The Independent


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Saint's Blood


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'High energy, highly unique, swashbuckling-cop-epic-noir story. Buy it. BUY IT NOW' Sam Sykes The Greatcoats are back - and this time it's personal. How do you kill a Saint? Falcio, Brasti and Kest are about to find out, as someone is doing just that, and they've started with a friend. The Dukes were already looking for ways to weasel out of their promise to put Aline on her father's throne - but with Saints turning up dead, and Church Inquistitors pushing for control - rumours are spreading that the Gods themselves oppose her ascension. The only way Falcio can stop the country turning into a vicious theocracy is to find and stop the Saint-killer - but his only clue is the iron mask encasing the head of the Saint of Mercy, which prevents her from speaking. And even if he can find the murderer, he will still have to face them in battle - and this may be a duel that no swordsman, no matter how skilled, can win.




Bloodlines


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At the end of World War II, an American military intelligence team retrieved an original copy of the 1935 Nuremberg Laws, signed by Hitler, and turned over this rare document to General George S. Patton. In 1999, after fifty-five years in the vault of the Huntington Library in southern California, the Nuremberg Laws resurfaced and were put on public display for the first time at the Skirball Cultural Center in Los Angeles. In this far-ranging, interdisciplinary study that is part historical analysis, part cultural critique, part detective story, and part memoir, Tony Platt explores a range of interrelated issues: war-time looting, remembrance of the holocaust, German and American eugenics, and the public responsibilities of museums and cultural centers. This book is based on original research by the author and co-researcher, historian Cecilia O'Leary, in government, military, and library archives; interviews and oral histories; and participant observation. It is both a detailed, scholarly analysis and a record of the author's activist efforts to correct the historical record.




The Public


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Heralds of Empire


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"I see him yet - swarthy, straight as a lance, keen as steel, in his eyes the restless fire that leaps to red when sword cuts sword. I see him yet - beating about the high seas, a lone adven turer, tracking forest wastes where no man else dare go, pitting his wit against the intrigue Of king and court and empire. Prince of path finders, prince Of pioneers, prince of gamesters, he played the game for love Of the game, caring never a rush for the gold which pawns other men's souls. How much of good was in his ill, how much Of ill in his good, let his life de clare! He played fast and loose with truth, I know, till all the world played fast and loose with him. He juggled with empires as with puppets, but he died not a groat the richer."--forgottenbooks.com.




The Public


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The Quarterly Review


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In Cold Blood


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Selected by the Modern Library as one of the 100 best nonfiction books of all time From the Modern Library’s new set of beautifully repackaged hardcover classics by Truman Capote—also available are Breakfast at Tiffany’s and Other Voices, Other Rooms (in one volume), Portraits and Observations, and The Complete Stories Truman Capote’s masterpiece, In Cold Blood, created a sensation when it was first published, serially, in The New Yorker in 1965. The intensively researched, atmospheric narrative of the lives of the Clutter family of Holcomb, Kansas, and of the two men, Richard Eugene Hickock and Perry Edward Smith, who brutally killed them on the night of November 15, 1959, is the seminal work of the “new journalism.” Perry Smith is one of the great dark characters of American literature, full of contradictory emotions. “I thought he was a very nice gentleman,” he says of Herb Clutter. “Soft-spoken. I thought so right up to the moment I cut his throat.” Told in chapters that alternate between the Clutter household and the approach of Smith and Hickock in their black Chevrolet, then between the investigation of the case and the killers’ flight, Capote’s account is so detailed that the reader comes to feel almost like a participant in the events.




Scandinavian


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