman has curated a unique exhibition of 54 of Dr. Diamond's photographs and commentary. Diamond's photographs are eloquent portraits of the insane-the melancholy, the depressed, the deranged, the alcoholic-whom he cared for at the Surrey County Lunatic Asylum. In addition to their psychiatric significance, these photographs are notable works of art since Diamond was a pioneer in experimenting with and refining photographic techniques. Diamond's paper "On the Application of Photography to the Physiognomic and Mental Phenomena of Insanity," is included in this printing. This discourse discloses three functions of photography which are still relevant to the practice of psychiatry today: Photography can record the appearance of the mentally ill for study; it can be used for treatment through the presentation of an accurate self-image; and it can record the visages of patients to facilitate identification in case of later readmission. In addition to Diamond's paper, notes and analysis by Dr. John Conolly are also included in this volume. Dr. Conolly, one of Dr. Diamond's associates, was widely considered to be the leading British psychiatrist of the mid-nineteenth century. His patient case studies accompany 17 of Diamond's photographs. These reports include clinical information as well as diagnoses based on the theories of the physiognomy of insanity accepted at that period. "The Face of Madness" is a book to be treasured not only by psychiatrists, but also by photographers and medical historians. As Eric T. Carlson writes in the Introduction: "Until now these photographs have been known only through the sketches made from them. Professor Gilman has performed a great service in locating them and by giving us their history." Sander L. Gilman, PhD, is a distinguished professor of the Liberal Arts and Sciences as well as Professor of Psychiatry at Emory University. A respected educator, he has served as Old Dominion Visiting Professor of English at Princeton; Northrop Frye Visiting Professor of Comparative Literature at the University of Toronto; Mellon Visiting Professor of Humanities at Tulane University; Goldwin Smith Professor of Humane Studies at Cornell University; and Professor of the History of Psychiatry at Cornell Medical College. He has written and edited several books including "Sexuality: An Illustrated History" and "Seeing the Insane."




Brutal, Tender, Human, Animal


Book Description

Over almost 30 years, Roger Ballen has produced some of the most compelling and thought-provoking images in contemporary photography. His work is unflinching, confronting and always deeply moving. With its roots in the photo-documentary tradition, Ballen's approach has expanded to become an unforgettable vision of the human condition.




Madness and Creativity


Book Description

Analyst and author Ann Belford Ulanov draws on her years of clinical work and reflection to make the point that madness and creativity share a kinship, an insight that shakes both analysand and analyst to the core, reminding us as it does that the suffering places of the human psyche are inextricably—and, often inexplicably—related to the fountains of creativity, service, and even genius. She poses disturbing questions: How do we depend on order, when chaos is a necessary part of existence? What are we to make of evil—both that surrounding us and that within us? Is there a myth of meaning that can contain all the differences that threaten to shatter us? Ulanov’s insights unfold in conversation with themes in Jung’s Red Book which, according to Jung, present the most important experiences of his life, themes he explicated in his subsequent theories. In words and paintings Jung displays his psychic encounters from1913–1928, describing them as inner images that “burst forth from the unconscious and flooded me like an enigmatic stream and threatened to break me.” Responding to some of Jung’s more fantastic encounters as he illustrated them, Ulanov suggests that our problems and compulsions may show us the path our creativity should take. With Jung she asserts that the multiplicities within and around us are, paradoxically, pieces of a greater whole that can provide healing and unity as, in her words, “every part of us and of our world gets a seat at the table.” Taken from Ulanov’s addresses at the 2012 Fay Lectures in Analytical Psychology, Madness and Creativity stands as a carefully crafted presentation, with many clinical examples of human courage and fulfillment.




Illustrations of Madness (Psychology Revivals)


Book Description

John Haslam’s Illustrations of Madness, written in 1810, occupies a special place in psychiatric history, it was the first book-length account of one single psychiatric case written by a British psychiatrist. John Haslam, apothecary to London’s Bethlem Hospital, and a leading psychiatrist of the early-nineteenth century, details the case of James Tilly Matthews, who had been a patient in the hospital for some ten years. Matthews claimed he was sane, as did his friends and certain doctors. Haslam, on behalf of the Bethlem authorities, contended he was insane, and attempted to demonstrate this by presenting a detailed account of Matthew’s own delusional system, as far as possible in Matthew’s own words. Originally published in 1988 as part of the Tavistock Classics in the History of Psychiatry series, Roy Porter’s Introduction to this facsimile reprint of an historic book goes beyond Haslam’s text to reveal the extraordinary psychiatric politics surrounding Matthew’s confinement and the court case it produced, leading up to Haslam’s dismissal from his post. Still relevant today, Haslam’s account can be used as material upon which to base a modern diagnosis of Matthew’s disorder.




Madness in Civilization


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Originally published: London: Thames & Hudson Ltd, 2015.




Harms Way


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Inevitable death and our agony to attain Utopia have made existence a form of pathology. We are left with the secret need for redemption which few of us will understand or witness. This need still lives in acts of love, courage and art. In the images included in this book it is found in the conjoined destinies of artist and subject, phantoms on either side of that curtain we call photography. Implicit in these photographs is the brutal extreme of their purpose and an intimation however distant to their makers that something was manifested beyond the event itself.




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