In the Country of Tattooed Men


Book Description

In the Country of Tattooed Men the nights feel hollow and are full of sounds of the jungle: danger is everywhere. Tattoos hide all from the prying eyes of the world. On Murderer's Walk the cards are dealt for the ultimate game. There can be only one loser: pray you do not hold the ace of spades. And from York to London, Northampton to Southend the boys are surfing Spanish style. It's exciting and exhilarating and potentially fatal. Gary Kilworth has created a powerful and striking anthology of stories from the past, present and future.




Growing up in the Land of Tattooed Men


Book Description

Growing up in the Land of Tattooed Men serves as an account of one young mans impressions, observations and judgments as he experiences both the immediate and the farreaching effects of the Vietnam War. The authors goal is to use the story as a means of sharing a little of himself with his current and future grandchildren. The author, a retired geothermal power plant operator, began this project upon learning of his daughters first pregnancy.




Convict Tattoos


Book Description

At least thirty-seven per cent of male convicts and fifteen per cent of female convicts were tattooed by the time they arrived in the penal colonies, making Australians quite possibly the world's most heavily tattooed English-speaking people of the nineteenth century. Each convict’s details, including their tattoos, were recorded when they disembarked, providing an extensive physical account of Australia's convict men and women. Simon Barnard has meticulously combed through those records to reveal a rich pictorial history. Convict Tattoos explores various aspects of tattooing—from the symbolism of tattoo motifs to inking methods, from their use as means of identification and control to expressions of individualism and defiance—providing a fascinating glimpse of the lives of the people behind the records. Simon Barnard was born and grew up in Launceston. He spent a lot of time in the bush as a boy, which led to an interest in Tasmanian history. He is a writer, illustrator and collector of colonial artifacts. He now lives in Melbourne. He won the Eve Pownall Award for Information Books in the 2015 Children’s Book Council of Australia’s Book of the Year awards for his first book, A-Z of Convicts in Van Diemen’s Land. Convict Tattoos is his second book. ‘The early years of penal settlement have been recounted many times, yet Convict Tattoos genuinely breaks new ground by examining a common if neglected feature of convict culture found among both male and female prisoners.’ Australian ‘This niche subject has proved fertile ground for Barnard—who is ink-free—by providing a glimpse into the lives of the people behind the historical records, revealing something of their thoughts, feelings and experiences.’ Mercury 'The best thing to happen in Australian tattoo history since Cook landed. A must-have for any tattoo historian.’ Brett Stewart, Australian Tattoo Museum




The Tattooed Soldier


Book Description

Antonio Bernal is a Guatemalan refugee in Los Angeles haunted by memories of his wife and child, who were murdered at the hands of a man marked with yellow ink. In a park near Antonio's apartment, Guillermo Longoria extends his arm and reveals a sinister tattoo—yellow pelt, black spots, red mouth. It is the sign of the death squad, the Jaguar Battalion of the Guatemalan army. This chance encounter between Antonio and his family's killer ignites a psychological showdown between these two men. Each will discover that the war in Central America has migrated with them as they are engulfed by the quemazones—"the great burning" of the Los Angeles riots. A tragic tale of loss and destiny in the underbelly of an American city, The Tattooed Soldier is Pulitzer Prize–winning reporter Héctor Tobar's mesmerizing exploration of violence and the marks it leaves upon us.




Tell Me a Tattoo Story


Book Description

“Parents with or without tattoos will be touched by [this] heartwarming tale about sharing your past with your children—it leaves a mark” (Real Simple). It’s after dinner and a little boy wants a story from his father. It’s story he’s heard many times before, one etched all over his father’s body. So, dad once again tells his little son the story behind each of his tattoos, and together they go on a beautiful journey through family history. There’s a tattoo from a favorite book his mother used to read him, one from something his father used to tell him, and one from the longest trip he ever took. And there is a little heart with numbers inside—which might be the best tattoo of them all. Tender pictures by the New York Times–bestselling illustrator Eliza Wheeler complement this lovely ode to all that's indelible—ink and love.




All of Me Is Illustrated


Book Description

Bradbury's prose reminds us so wonderfully - and at times violently and humorously - how foolish it is to assume the origins and meanings behind a person's tattoos. Just as with Bradbury's characters, the motivations of the featured collectors and artists to ink (or be inked) vary. What is undeniable is that their illustrated bodies are a source of pride, wonder, titillation, and beauty, whether depicting the grotesque or the mundane. With an introduction by tattoo collector and scholar Anna Felicity Friedman, the result is a book that showcases masters of their craft. Tattoos by Today's Leading Artists, including Paul Booth, Steve Butcher, Ryan Ashley Malarkey, Jessa Bigelow, Yomico Moreno, Andy Pho, TeeJ Poole, Duke Riley, DJ Tambe, Tatu Baby, Carlos Torres, Dmitry Troshin, Jess Yen, Popo Zhang.




Pen & Ink


Book Description

"Why did you get that tattoo? Every tattoo tells a story, whether the ink is meaningful or the result of a misguided decision made at the age of fourteen, representative of the wearer's true self or the accidental consequence of a bender. These most permanent of body adornments are hidden by pants legs and shirt tails, emblazoned on knuckles, or tucked inside mouths. They are battle scars and beauty marks, totems and mementos. Pen & Ink grants us access to the tattoos of writers Cheryl Strayed, Tao Lin, and Roxane Gay; rockers in the bands Korn, Otep, and Five Finger Death Punch; and even a porn star. But it also illuminates the tattoos of the ordinary people living in our midst--from professors to thrift store salespeople, cafe owners to librarians, union organizers to administrators--and their extraordinary lives. Curated and edited by Isaac Fitzgerald, who sports ten tattoos himself, each story features Wendy MacNaughton's stylish full color illustrations of the tattoos on black-and-white drawings of the bearer's body. At its heart, beneath its colorful skin, Pen & Ink is an exploration of the decision to scar one's self with a symbol and a story"--




Newspaperdom


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Airman


Book Description




The State of Race


Book Description

An innovative comparative study of the role racial stereotypes play in expressing state power under globalization. Contemporary ideas about race are often assumed to be products of specific locales and histories, yet we find versions of the same ideas about race across countries and cultures. How can we account for this paradox? In The State of Race, Sze Wei Ang argues that globalization has led to new ways of using racial stereotypes as shorthand for complex social relations in disparate national contexts. Literature then provides a key to understanding these labels and the role that race has played in shoring up state power since World War II. Ang contends that in an era marked by global economic dependence, the nation-state has only become more rather than less central to organizing social life via tropes of race that cast human and cultural differences in morally charged terms. Focusing on a series of Asian American and Malaysian texts, Ang tracks the significance of two figures in particular—the model minority and the communist spy. Appearing in novels, politics, and popular culture, these stereotypes anchor powerful narratives about race, global capital, and state sovereignty. In exploring the United States and Malaysia, two countries that seem to not have much in common, Ang reveals how they share very similar ways of conceptualizing race and sheds light on an emerging global story of value. “This book is an innovative and transnational study that demonstrates a rigorous and revelatory comprehension of Malaysian racial formation in a global context. The literary readings and their framing, as well as the incisive movement through key racial projects in Malaysia’s postcolonial history, are all exceptional.” — Josephine Nock-Hee Park, author of Cold War Friendships: Korea, Vietnam, and Asian American Literature