Inhabiting Cyberspace and Emerging Cyberplaces


Book Description

This book explores the concept of cyberplace as a mode of inhabiting the contemporary world. As a result, it suggests that, for many communities, unlocking cyberspace and inhabiting cyberplaces is now an integral part of their coming-to-the-globalised-world. Boos reviews in the detail the existing academic literature from cultural anthropology, human geography, and sociology on “cyberspace”, concluding that a phenomenological perspective on cyberspace provides the possibility of gaining a deep understanding of our contemporary lifeworlds, in which on- and offline practices constantly intermingle. In four chapters, he applies the developed theoretical and methodological approaches to the case of Siena’s neighbourhoods, the contrade, analysing their websites and discussing the implications of his findings for understanding contemporary processes of community building and for future research on cyberspace. This concise and accessible book will be of interest to advanced students and scholars in cultural anthropology, human geography, media studies and sociology.







Mirrored Spaces


Book Description




Aerial Play


Book Description

This book explores recreational uses of consumer drones from the lenses of media ecology, mobile communication, mobilities research, and science and technology studies. In this provocative ethnography, Julia M. Hildebrand discusses camera drones as mobile media for meaningful play. She thus widens perspectives onto the flying camera as foremost unmanned aircraft, spying tool, or dangerous toy towards a more comprehensive understanding of its potentials. How should we situate drone practices in recreational spaces? What ways of seeing, moving, and being do hobby drones open up? Across chapters about drone geography, communication, mobility, visuality, and human-machine relations, Aerial Play introduces novel frameworks for drone affordances, such as communication on the fly, disembodied mobilities, auratic vertical play, and drone-mindedness. In the mobile companionship with her own drone, Hildebrand contributes an innovative “auto-technographic” method for the self-reflective study of media and mobility. Ultimately, her grounded and aerial fieldwork illuminates new technological, mobile, visual, and social relations in everyday spaces.




New Geographies of Music 1


Book Description

This book is the first installment of a trilogy that explores the spatial dimensions of music. Music has generated substantial interest among geographers, but other academic disciplines have also developed related spatial perspectives on music. This trilogy brings together multiple approaches, each book investigating a bundle of interrelated themes. New Geographies of Music 1: Urban Policies, Live Music, and Careers in a Changing Industry starts with an introduction that explores contemporary approaches to the study of popular music. The following chapters address a range of issues, including the role of live music in urban development, how knowledge about local music ecosystems circulates among cities, urban networks of music production, how musical practices in local scenes are affected by core-periphery relations, and how musicians rely on touring in order to earn a living. This is a must-read for anyone interested in the relationship between space and music.




Platform Urbanism


Book Description

This book reflects on what it means to live as urban citizens in a world increasingly shaped by the business and organisational logics of digital platforms. Where smart city strategies promote the roll-out of internet of things (IoT) technologies and big data analytics by city governments worldwide, platform urbanism responds to the deep and pervasive entanglements that exist between urban citizens, city services and platform ecosystems today. Recent years have witnessed a backlash against major global platforms, evidenced by burgeoning literatures on platform capitalism, the platform society, platform surveillance and platform governance, as well as regulatory attention towards the market power of platforms in their dominance of global data infrastructure. This book responds to these developments and asks: How do platform ecosystems reshape connected cities? How do urban researchers and policy makers respond to the logics of platform ecosystems and platform intermediation? What sorts of multisensory urban engagements are rendered through platform interfaces and modalities? And what sorts of governance challenges and responses are needed to cultivate and champion the digital public spaces of our connected lives.




New Geographies of Music 2


Book Description

This book is the second installment of a trilogy that explores the spatial dimensions of music. Music has generated substantial interest among geographers, but other academic disciplines have also developed related spatial perspectives on music. This trilogy brings together multiple approaches, each book investigating a bundle of interrelated themes. New Geographies of Music 2: Music in Urban Tourism, Heritage Policies and Place-making starts by exploring contemporary approaches to the study of popular music, as well as the relations existing between music, tourism, heritage and urban geography. The chapters address a range of issues, including how music shapes the "feel" of touristic towns and urban public spaces, how music scenes have an increasing role in heritage and tourism policies, and how this recognition of music has consequences on artistic practices and urban imaginaries. This is a must-read for anyone interested in the relationship between space and music. Séverin Guillard is an Assistant Professor in Geography at the University of Picardie Jules Verne, Amiens, France and a member of the research unit Habiter le Monde (Inhabiting the World). His research focuses on music, cultural policies and events in French, American, and British cities. Joseph Palis is an Associate Professor and Chairperson at the Department of Geography, University of the Philippines-Diliman. He has been a DJ at WXYC-Chapel Hill since 2006. Ola Johansson is a Professor of Geography at the University of Pittsburgh in Johnstown. He holds a Ph.D. from the University of Tennessee. Johansson is the author of the book Songs from Sweden (2020, Palgrave Macmillan), and co-author of Sound, Society, and the Geography of Popular Music and World Regional Geography. .




Developing Earthly Attachments in the Anthropocene


Book Description

This book explores the development and significance of an Earth-oriented progressive approach to fostering global wellbeing and inclusive societies in an era of climate change and uncertainty. Developing Earthly Attachments in the Anthropocene examines the ways in which the Earth has become a source of political, social, and cultural theory in times of global climate change. The book explains how the Earth contributes to the creation of a regenerative culture, drawing examples from the Netherlands and Iceland. These examples offer understandings of how legacies of non-respectful exploitative practices culminating in the rapid post-war growth of global consumption have resulted in impacts on the ecosystem, highlighting the challenges of living with planet Earth. The book familiarizes readers with the implied agencies of the Earth which become evident in our reliance on the carbon economy – a factor of modern-day globalized capitalism responsible for global environmental change and emergency. It also suggests ways to inspire and develop new ways of spatial sense making for those seeking earthly attachments. Offering novel theoretical and practical insights for politically active people, this book will appeal to those involved in local and national policy making processes. It will also be of interest to academics and students of geography, political science, and environmental sciences.







Digital Theatre


Book Description

Digital Theatre is a rich and varied art form evolving between performing bodies gathered together in shared space and the ever-expanding flexible reach of the digital technology that shapes our world. This book explores live theatre performances which incorporate video projection, animation, motion capture and triggering, telematics and multisite performance, robotics, VR, and AR. Through examples from practitioners like George Coates, the Gertrude Stein Repertory Theatre, Troika Ranch, David Saltz, Mark Reaney, The Builder’s Association, and ArtGrid, a picture emerges of how and why digital technology can be used to effectively create theatre productions matching the storytelling and expressive needs of today’s artists and audiences. It also examines how theatre roles such as director, actor, playwright, costumes, and set are altered, and how ideas of body, place, and community are expanded.