In Necessity and Sorrow


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The Cure for Sorrow


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When Jan Richardson unexpectedly lost her husband and creative partner, the singer/songwriter Garrison Doles, she did what she had long known how to do: she wrote blessings. These were no sugar-coated blessings. They minimized none of the pain and bewilderment that came in the wake of a wrenching death. With these blessings, Jan entered, instead, into the depths of the shock, anger, and sorrow. From those depths, she has brought forth words that, with heartbreaking honesty, offer surprising comfort and stunning grace. Those who know loss will find kinship among these pages. In these blessings that move through the anguish of rending into the unexpected shelters of solace and hope, there shimmers a light that helps us see we do not walk alone. From her own path of grief, Jan offers a luminous, unforgettable gift that invites us to know the tenacity of hope and to recognize the presence of love that, as she writes, is "sorrow's most lasting cure."




Sorrow's Knot


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Winner of the 2014 Monica Hughes Award for Science Fiction and Fantasy, from the author of Plain Kate. At the very edge of the world live the Shadowed People. And with them live the dead.There, in the village of Westmost, Otter is born to power. She is the proud daughter of Willow, the greatest binder of the dead in generations. It will be Otter's job someday to tie the knots of the ward, the only thing that keeps the living safe.Kestrel is training to be a ranger, one of the brave women who venture into the forest to gather whatever the Shadowed People can't live without and to fight off whatever dark threat might slip through the ward's defenses.And Cricket wants to be a storyteller -- already he shows the knack, the ear -- and already he knows dangerous secrets. But something is very wrong at the edge of the world. Willow's power seems to be turning inside out. The ward is in danger of falling. And lurking in the shadows, hungry, is a White Hand, the most dangerous of the dead, whose very touch means madness, and worse.Suspenseful, eerie, and beautifully imagined.




When Death Takes Something from You Give It Back


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'Extraordinary. It is about death, but I can think of few books which have such life. It shows us what love is.' Max Porter, author of Grief is the Thing With Feathers and Lanny 'There is no one quite like Naja Marie Aidt' Valeria Luiselli 'Devastating, angry, challenging, fragmented and filled with the beautiful hope that the love we have for people continues into the world even after they're gone.' Culturefly 'Fragmented, poetic, informative and truthful, Aidt faces the greatest loss we can ever know with all the force of great elegy writers like Anne Carson and Denise Riley. Essential.' Polly Clark, author of Larchfield and Tiger _______ "I raise my glass to my eldest son. His pregnant wife and daughter are sleeping above us. Outside, the March evening is cold and clear. 'To life!' I say as the glasses clink with a delicate and pleasing sound. My mother says something to the dog. Then the phone rings. We don't answer it. Who could be calling so late on a Saturday evening?" In March 2015, Naja Marie Aidt's 25-year-old son, Carl, died in a tragic accident. When Death Takes Something From You Give It Back is about losing a child. It is about formulating a vocabulary to express the deepest kind of pain. And it's about finding a way to write about a reality invaded by grief, lessened by loss. Faced with the sudden emptiness of language, Naja finds solace in the anguish of Joan Didion, Nick Cave, C.S. Lewis, Mallarmé, Plato and other writers who have suffered the deadening impact of loss. Their torment suffuses with her own as Naja wrestles with words and contests their capacity to speak for the depths of her sorrow. This palimpsest of mourning enables Naja to turn over the pathetic, precious transience of existence and articulates her greatest fear: to forget. The insistent compulsion to reconstruct the harrowing aftermath of Carl's death keeps him painfully present, while fragmented memories, journal entries and poetry inch her closer to piecing Carl's life together. Intensely moving and quietly devastating, this is what is it to be a family, what it is to love and lose, and what it is to treasure life in spite of death's indomitable resolve.




The Necessity of Certain Behaviors


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Winner of the 2011 Drue Heinz Literature Prize Shannon Cain’s stories chart the treacherous territory of the illicit. They expose the absurdity of our rituals, our definitions of sexuality, and above all, our expectations of happiness and self-fulfillment. Cain’s protagonists are destined to suffer—and sometimes enjoy—the consequences of their own restless discontent. In the title story, Lisa, a city dweller, is dissatisfied with her life and relationships. Her attempt at self-rejuvenation takes her on a hiking excursion through a foreign land. Lisa discovers a remote village where the ritualized and generous bisexual love of its inhabitants entrances her. She begins to abandon thoughts of home. In “Cultivation,” Frances, a divorced mother strapped with massive credit card debt, has become an expert at growing pot. When she packs her three children and twelve pounds of homegrown into the minivan and travels cross-country to sell the stash, their journey becomes one of anguish, revelation, and ultimately transformation. “Cultivation,” like many of the stories in The Necessity of Certain Behaviors, follows a trail of broken relationships and the unfulfilled promises of modern American life. Told in precise, evocative prose, these memorable stories illuminate the human condition from a compelling, funny, and entirely original perspective.




The Wild Edge of Sorrow


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The work of the mature person is to carry grief in one hand and gratitude in the other and be stretched large by them. As seen on All There Is with Anderson Cooper Noted psychotherapist Francis Weller provides an essential guide for navigating the deep waters of sorrow and loss in this lyrical yet practical handbook for mastering the art of grieving. Describing how Western patterns of amnesia and anesthesia affect our capacity to cope with personal and collective sorrows, Weller reveals the new vitality we may encounter when we welcome, rather than fear, the pain of loss. Through moving personal stories, poetry, and insightful reflections he leads us into the central energy of sorrow, and to the profound healing and heightened communion with each other and our planet that reside alongside it. The Wild Edge of Sorrow explains that grief has always been communal and illustrates how we need the healing touch of others, an atmosphere of compassion, and the comfort of ritual in order to fully metabolize our grief. Weller describes how we often hide our pain from the world, wrapping it in a secret mantle of shame. This causes sorrow to linger unexpressed in our bodies, weighing us down and pulling us into the territory of depression and death. We have come to fear grief and feel too alone to face an encounter with the powerful energies of sorrow. Those who work with people in grief, who have experienced the loss of a loved one, who mourn the ongoing destruction of our planet, or who suffer the accumulated traumas of a lifetime will appreciate the discussion of obstacles to successful grief work such as privatized pain, lack of communal rituals, a pervasive feeling of fear, and a culturally restrictive range of emotion. Weller highlights the intimate bond between grief and gratitude, sorrow and intimacy. In addition to showing us that the greatest gifts are often hidden in the things we avoid, he offers powerful tools and rituals and a list of resources to help us transform grief into a force that allows us to live and love more fully.




Looking for Spinoza


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The Cursed Earl


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Algernon Wright, the Earl of Draconhawthshire, takes great care to avoid bad luck. Over the years, he’s learned to sway good luck in his favor, and because of that, he’s managed to avoid many unlucky incidents. The only thing he can’t change, however, is the curse that hovers over his life. On his twenty-fifth birthday, Algernon is doomed to die. That leaves him only one year to get married so he can pass on his title to an heir. Ideally, the lady he marries will be a spinster who isn’t all that interested in marriage but will be happy to be a mother. Then, when he dies early, neither one of them will miss each other. Instead of the old spinster he hopes to find, however, he comes across Miss Reina Livingstone. She is vibrant and full of life. She gives him the one thing he lost over the years: hope. Reina knows Algernon believes he’s cursed, but she doesn’t. The poor gentleman has lived under the heaviness of sorrow for so long that he hasn’t really learned to enjoy life. He deserves a love match. And she’s going to make it her mission to marry him, regardless of whether it brings good or bad luck.




Paradise in the Sea of Sorrow


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A moving account of Minamata disease victims' struggle for recognition and support in the years after mercury pollution was discovered in a group of fishing villages




Opening Our Hearts


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"We can find hope from those who have walked this path before us. As we begin to heal from our losses, we in turn offer this same hope to others. Through our willingness to face our loss openly and honestly, we discover our strength and resilience - not despite it, but because of it"--Publisher.