Infotainment Nihilist Presents the Postmodern Sublime
Author : Mark Richardson
Publisher :
Page : 208 pages
File Size : 43,24 MB
Release : 2004-04-01
Category :
ISBN : 9781904929710
Author : Mark Richardson
Publisher :
Page : 208 pages
File Size : 43,24 MB
Release : 2004-04-01
Category :
ISBN : 9781904929710
Author : Fredric Jameson
Publisher : Verso Books
Page : 225 pages
File Size : 28,85 MB
Release : 2009-06-09
Category : Philosophy
ISBN : 1844673499
Fredric Jameson, a leading voice on the subject of postmodernism, assembles his most powerful writings on the culture of late capitalism in this essential volume. Classic insights on pastiche, nostalgia, and architecture stand alongside essays on the status of history, theory, Marxism, and the subject in an age propelled by finance capital and endless spectacle. Surveying the debates that blazed up around his earlier essays, Jameson responds to critics and maps out the theoretical positions of postmodernism’s prominent friends and foes.
Author : Arthur James Wells
Publisher :
Page : 1884 pages
File Size : 22,81 MB
Release : 2006
Category : Bibliography, National
ISBN :
Author : Jean-François Lyotard
Publisher : U of Minnesota Press
Page : 142 pages
File Size : 46,27 MB
Release : 1984
Category : Philosophy
ISBN : 9780816611737
In this book it explores science and technology, makes connections between these epistemic, cultural, and political trends, and develops profound insights into the nature of our postmodernity.
Author : Jan Jagodzinski
Publisher : Routledge
Page : 451 pages
File Size : 44,78 MB
Release : 2019-08-22
Category : Education
ISBN : 1135458014
In Postmodern Dilemmas: Outrageous Essays in Art&Art Education and Pun(k) Deconstruction: Experimental Writings in Art&Art Education, jan jagodzinski presents a series of essays covering a timespan of approximately ten years. These essays chart the theory and practice of art&art education as it relates to issues of postmodernity and poststructuralism concerning representation, identity politics, consumerism, postmodern architecture, ecology, phallocentrism of the artistic canon, pluriculturalism, media and technology, and AIDS. As a former editor of The Journal of Social Theory in Art Education and a founding member for the Caucus on Social Theory in Art Education, the author attempts to deconstruct the current art education paradigm, which is largely based on modernist tenets, and to reorient art education practice to social issues as developed in both media education and cultural studies. Part of the intent in these two volumes is to undertake a sustained critique of the 1982 Art in the Mainstream (A.I.M.) statement, which continues to be considered as the core value for art education. The distinct intention of this critique is to put forward a new value base for art&art education in these postmodern times. Many of the essays raise the need to be attentive to sex/gender issues in art&art education and the need to read the artistic discourse "otherwise." There is a sustained critique of the art programs developed by the Getty Center for the Arts, whose arts curriculum presents the paradigm case of late modernist thinking. Some essays are written in a provocative form that tries to accommodate such content. This is particularly the case in Pun(k) Deconstruction, where architectural discourse is deconstructed, and which includes an "artistic performance" given by the author in 1987. This singular set of volumes combines scholarship in the areas of gender studies, aesthetics, art history, art education, poststructuralism, and cultural studies in a unique blend of theory and practice for rethinking the field of art education.
Author : Hal Foster
Publisher : Pluto Press
Page : 178 pages
File Size : 46,44 MB
Release : 1985
Category : Philosophy
ISBN : 9780745300030
In all the arts a war is being waged between modernists and postmodernists. Radicals have tended to side with the modernists against the forces of conservatism. Postmodern Culture is a break with this tendency. Its contributors propose a postmodernism of resistance - an aesthetic that rejects hierarchy and celebrates diversity. Ranging from architecture, sculpture and painting to music, photography and film, this collection is now recognised as a seminal text on the postmodernism debate.The essays are by Hal Foster, Jürgen Habermas, Kenneth Frampton, Rosalind Krauss, Douglas Crimp, Craig Owens, Gregory L. Ulmer, Fredric Jameson, Jean Baudrillard, and Edward W. Said.
Author : Slavoj Žižek
Publisher : Verso
Page : 262 pages
File Size : 23,4 MB
Release : 1989
Category : Philosophy
ISBN : 9780860919711
In this provocative and original work, Slavoj _i_ek takes a look at the question of human agency in a postmodern world. From the sinking of the Titanic to Hitchcock’s Rear Window, from the operas of Wagner to science fiction, from Alien to the Jewish Joke, the author’s acute analyses explore the ideological fantasies of wholeness and exclusion which make up human society. _i_ek takes issue with analysts of the postmodern condition from Habermas to Sloterdijk, showing that the idea of a ‘post-ideological’ world ignores the fact that ‘even if we do not take things seriously, we are still doing them’. Rejecting postmodernism’s unified world of surfaces, he traces a line of thought from Hegel to Althusser and Lacan, in which the human subject is split, divided by a deep antagonism which determines social reality and through which ideology operates. Linking key psychoanalytical and philosophical concepts to social phenomena such as totalitarianism and racism, the book explores the political significance of these fantasies of control. In so doing, The Sublime Object of Ideology represents a powerful contribution to a psychoanalytical theory of ideology, as well as offering persuasive interpretations of a number of contemporary cultural formations.
Author : George Hartley
Publisher : Duke University Press
Page : 355 pages
File Size : 42,96 MB
Release : 2003-07-16
Category : Philosophy
ISBN : 0822384558
From the Copernican revolution of Immanuel Kant to the cognitive mapping of Fredric Jameson to the postcolonial politics of Gayatri Chakravorty Spivak, representation has been posed as both indispensable and impossible. In his pathbreaking work, The Abyss of Representation, George Hartley traces the development of this impossible necessity from its German Idealist roots through Marxist theories of postmodernism, arguing that in this period of skepticism and globalization we are still grappling with issues brought forth during the age of romanticism and revolution. Hartley shows how the modern problem of representation—the inability of a figure to do justice to its object—still haunts today's postmodern philosophy and politics. He reveals the ways the sublime abyss that opened up in Idealist epistemology and aesthetics resurfaces in recent theories of ideology and subjectivity. Hartley describes how modern theory from Kant through Lacan attempts to come to terms with the sublime limits of representation and how ideas developed with the Marxist tradition—such as Marx’s theory of value, Althusser’s theory of structural causality, or Zizek’s theory of ideological enjoyment—can be seen as variants of the sublime object. Representation, he argues, is ultimately a political problem. Whether that problem be a Marxist representation of global capitalism, a deconstructive representation of subaltern women, or a Chicano self-representation opposing Anglo-American images of Mexican Americans, it is only through this grappling with the negative, Hartley explains, that a Marxist theory of postmodernism can begin to address the challenges of global capitalism and resurgent imperialism.
Author : Mick Broderick
Publisher : Routledge
Page : 268 pages
File Size : 46,44 MB
Release : 2013-11-05
Category : Social Science
ISBN : 1136883185
First Published in 1996. This collection of works is in response to American film scholar and long-term resident of Japan, Donald Richie, words:’ The Japanese failure to come to terms with Hiroshima is one which is shared by everybody in the world today,’ from over thirty years ago, when responding to the Japanese subgenre of cinema which had dealt with the atom bombings of Hiroshima and Nagasaki. Three decades on, the question lingers, does this appraisal remain valid? Hibakusha Cinema is an attempt - perhaps momentarily - to reorient critical focus upon a rarely discussed, yet important feature of Japanese cinema. The essays collected here represent a mix of Japanese and western (pan-Pacific) scholarship harnessing multidisciplinary methodologies, ranging from close textual analysis, archival and historical argument, anthropological assessment, literary and film comparative analyses to psychological and ideological hermeneutics.
Author : Ray Linn
Publisher :
Page : 186 pages
File Size : 12,20 MB
Release : 1996
Category : Philosophy
ISBN :
In this overview of intellectual and artistic trends from the seventeenth century to the present, Linn unpacks the logic, assumptions, and philosophical implications wrapped up in what has become the founding statement of modern rationalism: Descartes's "I think, therefore I am." --from publisher description.